Guns are not toys. You’d think that a firearms instructor, of all people, would know that.
Especially when the gun in question is an Uzi submachine gun.
Developed in the late 1940s by Israeli Major Uziel Gal, it was introduced into the Israeli Special Forces in 1954.
Two years later, it was pressed into general issue among the Israeli Army.
It’s compact, easy to carry (weighing about seven pounds) and utterly lethal, firing 600 rounds per minute.
Uzi submachine gun
This was designed purely as a weapon of war. Its purpose is to quickly kill as many enemy soliders as possible.
In short, it’s not a toy for the amusement of children.
On August 25, a firearms instructor named Charles Vacca, 39, of Lake Havasu City, Arizona, learned that the hard way.
He was showing a nine-year-old girl how to use an Uzi submachine gun at the Last Stop outdoor shooting range in Dolan Springs.
The girl pulled the trigger and the recoil sent the gun over her head, shooting the instructor in the head.
He was flown to University Medical Center in Las Vegas, but did not survive.
Clearly, this was yet another entirely preventable killing.
First of all, why does a nine-year-old girl need to learn to use an Uzi?
As stated previously: This is a military weapon, designed solely for killing large numbers of people as quickly as possible.
So unless you’re a soldier–or a serial killer–this gun has no use for you.
Its bullets–up to .45 caliber–will not only go through their intended target–but into any bystanders who are unlucky enough to be behind him as well.
Contrast this with ammo like the Glazer Safety Slug, which uses No. 6 birdshot suspended in liquid Teflon. Upon impact, the round explodes within the target, scattering the birdshot for an almost certifiably lethal wound.
Thus, the Glazer round won’t pass through its intended target to strike someone standing behind him. And if the round hits a wall, it will shatter, thus reducing the danger of a ricochet.
Second, the instructor should have known that a 600-round-a-minute weapon is bound to have a big recoil. So he should have put his arms around hers to ensure that she had a firm grip on the weapon.
The result: Another casualty of the NRA mentality that says: Everyone of any age and inability should have access to high-caopacity military firepower.
This latest tragedy bears a striking resemblan/ce to the one that just as needlessly killed “American Sniper” Chris Kyle.
Chris Kyle
As a Navy SEAL sniper, from 1999 to 2009, Kyle recorded more than 160 confirmed kills–the most in U.S. military history. Iraqis came to refer to him as “The Devil” and put a $20,000 bounty on his life.
After leaving combat duty, he became the chief instructor for training at the Naval Special Warfare Sniper and Counter-Sniper team. And he authored the Naval Special Warfare Sniper Doctrine, the first Navy SEAL sniper manual.
Upon retiring from the Navy, he created a nonprofit company, FITCO Cares. Its mission: to provide at-home fitness equipment for emotionally and physically wounded veterans.
And he was a mentor to veterans suffering from PTSD–Post Traumatic Stress Disorder.
It was this last activity–and, more importantly, his approach to therapy–that cost him his life.
On February 2, 2013, an Iraqi War veteran reportedly suffering from PTSD turned a semi-automatic pistol on Chris Kyle and Kyle’s friend, Chad Littlefield, while the three visited a shooting range in Glen Rose, Texas.
The accused murderer is Eddie Ray Routh, of Lancaster, Texas. Routh, a corporal in the Marines, was deployed to Iraq in 2007 and Haiti in 2010.
Police later found the murder weapon at his home.
It was apparently Kyle’s belief that shooting could prove therapeutic for those suffering from mental illness.
Erath County Sheriff Tommy Bryant said that Routh’s mother “may have reached out to Mr. Kyle to try to help her son.
“We kind of have an idea that maybe that’s why they were at the range for some type of therapy that Mr. Kyle assists people with. And I don’t know if it’s called shooting therapy, I don’t have any idea.”
Chris Kyle was undoubtedly one of the foremost experts on firearms in the United States. Few knew better than he did the rules for safe gun-handling.
And yet he broke perhaps the most basic commonsense rule of all: Never trust an unstable person with a loaded firearm.
And it was the breaking of that rule that killed him.
Charles Vacca made a similar elementary mistake: He assumed that a nine-year-old girl was ready to take on the challenges of military hardware that was never designed for children.
And it killed him.



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MOVIES: A SELF-DESTRUCTIVE INDUSTRY
In Bureaucracy, Business, Entertainment, History, Social commentary on September 4, 2014 at 11:16 pmOn August 31, the Huffington Post ran a story about trouble in Hollywood, under the headline: “Film Industry Has Worst Summer since 1997.”
Little more than one month earlier–on July 22–a headline in the Hollywood Reporter had offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”
Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter
It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.
Consider the following:
According to Rentrak, a company that keeps tabs on box office profits:
Among this summer’s films that disappointed movie studios:
Click here: Film Industry Has Worst Summer Since 1997
Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming. They also expected major television events like the World’s Cup to keep moviegoers indoors.
But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.
Which is outrageous. The wonder is that the movie business hasn’t collapsed already.
It’s hard to think of an industry more geared toward its own destruction than the movie business.
First, there’s the before-mentioned average ticket price of $8.33. You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.
So a couple with two children can expect to spend at least $33.32 just to get into the theater. A couple with four children will be gouged $49.98 for a single movie’s entertainment.
And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.
Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.
So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to hit stores. Wait even longer than six months, and you can probably buy a cheaper used DVD.
With that, you can watch your new favorite movie as many times as you want–without being charged bigtime every time you do so.
This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.
Third, there used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie. In return, we don’t expect to see TV-like commercials.
Naturally, that didn’t include previews of coming attractions. These have been a widely enjoyed part of the movie experience since the 1930s.
But starting in 2003, theaters began aiming commercials at their customers before even the previews came on. Some industry sources believe cinema advertising generates over $200 million a year in sales.
Click here: Now showing at a theatre near you – Louisville – Business First
But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.
Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.
At AMC theaters, an onscreen advisory tells you to seek help if you need it. But your chances of finding an available usher range from slim to none at most theaters.
To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.
Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.
In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus”.” Or with new “you-are-there” film experiments like Cinnemascope.
“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.
But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.
Unless the owners of movie studios–and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.
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