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STEPHEN COLBERT: TRIUMPHANT IN DEFEAT: PART TWO (END)

In Bureaucracy, Business, Entertainment, History, Politics, Social commentary on May 27, 2026 at 12:10 am

On July 14, 2025, after returning from a multi-week break, Stephen Colbert, host of CBS’ Late Night With Stephen Colbert, said: “While I was on vacation, my parent corporation, Paramount, paid Donald Trump a $16 million settlement over his ‘60 Minutes’ lawsuit.    

“I believe this kind of complicated financial settlement with a sitting government official has a technical name in legal circles—it’s big fat bribe.” 

Meanwhile, Paramount Global, the parent company of CBS Network, wanted to merge with Skydance Media.

For this, it needed the regulatory permission of the Federal Communications Commission (FCC) of the Trump administration.

On July 17, CBS cancelled the highest-rated late-night show on television with 2.4 million nightly viewers. It had also been nominated for 33 Emmys.

Addressing his in-house and television audience on July 17, Colbert announced: “I want to let you know something that I found out just last night. Next year will be our last season. The network will be ending The Late Show in May.

“It’s not just the end of our show, but it’s the end of The Late Show on CBS. I’m not being replaced. This is all just going away.” 

In a statement, Paramount/CBS called the cancellation a purely financial decision: “It is not related in any way to the show’s performance, content or other matters happening at Paramount.” 

Colbert did not directly accuse his bosses of bowing to pressure from the FCC. But he did offer this insightful comment: “Less than two years before they called to say it’s over, they were very eager for me to be signed for a long time. So, something changed.”

What “changed” was that after CBS cancelled one of Trump’s biggest critics, the merger between Paramount Global and Skydance Media was quickly approved by the FCC.

Federal Communications Commission - Wikipedia

David Letterman had hosted The Late Show with David Letterman from August 30, 1993, until his retirement on May 20, 2015.

Ed Sullivan Theater - Wikipedia

On his last night as host of The Late Show Colbert did exactly that, turning what could have been a mournful event into a celebration of joy and defiance.

Stephen Colbert Signs off “Late Show” with Emotional Goodbye https://www.youtube.com/watch?v=znec-DIff8o 

Hello, Goodbye: Paul McCartney turns off the lights on 'The Late Show with Stephen Colbert ' | MyCentralOregon.com - Horizon Broadcasting Group, LLC

STEPHEN COLBERT: TRIUMPHANT IN DEFEAT: PART ONE (OF TWO)

In Bureaucracy, Business, Entertainment, History, Politics, Social commentary on May 26, 2026 at 12:05 am

 …A truly great man is ever the same under all circumstances. And if his fortune varies, exalting him at one moment and oppressing him at another, he himself never varies, but always preserves a firm courage, which is so closely interwoven with his character that everyone can readily see that the fickleness of fortune has no power over him.                                                                                              Niccolo Machiavelli, The Discourses       

Watching the last episode of The Late Show With Stephen Colbert was like watching a slow-motion execution—where the victim turns his demise into a rousing revival meeting.  

That episode, shown on Thursday, May 21, capped a hugely successful run of 10 years and eight months (September 8, 2015 to May 21, 2026). Broadcast on CBS against ABC’s Jimmy Kimmel Live! and NBC’s The Tonight Show Starring Jimmy Fallon, Late Night ranked as the highest-rated American late-night talk show.

And it held that ranking for nine consecutive seasons, marking the longest such streak in franchise history.

Stephen Colbert | WikiLists | Fandom

Stephen Colbert

But for all the adoring fans Colbert attracted during those years, he acquired one enemy who never forgot or forgave the slightest insult. And from 2015 onward, Colbert showered him with humorous, deadly accurate insults calculated to get under his paper-thin skin and stay there.

That enemy was Donald J. Trump.

Colbert started throwing thousands of barbs at Trump immediately after the real estate mogul launched his first campaign for President on June 16, 2015. These focused on Trump’s appearance, intelligence, family, policy shifts, criminality, legal troubles and commercial ventures.

Among the barbs:

  • “It’s true, this [Iran] war reached all of its objectives. It’s been weeks since anyone mentioned the Epstein files.”
  • After Trump threatened to destroy Iran but then agreed to a brief pause, Colbert paraphrased John Lennon’s famous peace anthem, singing: “All we are saying, is peace for two weeks.” 
  • “For my  MAGA viewers. The Trump golden cell phone has FINALLY arrived after a nine month delay. And it SUCKS. The only Trump item more disappointing after a nine-month wait was Eric!” 
  • Colbert often joked about Trump’s short attention span, comparing his mind to “nature’s most cunning opponent, the goldfish.”
  • Following Trump’s 34 felony convictions on May 30, 2024, for falsifying business records, Colbert joked that Trump had “more felonies than Baskin-Robbins has flavors.”

Head-and-shoulders shot of Trump with a serious facial expression, his right eye partly closed. He is wearing a dark blue suit, a pale blue dress shirt, a red necktie, and an American flag lapel pin. Parts of the image are slightly out of focus. The background is black.

Donald Trump

Colbert had a biting wit that never flinched at speaking truth to—and about—power. But Trump had a weapon that Colbert couldn’t match: Command of the Federal Communications Commission (FCC). 

And in its chair, Brendan Carr, he had a crony willing to destroy any network that dared to offend his thin-skinned boss, Donald Trump. 

Knowing Trump’s animosity toward nonwhites, Carr has brutally attacked any network-related company promoting Diversity, Equity and Inclusion (DEI). He ordered investigations into Comcast and the Walt Disney Company and threatened to revoke ABC’s broadcast license over the practices. 

On September 10, 2025, Right-wing propagandist Charlie Kirk was shot at Utah Valley University in Orem, Utah.

In September 2025, Carr pressured Disney, which owns ABC, to suspend comedian Jimmy Kimmel over comments he had made about the assassination. On September 17, Disney caved and suspended Kimmel.

Brendan Carr

Kimmel had actually called the murder “senseless.” What enraged Right-wing Americans was Kimmel’s noting that “the MAGA gang is desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.” 

This was actually true—and all the more embarrassing to Republicans because of it. The Trump administration and its MAGA cult have tried to portray Tyler Robinson, the man accused of shooting Kirk, as a radical liberal.

He is not.

Debbie Robinson, his grandmother, said most of the family are Republicans—and that Tyler’s father, Matt, is a staunch supporter of Donald Trump.  

Disney/ABC reinstated The Jimmy Kimmel Show on September 23  after a massive public backlash, a steep drop in Disney’s stock value, and a widespread Hollywood boycott.

Photo of Kimmel smiling at his late-show desk

Jimmy Kimmel

Paramount had recently paid Trump $16 million to settle a lawsuit he had brought against the CBS news show, 60 Minutes. He claimed that it had misleadingly edited a pre-election interview with then Vice President Kamala Harris to boost her election chances in 2024. CBS’ attorneys and a number of legal experts had said that the lawsuit was “completely without merit.”

On July 14, 2025, after returning from a multi-week break, Colbert said: “While I was on vacation, my parent corporation, Paramount, paid Donald Trump a $16 million settlement over his ‘60 Minutes’ lawsuit.

“As someone who has always been a proud employee of this network, I am offended. And I don’t know if anything will ever repair my trust in this company, but just taking a stab at it, I’d say $16 million would help.

“I believe this kind of complicated financial settlement with a sitting government official has a technical name in legal circles—it’s big fat bribe.

Colbert didn’t know it, but the axe was about to fall.

WILL HANTAVIRUS BE THE NEXT COVID FOR TRUMP?

In Business, Entertainment, History, Medical, Politics, Social commentary on May 18, 2026 at 12:16 am

With the world bracing for a hantavirus outbreak, it’s well to remember the last time a pandemic erupted—in 2020.

On November 8, 1963—57 years before COVID-19 invaded the United States—Rod Serling’s “The Twilight Zone” offered a prophecy of future disaster for the country.

“The Old Man in the Cave” is set in a post-apocalyptic rural town in 1974, 10 years after a nuclear war has devastated the United States. 

A nuclear explosion

The townspeople have discovered a supply of canned food. However, they are waiting for Mr. Goldsmith [John Anderson], their leader, to return with a message from the mysterious and unseen “Old Man in the Cave.” Then they will learn whether the food is contaminated with radiation.

When Goldsmith returns, he informs them that the old man has declared the food is contaminated and that it should be destroyed.

Shortly thereafter, three soldiers led by Major French [James Coburn] enter the town and clash with Goldsmith as they try to establish their authority.

French is clearly a precursor of Donald Trump: Demanding instant obedience and threatening death to anyone who disobeys him, he claims he will organize the region to rebuild society..

President Trump tests positive for COVID-19 | KRCR

Donald Trump

French attacks the townspeople’s belief in the seemingly infallible “Old Man in the Cave.” He tells them they have survived these past 10 years—but they haven’t lived. 

Fifty-seven years later, Donald Trump will furiously attack not COVID-19 but the medical advice of his own Centers for Disease Control and Prevention (CDC)—especially that provided by Dr. Anthony Fauci, the nation’s top expert on infectious disease.

He will disdain the wearing of masks and social distancing, and attack those Democratic governors who impose stay-at-home orders to contain the virus. He will offer a series of rosy predictions—none of which come true—that the virus will soon end.

His “cures” include ingesting Clorox bleach and/or having UV light shined up one’s anus.

Interferon Plays Pivotal, Inflammatory Role in Severe COVID-19 Cases

COVID-19 virus

And French holds himself out as the man who can deliver them a wonderful new future.

Fifty-seven years later, Donald Trump will similarly declare: “I have joined the political arena so that the powerful can no longer beat up on people that cannot defend themselves. Nobody knows the system better than me, which is why I alone can fix it.”

French tempts the townspeople to eat the food Goldsmith warned was contaminated. There is a wild orgy of gluttony as they greedily consume it. 

Only Goldsmith refuses to partake in the food orgy.

The townspeople turn on Goldsmith and threaten him with death unless he reveals the identity of the “Old Man in the Cave.” Goldsmith finally takes the assembly to the cave to reveal his source: A computer.

French incites the townspeople to stone the computer with rocks and canned goods until it explodes. Then French leads the people into celebrating their new-found freedom from “tyranny”. 

Fifty-seven years later, Trump will similarly incite his followers to attack the United States Capitol building to halt the legal transfer of Presidential power from himself to Joe Biden. 

But as Goldsmith had insisted, the “Old Man” was correct: The canned goods were contaminated with radiation. All the townspeople—including French and the soldiers—die, their bodies left lying throughout the streets.

Trump will similarly tempt millions of Americans to ignore the deaths of tens of thousands of their fellow citizens from COVID-19 and the overwhelming of the nation’s hospitals. The result will be a vast increase in deaths.

Many of the businesses Trump hoped to keep open—to ensure his own re-election—will be shuttered.

Only one man survives—Goldsmith, who has refused to eat the forbidden food and somberly walks out of the now-dead town.  

As always in a “Twilight Zone” episode, it is Rod Serling who gets the final word:

“Mr. Goldsmith, survivor. An eyewitness to man’s imperfection. An observer of the very human trait of greed. And a chronicler of the last chapter—the one reading ‘suicide’. Not a prediction of what is to be, just a projection of what could be. This has been The Twilight Zone.”

Dark-haired man holding a lit cigarette

Rod Serling

Except that Serling was wrong: “The Old Man in the Cave” has proven an uncanny prediction of what did happen in America.

* * * * *

The chief lesson to be learned from the COVID-19 epidemic is that catastrophe inevitably results when natural disaster collides with an evil and incompetent administration.

And the man who stands most responsible for the deaths of 400,000 Americans in 2020 is Donald Trump, then the 45th President of the United States.

Under his tyrannical rule, the United States suffered not simply from a lethal virus but a combination of denial, lies, Republican subservience, chaos, extortion, propaganda as news, quackery as medicine, premature demands to “re-open the country,” ignoring the danger and—finally—resignation (“Learn to live with the virus”). 

Even after three vaccines were produced, millions of Americans—almost all of them Right-wing Trump supporters—refused to protect themselves and the families and friends they claimed to love. 

All of which bodes ill for Americans if hantavirus makes a similar attack on the United States under a second Trump administration.

WHEN HUBRIS TURNS CRITICAL: PART TWO (END)

In Business, Entertainment, History, Law, Military, Politics, Social commentary on April 15, 2026 at 12:11 am

Facing an apparently unwinnable war with Iran that he had started, President Donald Trump found himself facing an unexpected opponent: Pope Leo X1V.  

“Come back to the table,” said Leo. “Let’s talk, let’s look for solutions in a peaceful way and let’s remember especially the innocent children, the elderly, sick, so many people who have already become or will become victims of this continued warfare.”

On April 12 Trump posted on Truth Social: “Pope Leo is WEAK on Crime, and terrible for Foreign Policy. I don’t want a Pope who thinks it’s OK for Iran to have a Nuclear Weapon.” 

“I’m not afraid of the Trump administration or speaking out loudly of the message of the gospel, which is what I believe I am here to do, what the church is here to do,” replied the Pope.

American bishops rallied behind him, describing Leo not as a political opponent but as a “vicar of Christ who speaks from the truth of the Gospel.”

So, with the world holding its breath at what disaster might follow, Trump clearly felt that the time had come to remind people of his divine presence—and mission.

On April 13 he posted an AI-generated image of himself as Jesus healing a stricken man in a hospital bed. 

Image

If he assumed that his Religious Right followers would gaze at it in awe, Trump quickly learned otherwise: They were outraged by what they saw as his blasphemous comparison of  himself to Jesus.

“Is he looking for a response? Does he actually think this? Either way, two things are true. 1) a little humility would serve him well 2) God shall not be mocked,” Riley Gaines, a Fox News host and conservative commentator, wrote on X.

“OUTRAGEOUS blasphemy,” Megan Basham, a writer at the conservative Daily Wire, said of the post.

“Nothing matters more than Jesus,” wrote Isabel Brown, a host on the same outlet. “This post is, frankly, disgusting and unacceptable, but also a profound misreading of the American people experiencing a true and beautiful revival of faith in Christ.”

Reporters asked Trump whether he posted a picture depicting himself as Jesus Christ. Trump replied with typical lack of humility: “It wasn’t a depiction, it was me, It’s supposed to be me as a doctor making people better. And I do make people better. I make people a lot better,”   

Aside from the religious reasons for being outraged at Trump’s self-depiction, there are genuine secular ones. Such as: Is it wise to entrust a nuclear arsenal to a man so unstable as to believe himself divine?

Trump has often worn a red MAGA hat bearing the inscription: “TRUMP WAS RIGHT ABOUT EVERYTHING.”

No one is ever right about everything. And those who believed they were usually discovered they weren’t.

A classic example of this was the Roman emperor Gaius Caligula (August 31, 12 A.D. to January 24, 41 A.D).

Gaius Caligula

  Carole Raddato from FRANKFURT, Germany, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0&gt;, via Wikimedia Commons

It was Caligula who, as “the Mad Emperor” of Rome, once said: “Bear in mind that I can treat anyone exactly as I please.” 

And he did. He began laying claim to divine majesty, and killing or exiling anyone he saw as a threat. He ordered a tribune to murder his brother Tiberius, and drove his father-in‑law Silanus to cut his throat with a razor. 

Caligula’s favorite method of execution was to have a victim tortured with many slight wounds. His infamous order for this: “Strike so that he may feel that he is dying.”

According to his biographer, Gaius Suetonius Tranquillus: “He forced parents to attend the executions of their sons, sending a litter for one man who pleaded ill health, and inviting another to dinner immediately after witnessing the death, and trying to rouse him to gaiety and jesting by a great show of affability.”

Anyone who has ever seen the Biblical epics “The Robe” (1953) and “Demetrius and the Gladiators” (1954) remembers Jay Robinson’s chilling performance as Caligula. His face a perpetual sneer, he revels in wanton cruelty and megalomania. Ultimately, he comes to believe he’s a god.

Jay Robinson as Emperor Caligula: 'The Robe' 1953, 'Demetrius And The Gladiators' 1954

Jay Robinson as Gaius Caligula in “The Robe”

In one scene, Caligula confronts his paternal uncle, Claudius, and asks: “Do you see her Claudius? The Goddess Diana. Every night she comes to me. My arms. There….there she goes. Now do you see her?”

Claudius replies: “No, sire.”

“Why not?” demands Caligula.  

“Only you gods are privileged to see each other,” says Claudius—which instantly satisfies Caligula.

In “Demetrius”—as in history—Caligula, to his surprise, finds there are people willing to end his reign of evil.

In “Demetrius” it comes with a single spear thrown by one of his guards in a gladiatorial arena. In reality, it happened in an underground corridor where he was stabbed to death by officers of the Praetorian Guard.

Trump, like Caligula, revels in the destruction he wields. And, as with Caligula, there are clearly no limits to his megalomania.

The only question that remains to be answered: Will Trump’s reign—like Caligula’s-–end before he can destroy everyone within reach?

REINHARD HEYDRICH HAS A WARNINIG FOR REPUBLICANS: VIOLENCE CAN FLOW TWO WAYS

In Bureaucracy, Entertainment, History, Politics, Social commentary on January 21, 2026 at 12:13 am

Threats of violence have become common among Republicans since 2015, when Donald Trump first ran for President.    

On March 16, 2016, Trump warned Republicans that if he didn’t win the GOP nomination in July, his supporters would literally riot: “I think you’d have riots. I think you would see problems like you’ve never seen before. I think bad things would happen. I really do. I wouldn’t lead it, but I think bad things would happen.” 

Almost five years later, on January 6, 2021, then-President Trump incited a deadly riot against the United States Capitol to stop Congress from certifying the electoral victory of Joe Biden in the 2020 presidential election.

Upon taking office again as President on January 20, 2025, Trump issued a blanket pardon to about 1,500 of his supporters who carried out the attack. This sent a clear message to his future opponents: “I will similarly pardon anyone who assaults you.”

In 2025, a re-elected Trump launched a sweeping deportation effort. Agents of Immigration and Customs Enforcement [ICE] have brutalized migrants and American citizens.

In Minneapolis and Saint Paul, Minnesota, for example, protesters blow whistles, yell or honk horns. Immigration officers break vehicle windows, use pepper spray on protesters and warn observers not to follow them through public spaces. Immigrants and citizens alike are forcibly pulled from cars, stores or homes and detained for hours, days or longer. 

On January 7, 2026, an ICE agent shot 37-year-old Renee Nicole Good, a writer and poet, as she legally observed federal agents arresting suspected illegal aliens. 

The Third Reich similarly relied on violence—or the threat of it—to preserve its dictatorial control over Germany.

A key representative of that violence was Reinhard Tristan Eugen Heydrich.

A tall, blond-haired former naval officer, Heydrich was both a champion fencer and talented violinist. Heydrich joined the Schutzstaffel, or Protective Squads, better known as the SS, in 1931, and quickly became head of its counterintelligence service.

In 1934, he oversaw the “Night of the Long Knives” purge of Adolf Hitler’s brown-shirted S.A., or Stormtroopers.

Reinhard Heycrich

In September, 1941, Heydrich was appointed “Reich Protector” of Czechoslovakia, which had fallen prey to Germany in 1938 but whose citizens were growing restless under Nazi rule.

Heydrich immediately ordered a purge, executing 92 people within the first three days of his arrival in Prague. By February, 1942, 4,000-5,000 people had been arrested.

In January, 1942, Heydrich convened a meeting of high-ranking political and military leaders in Wannsee, Germany, to streamline “the Final Solution to the Jewish Question.”  

An estimated six million Jews were thus slaughtered.

Returning to Prague, Heydrich continued his policy of carrot-and-stick with the Czechs—improving the social security system and requisitioning luxury hotels for middle-class workers, alternating with arrests and executions.  

Two British-trained Czech commandos—Jan Kubis and Joseph Gabcik—parachuted into Prague. 

On May 27, 1942, they waited at a hairpin turn in the road always taken by Heydrich. When Heydrich’s Mercedes slowed down, Gabcik raised his machinegun—which jammed.

Rising in his seat, Heydrich aimed his revolver at Gabcik—as Kubis lobbed a hand grenade at the car. The explosion drove steel and leather fragments of the car’s upholstery into Heydrich’s diaphragm, spleen and lung.

Scene of Reinhard Heydrich’s assassination

Hitler dispatched doctors from Berlin to save the Reich Protector. But infection set in, and on June 4, Heydrich died at age 38. 

The assassination sent shockwaves through the upper echelons of the Third Reich. No one had dared assault—much less assassinate—a high-ranking Nazi official.

Nazis had slaughtered tens of thousands without hesitation. Suddenly they realized that the fury they had aroused could be turned against themselves.

Which brings us to the leaders of America’s own Right-wing.

The names of infamous Nazis were widely known:

  • Fuhrer Adolf Hitler
  • Reichsmarshall Hermann Goering
  • Propaganda Minister Paul Joseph Goebbels
  • Deputy Fuhrer Rudolf Hess
  • Propaganda Film Director Leni Riefenstahl
  • SS-Reichsfuhrer Heinrich Himmler
  • “Hanging Judge” Roland Freisler
  • Foreign Minister Joachim von Ribbentrop
  • SS Obergruppenfuhrer Reinhard Heydrich

Adolf Hitler introducing his new cabinet, 1933

Members of the Nazi government

Bundesarchiv, Bild 183-H28422 / CC-BY-SA 3.0, CC BY-SA 3.0 DE <https://creativecommons.org/licenses/by-sa/3.0/de/deed.en&gt;, via Wikimedia Commons

And so are the names of the infamous leaders of the American Right: 

  • President Donald Trump
  • House Majority Leader Mike Johnson
  • White House Deputy Chief of Staff for Policy Stephen Miller
  • Texas Senator Ted Cruz
  • Supreme Court Justice Clarence Thomas
  • Attorney General Pam Bondi
  • Secretary of State Marco Rubio
  • Department of Homeland Security Secretary Kristi Noem
  • U.S. Border Patrol commander Gregory Bovino

The difference between these two infamous groups is this:

In Nazi Germany, ordinary Germans could not learn about the personal lives of their dictators—including their home addresses—and to conspire against them.

In the United States, ordinary citizens have an array of means to do this. They can turn to newspapers, TV and magazines. And if that isn’t enough, “people finder” websites, for a modest price, provide addresses and names of relatives of potential targets.

In Nazi Germany, firearms were tightly controlled.

In the United States, the Right’s National Rifle Association has successfully lobbied to put lethal firepower into the hands of virtually anyone who wants it.

Almost 84 years ago, Reinhard Heydrich believed himself invulnerable from the hatred of the enemies he had made. That arrogance cost him his life.

The day may soon come when America’s own Right-wingers start learning that same lesson.

TRUMP JOINS THE RANKS OF ART-TWISTING DICTATORS

In Bureaucracy, Entertainment, History, Politics, Social commentary on January 15, 2026 at 12:06 am

On December 18, 2025, The John F. Kennedy Memorial Center for the Performing Arts became The Donald Trump and John F. Kennedy Memorial Center for the Performing Arts.

And all that it took for this to happen was for Trump’s handpicked board overseeing the John F. Kennedy Center to declare: “We’re adding Trump’s name to this building.” 

Specifically, White House Press Secretary Karoline Leavitt announced on X: “I have just been informed that the highly respected Board of the Kennedy Center, some of the most successful people from all parts of the world, have just voted unanimously to rename the Kennedy Center to the Trump-Kennedy Center, because of the unbelievable work President Trump has done over the last year in saving the building.”

Related image

Donald Trump

This totally ignored three vital truths:

First, in 1955, President Dwight D. Eisenhower established a commission for a new public auditorium to showcase the performing arts in the nation’s capital. It was to be called The National Cultural Center

Second, in January, 1964, two months after the assassination of President John F. Kennedy, Congress passed and President Lyndon B. Johnson signed into law legislation renaming the Center as a “living memorial” in his honor: The John F. Kennedy Memorial Center for the Performing Arts

Third, adding Trump’s name to the Center legally would require a similar act of Congress—which has not occurred.

Thus, putting Trump’s name on the building without a Congressional act carries all the legitimacy of a graffiti vandal spray-painting his name on the Center.

Free Events at the Kennedy Center

Trump spent most of 2025 putting his stamp on the Center. First he purged most of the board that governs the institution. Then he replaced its members with pliable ideologues and sycophants, capped by installing itself as the new chairman.

On December 18, his underlings blatantly renamed the center itself.

Given Trump’s well-known admiration for dictators such as Vladimir Putin, Xi Jinping and Kim Jong-Un, it was inevitable that he would seek to remake the arts in his own image.

In doing so, he’s following in the footsteps of propaganda-obsessed tyrants like Joseph Stalin and Adolf Hitler

Consider this blurb from the 2015 nonfiction book, Fear and the Muse Kept Watch: The Russian Masters from Akhmatova and Pasternak to Shostakovich and Eisenstein Under Stalin, by Andy McSmith:

Fear and the Muse Kept Watch - The New Press

“For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed.

“McSmith brings together the stories of these artists―including [writer] Isaac Babel, [poet and novelist] Boris Pasternak, [composer] Dmitri Shostakovich, and many others―revealing how they pursued their art under Stalin’s regime and often at great personal risk.

“It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich’s career veered wildly between public disgrace and wealth and acclaim.”

Adolf Hitler similarly installed himself as the arbiter of culture in Nazi Germany.

In Hitler and the Power of Aesthetics, Frederic Spotts argues that Hitler saw the world corrupted by “evils” he must first destroy so he could re-create it to conform to his artistic ideals.

Amazon.com: Hitler and the Power of Aesthetics: 9781585673452: Spotts, Frederic: Books

Hitler considered himself an unappreciated artist. At 18, he had applied for admission to the Academy of Fine Arts Vienna, but was rejected twice. If he had a friend, it was the architect Albert Speer, with whom he felt an artistic kinship.

Even as the Third Reich collapsed, he found time to pore over architectural models he intended to turn into gigantic buildings.

In Hitler’s Germany, culture was not only the end to power but the means of achieving it. His artistry—expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music—destroyed any sense of individuality and linked the German people with his own drives.

Like Hitler, Trump sees himself as an unrecognized artist. Of the 515 entities he owns, 268 of them—52%—bear his last name. He often refers to his properties as “the swankiest,” “the most beautiful.”  

Upon his return to the Presidency in 2025, he turned his “artistic” gifts on the White House. On June 9, contractors began paving over the grass of the White House Rose Garden with stone tiles to create a patio.

Again like Hitler, Trump believes that “bigger is better” in architecture. 

On July 31, 2025, the Trump administration announced that a 90,000 square feet addition would be made to the White House to incorporate a 650-person capacity ballroom. In October, Trump ordered the demolition of the White House’s historic East Wing to clear space for it. 

The estimated cost has ballooned from $200 million to $400 million.

Trump has repeatedly pushed to enlarge the ballroom—from a 90,000-square-feet addition capable of seating 650 guests to one that can seat, first, 999 guests and then to 1,000 guests at formal dinners.

Tyrants always hail such projects as “gifts for the nation.” In reality, they are self-glorifying monuments to the dictator’s own ego.

MORE LESSONS FROM “LINCOLN”

In Entertainment, History, Military, Politics, Social commentary, Uncategorized on December 5, 2025 at 12:11 am

Southerners have long claimed—falsely—that the Civil War was not about slavery.

Steven Spielberg’s Lincoln proves that, from first to last, the cause of the Civil War was slavery. 

According to The Destructive War, by Charles Royster, arguments over “states’ rights” or economic conflict between North and South didn’t lead 13 Southern states to withdraw from the Union in 1860-61. It was their demand for “respect” of their “peculiar institution”—i.e., slavery.

Lincoln (2012)

Daniel Day-Lewis as “Lincoln”

“The respect Southerners demanded did not consist simply of the states’ sovereignty or of the equal rights of Northern and Southern citizens, including slaveholders’ right to take their chattels into Northern territory.

“It entailed, too, respect for their assertion of the moral superiority of slaveholding society over free society,” writes Royster.

“It was not enough for Southerners to claim equal standing with Northerners; Northerners must acknowledge it. But this was something that the North was increasingly unwilling to do.”

Finally, its citizens dared to elect Abraham Lincoln as President in 1860. Lincoln and his new Republican party damned slavery—and slaveholders—as morally evil, obsolete and ultimately doomed. And they were determined to prevent slavery from spreading any further throughout the country.

Southerners found all of this intolerable.

The Destructive War by Charles Royster: 9780679738787 | PenguinRandomHouse.com: Books

The British author, Anthony Trollope, explained to his readers:

“It is no light thing to be told daily, by our fellow citizens…that you are guilty of the one damning sin that cannot be forgiven. All this [Southerners] could partly moderate, partly rebuke and partly bear as long as political power remained in their hands.”

It is to Spielberg’s credit that he forces his audience to look directly at the real cause of the bloodiest conflict on the North American continent.

At the heart of Spielberg’s film: Abraham Lincoln (Daniel Day-Lewis) wants to win ratification of what will be the Thirteenth Amendment to the United States Constitution.  An amendment that will forever ban slavery.

But, almost four years into the war, slavery still has powerful friends—in both the North and South.

Many of those friends belong to the House of Representatives, which must ratify the amendment for it to become law. Some are hostile to Lincoln personally. One of them dubs him a dictator: “Abraham Africanus.” Another accuses him of shifting his positions for the sake of expediency.

Other members—white men all—are hostile to the idea of equality between the races.

Supporter comment from Alijah Placide · Change.org

To them, ending slavery means opening the door to interracial marriage—especially marriage between black men and white women. Perhaps even worse, it means possibly giving blacks—or women—the right to vote.

Members of Lincoln’s own Cabinet—such as Secretary of State William Seward—warn him: You can negotiate the end of the war immediately—if you’ll just let Southerners keep their slaves.

After the amendment wins ratification, Lincoln agrees to meet with a “peace delegation” from the Confederate States of America.

At the top of their list of concerns: If they persuade the seceded states to return to the Union, will those states be allowed to nullify the amendment?

No, says Lincoln. He’s willing to make peace with the South, and on highly generous terms. But not at the cost of allowing slavery to live on.

Too many men—North and South—have died in a conflict whose root cause is slavery. Those lives must count for more than simply reuniting the Union.

The South has lost thousands of men (260,000 is the generally accepted figure for its total casualties) and the war is clearly lost. But for its die-hard leaders, parting with slavery is simply unthinkable.

Like Nazi Germany 80 years into the future, the high command of the South won’t surrender until their armies are too beaten down to fight any more.

The major difference between the defeated South of 1865 and the defeated Germany of 1945, is this: The South was allowed to build a beautiful myth of a glorious “Lost Cause,” epitomized by the Margaret Mitchell novel, Gone With the Wind.Gone with the Wind Movie Poster Clark Gable Art Print Rare | Etsy

In that telling, dutiful slaves were well-treated by kindly masters. Southern aristocrats wore white suits and their slender-waisted ladies wore long dresses, carried parasols and said “fiddle-dee-dee” to young, handsome suitors.

One million people attended the premier of the movie version in Atlanta on December 15, 1939. The celebration featured stars from the film, receptions, thousands of Confederate flags, false antebellum fronts on stores and homes, and a costume ball.

In keeping with Southern racial tradition, Hattie McDaniel and the other black actors from the film were barred from attending the premiere. Upon learning this, Clark Gable threatened to boycott the event. McDaniel convinced him to attend.

When today’s Southerners fly Confederate flags and speak of “preserving our traditions,” they are actually celebrating their long-banned “peculiar institution.”

By contrast, post-World War II Germany outlawed symbols from the Nazi-era, such as the swastika and the “Heil Hitler” salute, and made Holocaust denial punishable by imprisonment.

America has refused to confront its own shameful past so directly. But Americans can be grateful that Steven Spielberg has had the courage to serve up a long-overdue and much needed lesson in past–and still current—history.

KING HENRY VIII MEETS KING DONALD 1: PART ONE (OF TWO)

In Bureaucracy, Entertainment, History, Law, Law Enforcement, Politics, Social commentary on October 23, 2025 at 12:11 am

There is more in common between Donald Trump and King Henry VIII than at first might seem possible.                   

And the 1969 movie, “Anne of the Thousand Days,” brings it vividly to light.     

Throughout much of the film, Henry (Richard Burton) lusts to romantically—and sexually—capture the beautiful Anne Boleyn (Geneviève Bujold). The fact that he’s married to Catherine of Aragon matters not at all.

Henry justifies his infidelity on the fact that Catherine has failed to give him a male heir.

He’s been having an affair with Anne’s younger sister, Mary, but is now bored with her. The fact that she’s now pregnant with his child matters not at all, either.

He first notices Anne, 18, at a court ball. She’s engaged to the son of the Earl of Northumberland, and they have received their parents’ permission to marry. But Henry is enraptured with Anne’s beauty and orders his Lord Chancellor, Cardinal Wolsey, to break the engagement.

ANNE OF THE THOUSAND DAYS Movie POSTER 27x40 Richard Burton Genevieve Bujold - Picture 1 of 1

Anne is furious, and blames both Henry and Wolsey for ruining her happiness. But as the King’s infatuation continues, she becomes intoxicated with the power it brings her. 

Henry presses Anne to become his mistress. But she says she won’t bear an illegitimate child. Desperate to have a son, Henry decides to divorce Catherine and marry Anne.

For Anne, it’s the ultimate seduction, and she agrees. She’s ordained as Queen, but is popularly reviled by the supporters of Catherine.

Months later, Henry is dismayed when Anne gives birth to a daughter, Elizabeth—who will eventually become Queen after Henry’s death.

Henry turns his always-wandering eye to Jane Seymour, one of Anne’s maids. Anne banishes Jane from the court. 

Full-length portrait of King Henry VIII

Henry VIII

Anne is furious that Sir Thomas More, the King’s Chancellor, opposes Henry’s divorce from Catherine. She refuses to sleep with Henry unless he executes More.

Anne gets her wish: More is beheaded. But her next child—a boy—is stillborn.

By now, Henry is convinced Anne will never be able to give him a male heir. He schemes to divorce her and marry Jane. He contrives with his new chief minister, Thomas Cromwell, to have Anne falsely charged with infidelity.

At her trial, Anne vigorously defends herself, proving that the witnesses against her are lying.

In a private meeting with her, Henry offers to free her if she’ll agree to annul their marriage. Since this will make Elizabeth illegitimate, Anne refuses—and goes courageously to her death 

Throughout the movie, Englishmen from Henry on down are convinced that England will collapse if a woman ascends the throne.

And, of course, England not only survives but thrives under the 45-year reign of Queen Elizabeth.

Which brings us to Donald Trump.

Like Henry, Trump is a man of voracious appetites—for wealth, for fame, for sex. Like Henry, he is untroubled by scruples and will commit any crime to attain whatever he wants. Like Henry, he is a man of fierce temper—always eager to crush anyone he thinks has wronged him.

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Donald Trump 

Countless Englishmen who lived under Henry thought England would collapse if a woman took the throne.

Now countless Americans believed the United States would collapse if a former President was brought to trial.

On March 30, 2023, Trump was indicted by a New York grand jury. He thus became the first current or former President to face criminal charges.

On April 1, CNN reported/editorialized:  “Former President Donald Trump’s indictment….has thrust the nation into uncharted political, legal and historical waters, and raised a slew of questions about how the criminal case will unfold. 

“The Manhattan district attorney’s office has been investigating Trump in connection with his alleged role in a hush money payment scheme and cover-up involving adult film star Stormy Daniels that dates to the 2016 Presidential election.”

Trump attacked Manhattan District Attorney Alvin Bragg as pursuing a leftist vendetta to prevent him from running for President in 2024.

“If they can do this to me,” he thundered in countless fund-raising appeals to his Right-wing followers, “they can do this to you.” 

Which raised the question: “How many others have tried to illegally overturn a legitimate Presidential election and/or paid hush-money to a porn ‘actress’?”

Trump repeatedly tried to appear the victim of “a Democratic-led witch hunt.” But if politics tainted the dispensing of justice in Trump’s case, it was on his behalf.    

As President, he had immunity from civil and criminal lawsuits. He couldn’t be tried at local, state and federal levels. And he had good reason to avoid facing trial at any level.  Among the cases facing him while he held office:

  • The Manhattan District Attorney’s criminal case against the Trump Organization for tax evasion.
  • The New York Attorney General’s civil investigation into the Trump Organization for fraud.
  • The E. Jean Carroll defamation lawsuit (he called her a liar after she claimed he raped her in the 1990s). 
  • The Mary Trump lawsuit: His niece was suing him for allegedly defrauding her out of millions of dollars.
  • The Trump Tower lawsuit: Five people claimed that Keith Schiller, the Trump Organization’s then chief of security, hit one of them on the head when they were protesting outside of the company’s Manhattan headquarters in 2015. 

A LIFE–AND PRESIDENCY–BASED ON HATRED

In Bureaucracy, Entertainment, History, Politics, Social commentary on September 22, 2025 at 12:05 am

During his 1992 Presidential campaign, Bill Clinton had “It’s the Economy, Stupid,” as his mantra for staying focused on the issue that recession-suffering Americans most cared about.  

Donald Trump’s mantra—as Presidential candidate and President—could be summed up as: “It’s the Hatred, Stupid.”  

From June 15, 2015, when he launched his first Presidential campaign, until October 24, 2016, Trump fired almost 4,000 angry, insulting tweets at 281 people and institutions that had somehow offended him— in politics, journalism, TV and films.

Donald Trump

The New York Times needed two full pages of its print edition to showcase them.  Among his targets:

  • Women
  • Blacks
  • Hispanics
  • Asians
  • Muslims
  • News organizations
  • The disabled
  • POWs

And his base is equally motivated by hatred—of the same persons and organizations whom Trump regularly attacks. During the 2016 campaign, countless such voters told interviewers: “He says what I’ve long been thinking!”

Trump didn’t implant hatred in them—he simply gave it legitimacy. And they love him for it.

And since coming to power once again as President on January 20, Trump has given his lust for hatred free reign. 

  • Issued pardons to about 1,500 of his followers who violently tried to overturn the outcome of the 2020 Presidential election in the January 6, 2021 attack on Congress. Move than 250 of those pardoned had been convicted of assaulting police.
  • Withdrew the United States from the World Health Organization (WHO). 
  • Suspended all foreign aid for at least three months.
  • Withdrew from the Paris climate agreement.
  • Through his appointment of Robert F. Kennedy, Jr. as Secretary of Health and Human Services, has declared all-out war on established medical institutions.
  • Ordered the dismissal of 5,000 FBI agents who investigated his incitement of the January 6 riot and his own hoarding of classified documents at Mar-a-Lago.

Federal Bureau of Investigation - Wikipédia

  • Declared “a national emergency” targeting migrants—legal and illegal.
  • Sought to cancel automatic citizenship for U.S.-born children, known as birthright, and enshrined within the United States Constitution.
  • Withdrew the security detail assigned to former Chairman of the Joint Chiefs of Staff Mark Milley for rightly criticizing him as a wannabe dictator.
  • Cancelled travel to the United States for refugees, including those who had been approved to resettle within the country.
  • Withdrew the security detail assigned to Anthony Fauci, the former director of the National Institute of Allergy and Infectious Disease. Fauci’s crime: Contradicting Trump’s lies about the dangers of COVID-19.
  • Ordered all Federal Diversity, Equity, Inclusion and Accessibility offices, positions, plans, actions, initiatives or programs to be scrapped within 60 days.
  • Through his Federal Communications Commission Chairman, Brenden Carr, forced CBS to cancel “The Late Show With Stephen Colbert”—a fierce Trump critic. 

Upon being named Chancellor of Germany on January 30, 1933, Adolf Hitler ruthlessly moved to make himself absolute dictator.

During his first eight months since again taking office on January 20,  Donald Trump has ruthlessly moved to make himself absolute dictator

* * * * * * * * * *

As non- and anti-Fascist Americans have watched Trump’s behavior with fear and morbid fascination, many of them have asked: “What makes him do the things he does?”

It’s a question asked—and answered—in the 1993 Western, Tombstone. And the answer given in that movie may just hold the answer to the question so many Americans are now asking about Trump.

Tombstone Movie Poster 1993 1 Sheet (27x41)

Tombstone recounts the legendary blood feud between the Ike Clanton outlaw gang and the Earp brothers—Wyatt, Morgan and Virgil—in  the famous gold-mining town in 1880s Arizona.

Wyatt Earp has been challenged to a gunfight by quick-trigger gunman Johnny Ringo. Although he impulsively accepted the challenge, Wyatt now realizes he’s certain to be killed. Thus follows this exchange with his longtime friend, the pistol-packing dentist, John H. “Doc” Holliday: 

WYATT EARP:  What makes a man like Ringo, Doc? What makes him do the things he does?

JOHN H. “DOC” HOLLIDAY: A man like Ringo’s got a great empty hole right through the middle of him. He can never kill enough or steal enough or inflict enough pain to ever fill it.

EARP:  What does he need?

HOLLIDAY:  Revenge.

EARP:  For what?

HOLLIDAY: Bein’ born.

Donald Trump was born into a world of wealth and privilege. His father gave him $200 million, which he channeled into a real estate empire. He has claimed to be worth a billion dollars.

He has been linked—often by his own boasts—to some of the most beautiful women in the world. He has been a major force on TV through his “reality show,” The Apprentice. He has literally stamped his name on hundreds of buildings.

And now he holds the Presidency of the United States, the most powerful office in the Western world. 

Yet he remains filled with a poisonous hatred that encompasses almost everyone.

Since taking office, he has offered nothing positive in his agenda. Instead, he has focused his efforts on what he can take from others. At the top of his list: Declaring war on millions of illegal immigrants—many of whom hold menial jobs most other Americans refuse to take.

As first-mate Starbuck says of Captain Ahab in Herman Melville’s classic novel, Moby Dick: “He is a champion of darkness.”

TRAGEDY–GENUINE AND SELF-INFLICTED

In Entertainment, History, Medical, Social commentary on September 12, 2025 at 12:10 am

Whitney Houston drowned in her bathtub at the Beverly Hilton Hotel on February 11, 2012. 

The cause of death: Coronary artery disease—and cocaine use.  She was 48.  

Ever since, reporters and commentators have repeatedly used the word “tragedy” to describe her fate. 

But there are tragedies that are brought on by events beyond human control—and tragedies that are self-inflicted.

Consider:

Julie Andrews: Whose four-octave soprano voice has delighted audiences for decades on Broadway (Camelot, My Fair Lady) and movies (Mary Poppins, The Sound of Music). 

In 1964, she won the Academy Award for Best Actress and Golden Globe Award for Best Actress (for Mary Poppins).

Her performance in The Sound of Music made it the highest-grossing film of 1965—and won her a second Golden Globe Award for Best Actress.

Julie Andrews, in her best-loved role as “Mary Poppins”

In 1997, she underwent surgery at Mount Sinai Medical Center to remove non-cancerous nodules in her throat. The nodules were removed—but so was her ability to sing.

Her husband, Blake Edwards, was widely quoted as saying that Andrews’ voice had been all but ruined: ”If you heard it, you’d weep.”

Whitney Houston: Blessed with beauty, charm and a golden, intense singing voice that could turn even the almost-unsingable “Star Spangled Banner” into a rousing anthem.

As a beloved, internationally-recognized vocalist, she enjoyed even greater fame and wealth as a movie star (The Bodyguard, Waiting to Exhale).

Whitney Houston Welcome Home Heroes 1 cropped.jpg

Whitney Houston

Meanwhile, she took on increasingly deadly habits. She chain-smoked cigarettes. And marijuana—“a lot.” She dove into alcohol, pills, cocaine.

During a 2002 interview with Diane Sawyer, she denied using crack. Not because it’s lethal, or because it would destroy The Voice that she believed was God’s gift to her.

No, it was because “I make too much money to ever smoke crack. Let’s get that straight. OK? We don’t do crack. We don’t do that. Crack is whack.”

Cocaine

Crack cocaine

In 2006, the National Enquirer ran an interview with her sister-in-law, Tina, who charged that Houston spent her days locked in her bedroom “smoking crack, using sex toys to satisfy herself and ignoring personal hygiene.”

Then, in 2009, appearing on Oprah Winfrey’s season premiere, Houston finally admitted that she used drugs with her ex-husband, Bobby Brown, who “laced marijuana with rock cocaine.” 

In other words, crack. 

So, apparently, crack wasn’t whack.

Over time, the once-magnificent instrument that was your voice started to change noticeably. She could no longer hit high notes, or hold one the way she did in her immortal hit, “I Will Always Love You.”

Her voice now sounded hoarse, raspy.

In 2010, she embarked on a “Nothing But Love World Tour.” It was a disaster. In Brisbane, she paused during singing to take a drink of water.

A critic said her performance in London was marked by a strained voice filled with coughs and wheezes.

Fans felt cheated—especially after paying $165 for a ticket—and reacted with jeers and boos. Some walked out in mid-concert.

On the night before her death, Houston become belligerent and almost duked it out with singer Stacy Francis at the Tru Hollywood nightclub. Her boyfriend, Ray J, had to step in to prevent a fistfight.

Houston was seen leaving the club drunk, with scratches and bloodstains on her legs.

* * * * *

Whose tragedy was genuine—and whose was self-inflicted?

The ugly truth is that Whitney Houston’s singing career ended long before her life did.

When people remember her monumental hits like “I Will Always Love You,” they’re recalling a time more than 30 years ago.

Another ugly truth is that each of us is responsible for our own actions.

Attorney and talk-show host Nancy Grace blamed Houston’s doctors for Houston’s death. She argued that they had kept writing prescriptions for “America’s songbird” when they knew she was an addict.

But Houston was the one who requested that they write those prescriptions. And she was the one who administered them.

The same chain of events occurred in the Michael Jackson case.

Jackson wanted his drug-of-choice: propofol, a hypnotic sedative used for general anesthesia. And he got it.

He paid his private doctor, Conrad Murray, $150,000—a-month. For a salary that large, Jackson clearly expected to get more than the standard: “Take two aspirins and call me in the morning.”

So he got what he wanted—and it killed him.

Houston, for all her charm, was also used to getting her own way.  Once. on an airplane, she tried to light up in the bathroom.  When the pilot warned that she could be fined $2,000, she offered to write out a check that moment if she could have her smoke. The pilot refused.

No matter how famous, talented, beautiful and/or wealthy you might be, in the end, you remain a mere mortal. Even if you are allowed to disobey the laws of man, you will be held accountable by your own body for bouts of deadly excess.

That, in the end, is the real legacy of Whitney Houston. And Michael Jackson. And Elvis Presley.  And Marilyn Monroe. And a great many other now-dead celebrities.

Sadly, it is a truth that both celebrities and their worshipers must re-learn—over and over.