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Posts Tagged ‘THE SOUND OF MUSIC’

CELEBRITIES AND TRAGEDY–GENUINE AND SELF-INFLICTED

In Entertainment, History, Medical, Social commentary on May 10, 2018 at 12:18 am

Whtney Houston drowned in her bathtub at the Beverly Hilton Hotel on February 11, 2012. 

The cause of death: Coronary artery disease—and cocaine use.  She was 48.

Ever since, reporters and commentators have repeatedly used the word “tragedy” to describe her fate. 

But there are tragedies that are brought on by events beyond human control—and tragedies that are self-inflicted.

Consider:

Julie Andrews: Whose four-octave soprano voice has delighted audiences for decades on Broadway (Camelot, My Fair Lady) and movies (Mary Poppins, The Sound of Music). 

In 1964, she won the Academy Award for Best Actress and Golden Globe Award for Best Actress (for Mary Poppins).

Her performance in The Sound of Music made it the highest-grossing film of 1965—and won her a second Golden Globe Award for Best Actress.

Julie Andrews, in her best-loved role as “Mary Poppins”

In 1997, she underwent surgery at Mount Sinai Medical Center to remove non-cancerous nodules in her throat. The nodules were removed—but so was her ability to sing.

Her husband, Blake Edwards, was widely quoted as saying that Andrews’ voice hds been all but ruined: ”If you heard it, you’d weep.”

Whitney Houston: Blessed with beauty, charm and a golden, intense singing voice that can turn even the almost-unsingable “Star Spangled Banner” into a rousing anthem.

As a beloved, internationally-recognized vocalist, she enjoyed even greater fame and wealth as a movie star (The Bodyguard, Waiting to Exhale).

Whitney Houston Welcome Home Heroes 1 cropped.jpg

Whitney Houston

Meanwhile, she took on increasingly deadly habits. She chain-smoked cigarettes. And marijuana—“a lot.” She dove into alcohol, pills, cocaine.

During a 2002 interview with Diane Sawyer, she denied using crack. Not because it’s lethal, or because it would destroy The Voice that she believed was God’s gift to her.

No, it was because “I make too much money to ever smoke crack. Let’s get that straight. OK? We don’t do crack. We don’t do that. Crack is whack.”

Image result for Images of crack cocaine crystals

Crack cocaine

In 2006, the National Enquirer ran an interview with her sister-in-law, Tina, who charged that Houston spent her days locked in her bedroom “smoking crack, using sex toys to satisfy herself and ignoring personal hygiene.”

Then, in 2009, appearing on Oprah Winfrey’s season premiere, Houston finally admitted that she used drugs with her ex-husband, Bobby Brown, who “laced marijuana with rock cocaine.” 

In other words, crack. 

So, apparently, crack wasn’t whack.

Over time, the once-magnificent instrument that was your voice started to change noticeably. She could no longer hit high notes, or hold one the way she did in her immortal hit, “I Will Always Love You.”

Her voice now sounded hoarse, raspy.

In 2010, she embarked on a “Nothing But Love World Tour.” It was a disaster. In Brisbane, she paused during singing to take a drink of water.

A critic said her performance in London was marked by a strained voice filled with coughs and wheezes.

Fans felt cheated—especially after paying $165 for a ticket—and reacted with jeers and boos.  Some walked out in mid-concert.

On the night before her death, Houston become belligerent and almost duked it out with singer Stacy Francis at the Tru Hollywood nightclub. Her boyfriend, Ray J, had to step in to prevent a fistfight.

Houston was seen leaving the club drunk, with scratches and blood-stains on her legs.

* * * * *

Whose tragedy was genuine—and which was self-inflicted?

The ugly truth is that Whitney Houston’s singing career ended long before her life did.

When people remember her monumental hits like “I Will Always Love You,” they’re recalling a time more than 20 years ago.

Another ugly truth is that each of us is responsible for our own actions.

Attorney and talk-show host Nancy Grace blamed Houston’s doctors for her death. She argued that they had kept writing prescriptions for “America’s songbird” when they knew she was an addict.

But Houston was the one who requested that they write those prescriptions. And she was the one who administered them.

The same chain of events occurred in the Michael Jackson case.

Jackson wanted his drug-of-choice: propofol, a hypnotic sedative used for general anesthesia.  And he got it.

He paid his private doctor, Conrad Murray, $150,000—a-month. For a salary that large, Jackson clearly expected to get more than the standard: “Take two aspirins and call me in the morning.”

So he got what he wanted—and it killed him.

Houston, for all her charm, was also used to getting her own way.  Once. on an airplane, she tried to light up in the bathroom.  When the pilot warned that she could be fined $2,000, she offered to write out a check that moment if she could have her smoke. The pilot refused.

No matter how famous, talented, beautiful and/or wealthy you might be, in the end, you remain a mere mortal. Even if you are allowed to flout the laws of man, you will be held accountable by your own body for bouts of deadly excess.

That, in the end, is the real legacy of Whitney Houston. And Michael Jackson. And Elvis Presley.  And Marilyn Monroe. And a great many other now-dead celebrities.

Sadly, it is a truth that both celebrities and their worshipers must re-learn—over and over.

MOVIES: A SELF-DESTRUCTING INDUSTRY

In Bureaucracy, Business, Entertainment, History, Social commentary on December 16, 2015 at 12:39 am

On August 31, 2014, the Huffington Post ran a story about trouble in Hollywood, under the headline: “Film Industry Has Worst Summer since 1997.”

Little more than one month earlier–on July 22–a headline in the Hollywood Reporter had offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”

Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter

Movie Theater

It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.

Consider the following:

According to Rentrak, a company that keeps tabs on box office profits:

  • Ticket sales to movie theaters in the U.S. and Canada were expected to sink to $3.9 billion by the end of 2014.
  • In July, 2014, movie ticket sales were down 30%.
  • That’s a 15% decline in movie revenues when compared to those racked up during the summer of 2013.
  • For the first time in 13 years, no summer film netted $300 million in domestic ticket sales.

Among the films that disappointed movie studios in summer, 2014:

  • “The Expendables 3″
  • “Planes:  Fire and Rescue”
  • “Amazing Spider Man 2″
  • “Sex Tape”
  • “Sin City: A Dame to Kill For”
  • “Edge of Tomorrow”
  • “Transformers: Age of Extinction”
  • “How to Train Your Dragon 2″

Click here: Film Industry Has Worst Summer Since 1997

Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming. They also expected major television events like the World’s Cup to keep moviegoers indoors.

But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.

Which is outrageous.  The wonder is that the movie business hasn’t collapsed already.

It’s hard to think of an industry more geared toward its own destruction than the movie business.

First, there’s the before-mentioned average ticket price of $8.33.  You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.

So a couple with two children can expect to spend at least $33.32 just to get into the theater. A couple with four children will be gouged $49.98 for a single movie’s entertainment.

And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.

Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.

So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to  hit stores.  Wait even longer than six months, and you can probably buy a cheaper used DVD.

With that, you can watch your new favorite movie as many times as you want–without being charged bigtime every time you do so.

This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.

Third, there used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie.  In return, we don’t expect to see TV-like commercials.

Naturally, that didn’t include previews of coming attractions.  These have been a widely enjoyed part of the movie experience since the 1930s.

But starting in 2003, theaters began aiming commercials at their customers before even the previews came on.  Some industry sources believe cinema advertising generates over $200 million a year in sales.

Click here: Now showing at a theatre near you – Louisville – Business First

But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.

Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.

At AMC theaters, an onscreen advisory tells you to seek help if you need it.   But your chances of finding an available usher range from slim to none at most theaters.

In fact, only one floor of a multi-storied AMC theater offers a concession stand.  This means that people have to take the elevator down several floors to the second-floor snack bar.

Not many moviegoers are going to lose that much time while watching a movie just to get a second high-priced bag of popcorn.

To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.

Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.

In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus”.”  Or with new “you-are-there” film experiments like Cinnemascope.

“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.

But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.

Unless the owners of movie studios–and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.

HOLLYWOOD: ITS OWN WORST ENEMY

In Business, History, Social commentary on January 13, 2015 at 12:55 am

The cyberhacking of Sony Pictures last December led many Americans to wonder: “Is this the end of the movie industry as we know it?”

Yet Hollywood doesn’t need cyberattackers–whether from North Korea, as the FBI alleges, or fired ex-employees of Sony, as others believe–to seek its destruction.

It has long been its own worst enemy.

On July 22, 2014, a headline in the Hollywood Reporter offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”

Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter

Movie Theater

It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.

Consider the following:

According to Rentrak, a company that keeps tabs on box office profits:

  • Ticket sales to movie theaters in the U.S. and Canada are expected to sink to $3.9 billion.
  • In July, movie ticket sales were down 30%.
  • That’s a 15% decline in movie revenues when compared to those racked up during the summer of 2013.
  • For the first time in 13 years, no summer film netted $300 million in domestic ticket sales.

Among this summer’s films that disappointed movie studios:

  • “The Expendables 3″
  • “Planes:  Fire and Rescue”
  • “Amazing Spider Man 2″
  • “Sex Tape”
  • “Sin City: A Dame to Kill For”
  • “Edge of Tomorrow”
  • “Transformers: Age of Extinction”
  • “How to Train Your Dragon 2″

Click here: Film Industry Has Worst Summer Since 1997

Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming.  They also expected major television events like the World’s Cup to keep moviegoers indoors.

But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.

Actually, the wonder is that the movie business hasn’t collapsed already.

It’s hard to think of an industry more geared toward its own destruction than the movie business.

First, there’s the before-mentioned average ticket price of $8.33.  You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.

So a couple with two children can expect to spend at least $33.32 just to get into the theater.  A couple with four children will be gouged $49.98 for a single movie’s entertainment.

And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.

Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.

Putting out a film on DVD so soon after its theater-release only cheapens the thrill of seeing it in a movie theater.

So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to  hit stores.  Wait even longer than six months, and you can probably buy a cheaper used DVD.

With that, you can watch your new favorite movie as many times as you want–-without being charged bigtime every time you do so.

This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.

Third, there are the TV-like commercials that overwhelm audiences waiting for the movie to start.

There used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie.  In return, we don’t expect to see commercials.

Naturally, that didn’t include previews of coming attractions.  These have been a widely enjoyed part of the movie experience since the 1930s.

But starting in 2003, theaters began aiming commercials at their customers before even the previews came on.  Some industry sources believe cinema advertising generates over $200 million a year in sales.

Even so, it turns movie-theaters into expensive TVs, and thus cheapens the special experience of seeing a movie in a theater.

Click here: Now showing at a theatre near you – Louisville – Business First

But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.

Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.

At AMC theaters, an onscreen advisory tells you to seek help if you need it.   But your chances of finding an available usher range from slim to none at most theaters.

To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.

Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.

In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus.”  Or with new “you-are-there” film experiments like Cinnemascope.

“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.

But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.

Unless the owners of movie studios–-and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.

MOVIES: A SELF-DESTRUCTIVE INDUSTRY

In Bureaucracy, Business, Entertainment, History, Social commentary on September 4, 2014 at 11:16 pm

On August 31, the Huffington Post ran a story about trouble in Hollywood, under the headline: “Film Industry Has Worst Summer since 1997.”

Little more than one month earlier–on July 22–a headline in the Hollywood Reporter had offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”

Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter

Movie Theater

It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.

Consider the following:

According to Rentrak, a company that keeps tabs on box office profits:

  • Ticket sales to movie theaters in the U.S. and Canada are expected to sink to $3.9 billion.
  • In July, movie ticket sales were down 30%.
  • That’s a 15% decline in movie revenues when compared to those racked up during the summer of 2013.
  • For the first time in 13 years, no summer film netted $300 million in domestic ticket sales.

Among this summer’s films that disappointed movie studios:

  • “The Expendables 3″
  • “Planes:  Fire and Rescue”
  • “Amazing Spider Man 2″
  • “Sex Tape”
  • “Sin City: A Dame to Kill For”
  • “Edge of Tomorrow”
  • “Transformers: Age of Extinction”
  • “How to Train Your Dragon 2″

Click here: Film Industry Has Worst Summer Since 1997

Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming.  They also expected major television events like the World’s Cup to keep moviegoers indoors.

But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.

Which is outrageous.  The wonder is that the movie business hasn’t collapsed already.

It’s hard to think of an industry more geared toward its own destruction than the movie business.

First, there’s the before-mentioned average ticket price of $8.33.  You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.

So a couple with two children can expect to spend at least $33.32 just to get into the theater.  A couple with four children will be gouged $49.98 for a single movie’s entertainment.

And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.

Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.

So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to  hit stores.  Wait even longer than six months, and you can probably buy a cheaper used DVD.

With that, you can watch your new favorite movie as many times as you want–without being charged bigtime every time you do so.

This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.

Third, there used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie.  In return, we don’t expect to see TV-like commercials.

Naturally, that didn’t include previews of coming attractions.  These have been a widely enjoyed part of the movie experience since the 1930s.

But starting in 2003, theaters began aiming commercials at their customers before even the previews came on.  Some industry sources believe cinema advertising generates over $200 million a year in sales.

Click here: Now showing at a theatre near you – Louisville – Business First

But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.

Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.

At AMC theaters, an onscreen advisory tells you to seek help if you need it.   But your chances of finding an available usher range from slim to none at most theaters.

To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.

Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.

In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus”.”  Or with new “you-are-there” film experiments like Cinnemascope.

“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.

But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.

Unless the owners of movie studios–and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.

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