“Jimmy Kimmel Live! will be pre-empted indefinitely,” an ABC spokesperson said in a brief statement to media outlets on the evening of September 17, 2025.
This followed criticism by Republicans of on-air comments Kimmel had made after the September 10 shooting of Right-wing propagandist Charlie Kirk.
Early that day, Brendan Carr, chairman of the Federal Communications Commission (FCC), called Kimmel’s remarks “truly sick” in an interview with Right-wing podcaster Benny Johnson. And he said the Disney-owned network should hold Kimmel accountable or face punishment.
Speaking like a Mafioso in Goodfellas, Carr added: “This is a very, very serious issue right now for Disney. We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel or there is going to be additional work for the FCC ahead.”
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Brendan Carr
During his monologue on September 15, Kimmel actually called the murder “senseless.” What enraged Right-wing Americans was Kimmel’s noting that “the MAGA gang is desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.”
This was actually true—and all the more embarrassing to Republicans because of it. The Trump administration and its MAGA cult have tried to portray Tyler Robinson, the man accused of shooting Kirk, as a radical liberal.
He is not.
Debbie Robinson, his grandmother, said most of the family are Republicans—and that Tyler’s father, Matt, is a staunch supporter of Donald Trump.
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Jimmy Kimmel
Kimmel then showed a clip of a reporter asking Trump how he was holding up in the wake of Kirk’s death.
“I think very good. And by the way, right there where you see all the trucks, they just started construction of the new ballroom for the White House, which is something they’ve been trying to get, as you know, for about 150 years, and it’s gonna be a beauty.”
“Yes, he’s at the fourth stage of grief: construction,” Kimmel said. “Demolition, construction. This is not how an adult grieves the murder of someone he called a friend. This is how a four-year-old mourns a goldfish.”
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Donald Trump
After Kirk’s death, Trump and his Republican allies threatened retribution (“consequences”) for people who spoke unflatteringly about him.
On September 15—five days after Kirk’s death—Vice President J.D. Vance hosted Kirk’s podcast: “So, when you see someone celebrating Charlie’s murder, call them out and, hell, call their employer. We don’t believe in political violence, but we do believe in civility.”
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J.D. Vance
Sean Parnell, the Pentagon’s top spokesman, wrote: “It is unacceptable for military personnel and Department of War civilians to celebrate or mock the assassination of a fellow American.”
White House Deputy Chief of Staff Stephen Miller vowed to use law enforcement to go after Americans who mocked Kirk’s death, calling that domestic terrorism:
“We will not live in fear, but you will live in exile, because the power of law enforcement under President Trump’s leadership will be used to find you, will be used to take away your money, take away your power, and if you have broken the law to take away your freedom.”
Thus the penalties for celebrating the death of a Fascist.
On September 15, then-Attorney General Pam Bondi told Katie Miller, the former DOGE aide, on her podcast: “There’s free speech and then there’s hate speech. And there is no place—especially now, especially after what happened to Charlie—in our society. We will absolutely target you, go after you, if you are targeting anyone with hate speech.”
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Pam Bondi
At Kirk’s funeral on September 22, Trump gave his own example of hate speech: “That’s where I disagreed with Charlie. I hate my opponent and I don’t want the best for them. I’m sorry.”
Meanwhile, Kirk’s critics have accused him—both in life and death—of being the real exploiter of hate speech.
- At a 2024 Trump election rally in Georgia, Kirk said Democrats “stand for everything God hates.”
- He promoted Trump’s false claim that the 2020 presidential election was “rigged” against him by a vast Democratic conspiracy.
- On January 5, 2021, the day before Trump’s followers attacked the United States Capitol, Kirk wrote on Twitter that his Turning Point Action group and Students for Trump were sending more than 80 “buses of patriots to D.C. to fight for this President.”
- Afterward, Kirk said that the attack on the Capitol wasn’t an insurrection and did not represent mainstream Trump supporters.
- On civil rights, Kirk said: “We made a huge mistake when we passed the Civil Rights Act in the 1960s.”
- On race: “If I see a Black pilot, I’m going to be like, ‘Boy, I hope he’s qualified.’”
- Speaking of the July 4, 2025 Texas flood along the Guadalupe River in the Hill Country: “You are not being told by the media anywhere, is that the death toll likely would not have been so high if it wasn’t for DEI.”
- He attacked New York City mayoral candidate Zohran Mamdani as “a self-righteous, narcissistic parasite on New York City and should be expelled from politics.”
The difference between Kirk and his opponents: Kirk didn’t face “retribution” from a powerful, Right-wing government for his hate speech.


ACADEMY OF FINE ARTS FIENNA, ADOLF HITLER, ALBERT SPEER, ALTERNET, AMERICABLOG, AP, BABY BOOMER RESISTANCE, BBC, BLOOMBERG, BLUESKY, BUZZFEED, CBS NEWS, CNN, CROOKS AND LIARS, DAILY KOS, DONALD TRUMP, DWIGHT D. EISENHOWER, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HITLER AND THE POWER OF AESTHETICS (BOOK), HUFFINGTON POST, JOHN F. KENNEDY, JOHN F. KENNEDY MEMORIAL CENTER FOR THE PERFORMING ARTS, JOSEPH STALIN, KAROLINE LEAVITT, MEDIA MATTERS, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHINGTON POST, THINKPROGRESS, THIRD REICH, TIME, TRUTHDIG, TRUTHOUT, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WHITE HOUSE, WHITE HOUSE BALLROOM, X
A SETBACK FOR TRUMP, A WIN FOR THE ARTS
In Bureaucracy, Entertainment, History, Politics, Social commentary on June 2, 2026 at 12:05 amOn December 18, 2025, The John F. Kennedy Memorial Center for the Performing Arts became The Donald Trump and John F. Kennedy Memorial Center for the Performing Arts.
This happened in three steps. In 2025, Trump:
Specifically, White House Press Secretary Karoline Leavitt announced on X: “I have just been informed that the highly respected Board of the Kennedy Center, some of the most successful people from all parts of the world, have just voted unanimously to rename the Kennedy Center to the Trump-Kennedy Center, because of the unbelievable work President Trump has done over the last year in saving the building.”
Donald Trump
This totally ignored three vital truths:
First, in 1955, President Dwight D. Eisenhower established a commission for a new public auditorium to showcase the performing arts in the nation’s capital. It was to be called The National Cultural Center.
Second, in January, 1964, two months after the assassination of President John F. Kennedy, Congress passed and President Lyndon B. Johnson signed into law legislation renaming the Center as a “living memorial” in his honor: The John F. Kennedy Memorial Center for the Performing Arts.
Third, adding Trump’s name to the Center legally would require a similar act of Congress—which has not occurred. Without that, putting Trump’s name on the building is the equivalent of a graffiti vandal spray-painting his name on the Center.
On May 29, 2026, U.S. District Judge Christopher Cooper in Washington, D.C., ruled that Trump’s name was illegally added to the Center: “The Kennedy Center’s organic statute makes crystal clear that the Center is to be named for President Kennedy, and it cannot bear any other formal name or public memorial based on the Board’s unilateral say-so.
“Congress gave the Kennedy Center its name, and only Congress can change it.”
And he ordered that Trump’s name be removed from the building within two weeks—by June 12, two days before Trump’s 80th birthday.
When artists and audiences—outraged by the takeover—had boycotted the Center, an embarrassed Trump ordered its closure, claiming a two-year repair renovation was necessary.
The judge addressed that as well in his ruling: The Kennedy Center board’s March 16 vote to close the facility was “ill-informed and seemingly preordained” without regard for its legal obligations.
Trump’s response on X: “Unless I am free to do what I do better than anyone else, bring this Institution back, physically, financially, and artistically, I have no interest in continuing what could only be a hopeless journey into ‘NEVER NEVER LAND.”
He claimed he was backing away from his proposed renovation and returning control of the arts institution to Congress.
In seeking to remake the arts in his own image, Trump is following in the footsteps of propaganda-obsessed tyrants like Joseph Stalin and Adolf Hitler.
Adolf Hitler, for example, installed himself as the arbiter of culture in Nazi Germany.
In Hitler and the Power of Aesthetics, Frederic Spotts argues that Hitler saw the world corrupted by “evils” he must first destroy so he could re-create it to conform to his artistic ideals.
Hitler considered himself an unappreciated artist. At 18, he had applied for admission to the Academy of Fine Arts Vienna, but was rejected twice.
If he had a friend, it was the architect Albert Speer, with whom he felt an artistic kinship.
Even as the Third Reich collapsed, Hitler found time to pore over architectural models he intended to turn into gigantic buildings.
This did not prevent him, however, from issuing his “Nero Order” for the destruction of all German agriculture, industry, ships, communications, roads, food stuffs, mines, bridges, stores and utility plants.
Only Speer’s courageous intervention prevented this from happening.
In Hitler’s Germany, culture was not only the end to power but the means of achieving it. His artistry—expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music—destroyed any sense of individuality and linked the German people with his own drives.
Like Hitler, Trump sees himself as an unrecognized artist. Of the 515 entities he owns, 268 of them—52%—bear his last name. He often refers to his properties as “the swankiest,” “the most beautiful.”
Upon his return to the Presidency in 2025, he turned his “artistic” gifts on the White House. On June 9, contractors began paving over the grass of the White House Rose Garden with stone tiles to create a patio.
Again like Hitler, Trump believes that “bigger is better” in architecture.
On July 31, 2025, the Trump administration announced that a 90,000 square feet addition would be made to the White House to incorporate a 650-person capacity ballroom. In October, Trump ordered the demolition of the White House’s historic East Wing to clear space for it.
The estimated cost has ballooned from $200 million to $400 million.
Trump has repeatedly pushed to enlarge the ballroom—from a 90,000-square-feet addition capable of seating 650 guests to one that can seat, first, 999 guests and then to 1,000 guests at formal dinners.
Tyrants always hail such projects as “gifts for the nation.” In reality, they are self-glorifying monuments to the dictator’s own ego.
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