All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dream with open eyes, to make it possible.
–T.E. Lawrence
Donald Trump’s first love has always been himself. And for all of his adult life he’s tried to promote himself as the smartest, the handsomest, the richest, the most popular man in the United States—if not the world.
Trump’s egomania is literally stamped on his properties. Of the estimated 515 entities he owns, 268 of them—52%—bear his last name. He often refers to his properties as “the swankiest,” “the most beautiful.”
Among the references he’s made to himself:
- “My fingers are long and beautiful, as, it has been well documented, are various other parts of my body.”
- “I think the only difference between me and the other candidates is that I’m more honest and my women are more beautiful.”
- “My IQ is one of the highest––and you all know it.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well-over $10 billion.”
On October 7, 2016, Trump unknowingly—on a hot mike—outlined his approach to women he found attractive:
“You know I’m automatically attracted to beautiful—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star they let you do it. You can do anything. Grab them by the pussy. You can do anything.”
Even when he did not score with a woman of his desires, he left no doubt that—at least in his own mind—he could have. Just months after Princess Diana’s death in August 1997, radio host Howard Stern asked Trump if he could have “nailed” her.
Trump replied, “I think I could have.”
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Donald Trump
But now Trump is an 80-year-old, easily distracted man who repeatedly falls asleep in public events—such as during White House meetings or a World Cup game. During press conferences and on his website, Truth Social, he often explodes in angry, insulting tirades against a legion of perceived enemies—particularly female journalists.
He avoids exercise—except for golf—believing that a human is born with only a finite amount of energy, which is depleted by physical activity. His diet is famously heavy on fast food, sweets and Diet Coke.
A well-known order from McDonald’s includes two Big Macs, two Filet-O-Fish sandwiches, and a chocolate shake or malted.
As a result, his diet poses several medical risks. Meals centered on cheeseburgers, well-done steaks, and French fries are dense in saturated fats and sodium.
Over time, excessive sodium and trans fats elevate “bad” LDL cholesterol, damage blood vessels, and spike blood pressure, significantly accelerating the risk of heart attacks, stroke, and chronic hypertension.
Moving from the personal to the political: He’s launched a losing war on Iran, repeatedly predicted it would be over in four to six weeks, and has seen it spiral into six months with no end in sight.
Instead of taking responsibility for his decision to provoke a needless war, he repeatedly blames others for his failure to win it. On September 4, he posted on Truth Social:
“The Radical Left Lunatics, Dumocrats, and Communists would rather have us LOSE the War in Iran, than have President Donald J. Trump WIN the War for America, In other words, they’d rather have us LOSE than have us WIN!”
Meanwhile, Iran continues to control the Strait of Hormuz, through which about 20 million barrels of oil used to pass each day. That flow has been reduced to between two million and six million barrels each day.
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Strait of Hormuz
This has created a worldwide spiral in oil prices—and fueled inflation in the United States and other nations. But as prices for housing, energy and food soar in the United States, Trump claims that “affordability” is a “Democratic hoax.”
Like Adolf Hitler contemplating architectural models while Nazi Germany neared destruction, Trump focuses on vanity projects like a 90,000 square foot White House ballroom and a towering “Victory Arch” literally overshadowing Arlington Cemetery.
When Trump—a five-time Vietnam war draft dodger—was asked in 2025 who the 250-foot arch was for, he replied, “Me.”
As much as he fears and loathes to admit it, he has to realize he can’t live forever—and that he’ll be lucky to live another 10 years, if not a far shorter span.
And with his popularity rating hovering at 33% to 39%, he desperately fears a third impeachment action against him if Democrats retake the House of Representatives in the fast-approaching midterm elections scheduled for November 3.
Thus, his almost crazed lust to be remembered forever. And for all his slim grasp of history, he knows that presidents and kings (of which he thinks himself the latter) are remembered for the wars they’ve won and the monuments they’ve left behind.
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VANITY AND NOTHINGNESS: PART TWO (OF THREE)
In Bureaucracy, History, Law, Military, Politics, Social commentary on September 9, 2026 at 12:10 amWith his popularity rating hovering at 33% to 39%, President Donald Trump desperately fears a third impeachment action against him if Democrats retake the House of Representatives in the fast-approaching midterm elections scheduled for November 3.
Thus, his almost crazed lust to be remembered forever. And for all his slim grasp of history, he knows that presidents and kings (of which he thinks himself the latter) are remembered for the wars they’ve won and the monuments they’ve left behind.
Easily won wars, of course, are the best. And on January 3, 2026, Trump got just that.
American forces bombed military facilities and infrastructure in the capital city of Caracas and across northern Venezuela. And they captured Venezuelan President Nicolás Maduro and his wife, Cilia Flores. Both were flown to New York City to face federal drug trafficking and narco-terrorism charges.
Flag of Venezuela
Savoring that triumph, Trump conspired with Israeli Prime Minister Benjamin Netanyahu to overturn the leadership of Israel’s mortal enemy and America’s longtime antagonist: Iran.
Trump predicted several times that the war would be over in four to six weeks—the same timetable Adolf Hitler gave for the completion of his victory over the Soviet Union in 1941.
And just as “Operation Barbarossa” proved a fatal mistake, so Trump’s latest stab at playing Generalissimo has proven a total disaster. Six months into his war, he still has no plan for winning it or withdrawing from it without losing face.
Then there is his mania for monuments.
Upon his return to the Presidency in 2025, he turned his “artistic” gifts on the White House. On June 9, 2025, contractors began paving over the grass of the White House Rose Garden to create a patio.
This had been a special project of then-First Lady Jacqueline Kennedy. In 1962 she and designer Rachel Lambert “Bunny” Mellon created a classic, symmetrical space for official state functions and press events.
They installed a central open lawn surrounded by formal flower beds, seasonal plantings, and flowering crabapple trees.
By September, 2026 his administration had altered over 100 structures in Washington, D.C., alone, according to New York, which reported that the projects have collectively cost over a billion dollars.
On December 18, 2025, The John F. Kennedy Memorial Center for the Performing Arts became The Donald J. Trump and John F. Kennedy Memorial Center for the Performing Arts.
Not, of course, by an act of Congress. That happened in January, 1964, two months after the assassination of President John F. Kennedy.
John F. Kennedy Memorial Center for the Performing Arts.
Congress passed and President Lyndon B. Johnson signed into law legislation renaming the Center as a “living memorial” in his honor: The John F. Kennedy Memorial Center for the Performing Arts.
In Trump’s case, getting his name added to the Center was much simpler. First, he fired the longstanding board that had overseen the Center, and put his own handpicked board members on it.
Then his chosen thralls declared: “We’re adding Trump’s name to this building.”
No doubt to his amazement, there were serious objections to this—and lawsuits backing up those objections.
On May 29, 2026, U.S. District Judge Christopher Cooper in Washington, D.C., ruled that Trump’s name was illegally added to the Center:
“The Kennedy Center’s organic statute makes crystal clear that the Center is to be named for President Kennedy, and it cannot bear any other formal name or public memorial based on the Board’s unilateral say-so. Congress gave the Kennedy Center its name, and only Congress can change it.”
And he ordered that Trump’s name be removed from the building within two weeks—by June 12, two days before Trump’s 80th birthday.
Trump has, predictably, appealed the ruling to the Supreme Court.
He thus joined the ranks of arts-obsessed tyrants like Joseph Stalin and Adolf Hitler. For 12 years, Hitler served as the arbiter of culture in Nazi Germany. Stalin held that role for almost 30.
Hitler considered himself an unappreciated artist. At 18, he had applied for admission to the Academy of Fine Arts Vienna, but was rejected twice. If he had a friend, it was the architect Albert Speer, with whom he felt an artistic kinship.
Even as the Third Reich collapsed, he found time to pore over architectural models he intended to turn into gigantic buildings.
In Hitler and the Power of Aesthetics, author Frederic Spotts argues that Hitler saw the world corrupted by “evils” he must first destroy so he could re-create it to conform to his artistic ideals.
Like Hitler, Trump sees himself as an unrecognized artist through his erection of buildings. And, again like Hitler, he believes that he has a mission to replace ugliness with beauty.
But he’s clearly more focused on the demolition process than on the creation of beauty.
On October 20, 2025, demolitions crews—on his orders—gutted the East Wing of the White House to create a massive, 90,000 square feet, 650-person capacity ballroom.
And he has threatened to demolish the John F. Kennedy Center for the Performing Arts if his name is not added to it.
Meanwhile, he intends to close the Center for two years, to hide the embarrassing truth that artists and audiences no longer want to go there while he runs it.
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