On December 18, 2025, The John F. Kennedy Memorial Center for the Performing Arts became The Donald Trump and John F. Kennedy Memorial Center for the Performing Arts.
This happened in three steps. In 2025, Trump:
- Purged most of the board that governs the institution;
- Replaced its members with Right-wing ideologues and sycophants; and
- Installed himself as the new chairman.
Specifically, White House Press Secretary Karoline Leavitt announced on X: “I have just been informed that the highly respected Board of the Kennedy Center, some of the most successful people from all parts of the world, have just voted unanimously to rename the Kennedy Center to the Trump-Kennedy Center, because of the unbelievable work President Trump has done over the last year in saving the building.”
Donald Trump
This totally ignored three vital truths:
First, in 1955, President Dwight D. Eisenhower established a commission for a new public auditorium to showcase the performing arts in the nation’s capital. It was to be called The National Cultural Center.
Second, in January, 1964, two months after the assassination of President John F. Kennedy, Congress passed and President Lyndon B. Johnson signed into law legislation renaming the Center as a “living memorial” in his honor: The John F. Kennedy Memorial Center for the Performing Arts.
Third, adding Trump’s name to the Center legally would require a similar act of Congress—which has not occurred. Without that, putting Trump’s name on the building is the equivalent of a graffiti vandal spray-painting his name on the Center.
On May 29, 2026, U.S. District Judge Christopher Cooper in Washington, D.C., ruled that Trump’s name was illegally added to the Center: “The Kennedy Center’s organic statute makes crystal clear that the Center is to be named for President Kennedy, and it cannot bear any other formal name or public memorial based on the Board’s unilateral say-so.
“Congress gave the Kennedy Center its name, and only Congress can change it.”
And he ordered that Trump’s name be removed from the building within two weeks—by June 12, two days before Trump’s 80th birthday.
When artists and audiences—outraged by the takeover—had boycotted the Center, an embarrassed Trump ordered its closure, claiming a two-year repair renovation was necessary.
The judge addressed that as well in his ruling: The Kennedy Center board’s March 16 vote to close the facility was “ill-informed and seemingly preordained” without regard for its legal obligations.
Trump’s response on X: “Unless I am free to do what I do better than anyone else, bring this Institution back, physically, financially, and artistically, I have no interest in continuing what could only be a hopeless journey into ‘NEVER NEVER LAND.”
He claimed he was backing away from his proposed renovation and returning control of the arts institution to Congress.
In seeking to remake the arts in his own image, Trump is following in the footsteps of propaganda-obsessed tyrants like Joseph Stalin and Adolf Hitler.
Adolf Hitler, for example, installed himself as the arbiter of culture in Nazi Germany.
In Hitler and the Power of Aesthetics, Frederic Spotts argues that Hitler saw the world corrupted by “evils” he must first destroy so he could re-create it to conform to his artistic ideals.
Hitler considered himself an unappreciated artist. At 18, he had applied for admission to the Academy of Fine Arts Vienna, but was rejected twice.
If he had a friend, it was the architect Albert Speer, with whom he felt an artistic kinship.
Even as the Third Reich collapsed, Hitler found time to pore over architectural models he intended to turn into gigantic buildings.
This did not prevent him, however, from issuing his “Nero Order” for the destruction of all German agriculture, industry, ships, communications, roads, food stuffs, mines, bridges, stores and utility plants.
Only Speer’s courageous intervention prevented this from happening.
In Hitler’s Germany, culture was not only the end to power but the means of achieving it. His artistry—expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music—destroyed any sense of individuality and linked the German people with his own drives.
Like Hitler, Trump sees himself as an unrecognized artist. Of the 515 entities he owns, 268 of them—52%—bear his last name. He often refers to his properties as “the swankiest,” “the most beautiful.”
Upon his return to the Presidency in 2025, he turned his “artistic” gifts on the White House. On June 9, contractors began paving over the grass of the White House Rose Garden with stone tiles to create a patio.
Again like Hitler, Trump believes that “bigger is better” in architecture.
On July 31, 2025, the Trump administration announced that a 90,000 square feet addition would be made to the White House to incorporate a 650-person capacity ballroom. In October, Trump ordered the demolition of the White House’s historic East Wing to clear space for it.
The estimated cost has ballooned from $200 million to $400 million.
Trump has repeatedly pushed to enlarge the ballroom—from a 90,000-square-feet addition capable of seating 650 guests to one that can seat, first, 999 guests and then to 1,000 guests at formal dinners.
Tyrants always hail such projects as “gifts for the nation.” In reality, they are self-glorifying monuments to the dictator’s own ego.
Bureaucracybuster's Blog 
2020 PRESIDENTIAL ELECTION, ALTERNET, AMERICABLOG, AP, ARTIFICIAL INTELLIGENCE (AI), BABY BOOMER RESISTANCE, BARACK OBAMA, BBC, BLOOMBERG, BLUESKY, BUZZFEED, CBS NEWS, CHINA, CNN, CROOKS AND LIARS, DAILY KOS, DEMOCRATS, DOMINION VOTING MACHINES, DONALD TRUMP, FBI, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, IRAN, JANUARY 6 COUP ATTEMPT, JOSEPH BIDEN, Kamala Harris, MEDIA MATTERS, MELANIA TRUMP, MOTHER JONES, MOVEON, MSNBC, NARCISSISM, NBC NEWS, NEWSDAY, NEWSWEEK, NPR, OBAMACARE, ONE MORE PALLBEARER TWILIGHT ZONE EPISODE, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REPUBLICANS, REUTERS, ROD SERLING, SALON, SEATTLE TIMES, SENATOR JOHN KENNEDY, SLATE, STRAIT OF HORMUZ, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUMP TOWER, TRUTHDIG, TRUTHOUT, TULSI GABBARD, TWILIGHT ZONE, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, X
TRUMP–AND “THE TWILIGHT ZONE”
In Entertainment, History, Military, Politics, Social commentary on June 3, 2026 at 12:23 amOn May 11, 2026, for three hours, President Donald Trump posted over 50 messages on his website, Truth Social. The posts mainly consisted of:
The posts occurred just before a scheduled trip to China and amid rising economic pressures in the United States. These, in turn, stem from Iran’s blocking the Strait of Hormuz, through which 20% to 25% of the world’s oil passes, after Trump ordered a naval blockade of Iranian ports.
The Wall Street Journal reported that between 10:14 p.m. and 1:12 a.m., Trump posted 55 times, with other reports citing over 50-54 posts within that timeframe.
He posted a 400-word attack against The New York Times at 1:12 a.m. on May 12. His complaint: It had revealed that his renovation of the Lincoln Memorial Reflecting Pool would cost more than $10 million over what he had previously said.
Donald Trump
He also falsely claimed the Times of losing subscribers. On the contrary: On May 6, the company reported:
“The Times has added an average of 330,000 total subscribers a quarter, including print, since the start of last year” and “now has 13.1 million subscribers…after adding about 310,000 digital-only subscribers in the first quarter of the year.”
Most of his venom was aimed at Barack Obama. Trump reposted messages from his supporters, who accused the former president of sedition, wiretapping Trump Tower and creating the “Russia Hoax” to steal the 2016 Presidential election.
It’s clear that Trump—a lifelong racist—harbors jealousy of the black, still-handsome, articulate, witty and beloved former president. When Trump was being assailed in 2016 for his “grab-em-by-the-pussy” comment, he complained that no one was accusing Obama of sexual infidelities.
Barack Obama
For good reason: Unlike Trump—who bedded a porn “star” while married to his third wife, Melania—there has never been a hint of scandal about Obama.
In one post, Trump—who incited a deadly attack on Congress on January 6, 2021, to overturn the legitimate results of the 2020 Presidential election—accused Obama of plotting a coup against him.
As always with Trump, he offered no evidence to back up his slander.
He also lied that:
Obama was not the only public figure Trump attacked. Others included:
Trump is clearly still hung up on his 2020 re-election loss to Joe Biden, lying that Dominion voting machines “DELETED 2.7 MILLION TRUMP VOTES NATIONWIDE. INCLUDING OVER 1 MILLION PENNSYLVANIA VOTES SWITCHED FROM PRESIDENT TRUMP TO BIDEN.”
He can’t accept that a majority of voters would prefer anyone else to him—even though his loss largely stemmed from his refusal to tackle the mushrooming COVID-19 crisis.
Trump’s tweeting rampage echoes the theme of a 1962 episode of The Twilight Zone: “One More Pallbearer.” The central character in it is millionaire Paul Radin (played by Joseph Weisman) who nurses decades-old grudges against three people.
With a few slight alterations, he could be Trump himself.
Radin invites three people to the bomb shelter that he has built in New York City. But they aren’t family or friends. He holds deep grudges against all of them.
One is high-school teacher Mrs. Langsford, who gave him a failing grade when he was caught cheating on a test. The second is Colonel Hawthorne, who had him court-martialed when Radin endangered lives by disobeying orders. The third is Reverend Hughes, who made a public scandal out of a young woman who later committed suicide over Radin.
Radin has equipped his shelter with sound effects and fake radio messages to convince the trio that nuclear war will occur in just moments. He offers them refuge in the shelter if they beg his forgiveness for their treatment of him. They refuse his offer, making it clear they would rather die with loved ones than survive with him.
A TV screen playing footage of a nuclear explosion—and the accompanying sound effects—convince Radin that his fantasy is in fact real.
When he emerges from the shelter, the city is intact. But the sheer intensity of the illusion he created has led Radin to lose his mind. He sobs helplessly at the foot of a fountain outside his intact building—a victim of his own overweening pride and hatred.
And, as happens at the close of every Twilight Zone episode, Rod Serling, the series’ host and narrator, is on hand to offer his moving commentary:
“Mr. Paul Radin, a dealer in fantasy, who sits in the rubble of his own making and imagines that he’s the last man on Earth, doomed to a perdition of unutterable loneliness because a practical joke has turned into a nightmare. Mr. Paul Radin, pallbearer at a funeral that he manufactured himself in the Twilight Zone.”
Share this: