James Bond, the legendary creation of novelist Ian Fleming, routinely bedded femme fatales–and sometimes killed them. But he never faced indictment for romancing them.
That’s the difference between Bond and David Petraeus, former director of the Central Intelligence Agency.
Movie poster for Thunderball (1965)
The Justice Department is deciding whether to bring criminal charges against Petraeus. The FBI alleges that, as CIA director, he shared classified information with his then-mistress and biographer, Paula Broadwell.
FBI agents found classified information on a personal computer Broadwell used–and determined that Petraeus had supplied it.
As an Army General, Petraeus had successfully led U.S. troops in Afghanistan and Iraq and was thought to be a potential candidate for president.
In 2011, he won appointment to CIA director–which ended abruptly in 2012 with the revelation of his extramarital affair with Broadwell.
Petraeus is one of the most highly educated men in the United States:
- Alumnus of the United States Military Academy at West Point–graduating among the top 5% of his 1974 class.
- General George C. Marshall Award winner as the top graduate of the U.S. Army Command and General Staff College class of 1983.
- Earned an M.P.A. in 1985 and a Ph.D. in International Relations in 1987 from the Woodrow Wilson School of Public and International Affairs at Princeton University.
- Served as Assistant Professor of International Relations at the United States Military Academy
David Petraeus
And Paula Broadwell is one of the most highly educated women in the United States:
- Graduate of the United States Military Academy at West Point in 1995, majoring in political geography.
- Earned a master’s degree in international security from the University of Denver’s Joseph Korbel School of International Studies in 2006.
- Earned a Master of Public Administration from the John F. Kennedy School of Government at Harvard University in 2008.
- A Research Associate in the Kennedy School’s Center for Public Leadership Fellows.
In addition, Petraeus, as director of the Central Intelligence Agency, knew the importance of secrecy in keeping clandestine affairs (military and personal) out of sight.
Paula Broadwell
So did Broadwell, having earned a reputation as an expert on counterterrorism.
Yet they both violated the most basic rules of security.
They exchanged emails using a cyber trick known to both terrorists and teenagers: Sharing a private email account, or “dropbox.”
In this they composed drafts to each other in order not to directly transmit messages to one another. Each could log onto the same account and read the draft emails there.
By doing so, they flagrantly left a cyber-trail of their infidelities. (Broadwell was also married.)
It was Niccolo Machiavelli, the father of political science, who warned: If you don’t want it known, don’t write it down.
More than 500 years ago, in his masterwork, The Discourses, he warned:
Niccolo Machiavelli
I have heard many wise men say that you may talk freely with any one man about everything, for unless you have committed yourself in writing, the “Yes” of one man is worth as much as the “No” of another.
And therefore one should guard most carefully against writing, as against a dangerous rock, for nothing will convict you quicker than your own handwriting….
You may escape, then, from the accusation of a single individual, unless you are convicted by some writing or other pledge, which you should be careful never to give.
Nor were Petraeus and Broadwell the only ones guilty of thumbing their noses at this most basic of precautions.
General John Allen, the top American commander in Afghanistan, exchanged thousands of emails with Jill Kelley, a Florida socialite.
Although charged with directing American military efforts against the Taliban, Allen found time to exchange 20,000 to 30,000 pages’ worth of emails with Kelley between 2010 and 2012.
The scandal began when Kelley began receiving harassing emails from an unidentified woman. So she complained to the FBI.
The emails allegedly came from Broadwell, who thought that Kelley was trying to move in on “her man”–Petraeus. Apparently, Broadwell didn’t feel similarly threatened by Holly, Petraeus’ wife.)
The FBI investigation ultimately led to the discovery of the Petraeus/Broadwell affair.
There are several lessons to be learned from this behavior by Petraeus, Broadwell, Allen and Kelley:
- They believed they were so privileged–by education, status and/or wealth–that conventional rules of morality didn’t apply to them.
- They believed they were so clever they could violate the most basic rule of security and common sense–and get away with it.
- They were so caught up in their illicit passions that they threw caution to the winds.
- David Petraeus, a highly disciplined man, clearly expected Paula Broadwell to behave in a similarly disciplined manner–and do nothing to compromise their lives.
- Petraeus felt so confident about the secrecy of his affair he had his wife and mistress present when he appeared before the Senate Intelligence Committee in 2011 to become CIA director.
General David Petraeus’ CIA confirmation hearings. His wife, Holly (in white) and mistress, Paula Broadwell (in black).
- Petraeus didn’t imagine that Broadwell suspected another of his admirers–Jill Kelley–of having romantic designs on him.
- And he was utterly surprised when her harassing emails to Kelley led the FBI to uncover his illicit relationship.
Thus does hubris meet its punishment in Nemesis.

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HOLLYWOOD: ITS OWN WORST ENEMY
In Business, History, Social commentary on January 13, 2015 at 12:55 amThe cyberhacking of Sony Pictures last December led many Americans to wonder: “Is this the end of the movie industry as we know it?”
Yet Hollywood doesn’t need cyberattackers–whether from North Korea, as the FBI alleges, or fired ex-employees of Sony, as others believe–to seek its destruction.
It has long been its own worst enemy.
On July 22, 2014, a headline in the Hollywood Reporter offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”
Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter
It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.
Consider the following:
According to Rentrak, a company that keeps tabs on box office profits:
Among this summer’s films that disappointed movie studios:
Click here: Film Industry Has Worst Summer Since 1997
Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming. They also expected major television events like the World’s Cup to keep moviegoers indoors.
But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.
Actually, the wonder is that the movie business hasn’t collapsed already.
It’s hard to think of an industry more geared toward its own destruction than the movie business.
First, there’s the before-mentioned average ticket price of $8.33. You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.
So a couple with two children can expect to spend at least $33.32 just to get into the theater. A couple with four children will be gouged $49.98 for a single movie’s entertainment.
And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.
Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.
Putting out a film on DVD so soon after its theater-release only cheapens the thrill of seeing it in a movie theater.
So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to hit stores. Wait even longer than six months, and you can probably buy a cheaper used DVD.
With that, you can watch your new favorite movie as many times as you want–-without being charged bigtime every time you do so.
This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.
Third, there are the TV-like commercials that overwhelm audiences waiting for the movie to start.
There used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie. In return, we don’t expect to see commercials.
Naturally, that didn’t include previews of coming attractions. These have been a widely enjoyed part of the movie experience since the 1930s.
But starting in 2003, theaters began aiming commercials at their customers before even the previews came on. Some industry sources believe cinema advertising generates over $200 million a year in sales.
Even so, it turns movie-theaters into expensive TVs, and thus cheapens the special experience of seeing a movie in a theater.
Click here: Now showing at a theatre near you – Louisville – Business First
But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.
Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.
At AMC theaters, an onscreen advisory tells you to seek help if you need it. But your chances of finding an available usher range from slim to none at most theaters.
To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.
Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.
In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus.” Or with new “you-are-there” film experiments like Cinnemascope.
“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.
But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.
Unless the owners of movie studios–-and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.
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