Most Americans believe that Nazi Germany was defeated because “we were the Good Guys and they were the Bad Guys.”
Not so.
The United States–and its allies, Great Britain and the Soviet Union–won the war for reasons that had nothing to do with the rightness of their cause. These included:
- Nazi Germany–i.e, its Fuehrer, Adolf Hitler–made a series of disastrous decisions. Chief among these: Attacking its ally, the Soviet Union, and declaring war on the United States;
- The greater material resources of the Soviet Union and the United States; and
- The Allies waged war as brutally as the Germans.
On this last point:
- From D-Day to the fall of Berlin, captured Waffen-SS soldiers were often shot out of hand.
- When American troops came under fire in the German city of Aachen, Lt. Col. Derrill Daniel brought in a self-propelled 155mm artillery piece and opened up on a theater housing German soldiers. After the city surrendered, a German colonel labeled the use of the 155 “barbarous” and demanded that it be outlawed.
German soldiers at Stalingrad
- During the battle of Stalingrad in 1942, Wilhelm Hoffman, a young German soldier and diarist, was appalled that the Russians refused to surrender. He wrote: “You don’t see them at all, they have established themselves in houses and cellars and are firing on all sides, including from our rear–barbarians, they use gangster methods….”
In short: The Allies won because they dared to meet the brutality of a Heinz Guderian with that of a George S. Patton.
This is a lesson that has been totally lost on the liberals of the Democratic Party. Which explains why they lost most of the Presidential elections of the 20th century.
It also explains why President Barack Obama has found most of his legislative agenda stymied by Right-wing Republicans.
Consider this example: In 2014, Senator Rand Paul (R-Ky.) warned then-Senate Majority Leader Harry Reid (D-Nev.) that he would place a hold on one of President Obama’s appellate court nominees.
Rand Paul
David Barron had been nominated to the First Circuit Court of Appeals. And Paul objected to this because Barron authored memos justifying the killing of an American citizen by a drone in Yemen.
The September 30, 2011 drone strike killed Anwar al-Awlaki, a radical Muslim cleric notorious on the Internet for encouraging Muslims to attack the United States.
So President Obama authorized a drone stroke against him, thus removing that danger. Paul demanded that the Justice Department release the memos Barron crafted justifying the drone policy.
Anwar al-Awlaki
Imagine how Republicans would depict Paul–or a Democratic Senator–if he behaved in a similar manner with a Republican President: “Rand Paul: A traitor who supports terrorists. He sides with America’s enemies against its own lawfully elected President.”
To Republicans, “lawfully elected” applies only to Republican Presidents. A Democrat who runs against a Republican is automatically considered a traitor.
And a Democrat who defeats a Republican is automatically considered a usurper, and thus deserves to be slandered and obstructed, if not impeached.
Unable to defeat Bill Clinton in 1992 and 1996, Republicans tried in 1998 to impeach him for getting oral sex in the White House.
Similarly, 2012 Presidential candidate Herman Cain, asked in a conference call with bloggers why Republicans couldn’t just impeach President Obama, replied:
“That’s a great question and it is a great–it would be a great thing to do but because the Senate is controlled by Democrats we would never be able to get the Senate first to take up that action.”
On May 22, 2014, the Senate voted 53–45 to confirm Barron to the First Circuit Court of Appeals.
In Renegade: The Making of a President, Richard Wolffe chronicled Obama’s successful 2008 bid for the White House. Among his revelations:
Obama, a believer in rationality and decency, felt more comfortable in responding to attacks on his character than in making them on the character of his enemies.
A graduate of Columbia University and Harvard Law School, Obama is easily one of the most academically gifted Presidents in United States history.
But for all this, he failed–from the onset of his Presidency–to grasp and apply this fundamental lesson taught by Niccolo Machiavelli, the father of modern political science. In The Prince Machiavelli warns:
From this arises the question whether it is better to be loved than feared, or feared more than loved.
The reply is, that one ought to be both feared and loved, but as it is difficult for the two to go together, it is much safer to be feared than loved….
And men have less scruple in offending one who makes himself loved than one who makes himself feared; for love is held by a chain of obligations which, men being selfish, is broken whenever it serves their purpose; but fear is maintained by a dread of punishment which never fails.
On Facebook and Twitter, liberals are already celebrating the “certain” Presidency of Vermont U.S. Senator Bernie Sanders or former First Lady Hillary Clinton in 2016.
They forget that, in 1968, 1980, 1988 and 2000, liberals couldn’t believe America would elect, respectively, Richard Nixon, Ronald Reagan, George H.W. Bush and George W. Bush.
For Democrats to win elective victories and enact their agenda, they must find their own George Patton to take on the Waffen-SS generals among Republican ranks.


ABC NEWS, AMAZING SPIDER MAN 2, BEN-HUR, BOX-OFFICE RECEIPTS, CBS NEWS, CNN, EDGE OF TOMORROW, FACEBOOK, MARY POPPINS, MOVIE THEATERS, MOVIES, NBC NEWS, PLANES: FIRE AND RESCUE, SEX TAPE, SPARTACUS, THE EXPENDABLES 3, THE LOS ANGELES TIMES, THE NEW YORK TIMES, THE SOUND OF MUSIC, TRANSFORMERS: AGE OF EXTINCTION, TWITTER
MOVIES: A SELF-DESTRUCTING INDUSTRY
In Bureaucracy, Business, Entertainment, History, Social commentary on December 16, 2015 at 12:39 amOn August 31, 2014, the Huffington Post ran a story about trouble in Hollywood, under the headline: “Film Industry Has Worst Summer since 1997.”
Little more than one month earlier–on July 22–a headline in the Hollywood Reporter had offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”
Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter
It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.
Consider the following:
According to Rentrak, a company that keeps tabs on box office profits:
Among the films that disappointed movie studios in summer, 2014:
Click here: Film Industry Has Worst Summer Since 1997
Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming. They also expected major television events like the World’s Cup to keep moviegoers indoors.
But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.
Which is outrageous. The wonder is that the movie business hasn’t collapsed already.
It’s hard to think of an industry more geared toward its own destruction than the movie business.
First, there’s the before-mentioned average ticket price of $8.33. You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.
So a couple with two children can expect to spend at least $33.32 just to get into the theater. A couple with four children will be gouged $49.98 for a single movie’s entertainment.
And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.
Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.
So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to hit stores. Wait even longer than six months, and you can probably buy a cheaper used DVD.
With that, you can watch your new favorite movie as many times as you want–without being charged bigtime every time you do so.
This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.
Third, there used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie. In return, we don’t expect to see TV-like commercials.
Naturally, that didn’t include previews of coming attractions. These have been a widely enjoyed part of the movie experience since the 1930s.
But starting in 2003, theaters began aiming commercials at their customers before even the previews came on. Some industry sources believe cinema advertising generates over $200 million a year in sales.
Click here: Now showing at a theatre near you – Louisville – Business First
But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.
Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.
At AMC theaters, an onscreen advisory tells you to seek help if you need it. But your chances of finding an available usher range from slim to none at most theaters.
In fact, only one floor of a multi-storied AMC theater offers a concession stand. This means that people have to take the elevator down several floors to the second-floor snack bar.
Not many moviegoers are going to lose that much time while watching a movie just to get a second high-priced bag of popcorn.
To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.
Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.
In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus”.” Or with new “you-are-there” film experiments like Cinnemascope.
“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.
But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.
Unless the owners of movie studios–and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.
Share this: