On the night before the final Mexican assault, one man escaped the Alamo to testify to the defenders’ courage.
Or so goes the most famous story of the 13-day siege.
He was Louis Rose, a veteran of the Napoleonic wars and the dreadful 1812 retreat from Moscow. Unwilling to die in a hopeless battle, he slipped over a wall and sneaked through Mexican siege lines.
At Grimes County, he found shelter at the homestead of Abraham and Mary Ann Zuber.
Their son, William, later claimed that his parents told him of Rose’s visit–and his story of Travis’ “line in the sand” speech. In 1873, he published the tale in the Texas Almanac.
But many historians believe it is a fabrication. The story comes to us third-hand–from Rose to the Zubers to their son. And it was published 37 years after the Alamo fell.
After a 12-day siege, Santa Anna decided to overwhelm the Alamo.
Some of his officers objected. They wanted to wait for bigger siege cannon to arrive–to knock down the Alamo’s three-feet-thick adobe walls. Without shelter, the defenders would be forced to surrender.
But Santa Anna insisted on an all-out assault: “Without blood and tears, there is no glory.”
The first assault came at about 5 a.m. on March 6, 1836.
The fort’s riflemen–aided by 14 cannons–repulsed it. And the second assault as well.
But the third assault proved unstoppable.
The Alamo covered three acres, and held at most 250 defenders–against 2,000 Mexican soldiers. When the Mexicans reached the fort, they mounted scaling ladders and poured over the walls.
Travis was one of the first defenders to fall–shot through the forehead after firing a shotgun into the Mexican soldiery below.
Death of William Barrett Travis (waving sword)
Mexicans broke into the room where the ailing Bowie lay. In Three Roads to the Alamo, historian William C. Davis writes that Bowie may have been unconscious or delirious. Mistaking him for a coward, the soldiers bayoneted him and blew out his brains.
But some accounts claim that Bowie died fighting–shooting two Mexicans with pistols, then plunging his famous knife into a third before being bayoneted. Nearly every Alamo movie depicts Bowie’s death this way.
Jim Bowie’s death
As the Mexicans poured into the fort, at least 60 Texans tried to escape over the walls into the surrounding prairie. But they were quickly dispatched by lance-bearing Mexican calvary.
The death of David Crockett remains highly controversial.
Baby boomers usually opt for the Walt Disney version: Davy swinging Old Betsey as Mexicans surround him. Almost every Alamo movie depicts him fighting to the death.
David Crockett’s death
But Mexican Colonel Jose Enrique de la Pena claimed Crockett was one of seven Texans who surrendered or were captured and brought before Santa Anna after the battle. Santa Anna ordered their immediate execution, and they were hacked to death with sabers.
Only the 2004 remake of The Alamo has dared to depict this version.
Although this version is now accepted by most historians, some still believe the de la Pena diary from which it comes is a forgery.
An hour after the battle erupted, it was over.
That afternoon, Santa Anna ordered the bodies of the slain defenders stacked and burned in three pyres.
Contrary to popular belief, some of the garrison survived:
- Joe, a black slave who had belonged to William B. Travis, the Alamo’s commander;
- Susannah Dickinson, the wife of a lieutenant killed in the Alamo, and her baby, Angelina;
- Several Mexican women and their children.
Also contrary to legend, the bravery of the Alamo defenders did not buy time for Texas to raise an army against Santa Anna. This didn’t happen until after the battle.
But their sacrifice proved crucial in securing Texas’ independence:
- The Alamo’s destruction warned those Texans who had not supported the revolution that they had no choice: They must win, die or flee their homes to the safety of the United States.
- It stirred increasing numbers of Americans to enter Texas and enlist in Sam Houston’s growing army.
- Santa Anna’s army was greatly weakened, losing 600 killed and wounded–a casualty rate of 33%.
- The nearly two-week siege bought time for the Texas convention to meet at Washington-on-the-Brazos and declare independence from Mexico.
On April 21, 1836, Santa Anna made a crucial mistake: During his army’s afternoon siesta, he failed to post sentries around his camp. That afternoon, Sam Houston’s 900-man army struck the 1,400-man Mexican force at San Jacinto.
In 18 minutes, the Texans–shouting “Remember the Alamo!”–killed about 700 Mexican soldiers and wounded 200 others. The next day, a Texas patrol captured Santa Anna.
Resisting angry demands to hang the Mexican dictator, Houston forced Santa Anna to surrender control of Texas in return for his life.
The victory at San Jacinto won the independence of Texas. But the 13-day siege and fall of the Alamo remains the most famous and celebrated part of that conflict.
Like Thermopylae, the battle of the Alamo proved both a defeat–and a victory.
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WHAT THE MAJOR HAS TO TELL US
In Entertainment, History, Military, Politics, Social commentary on April 11, 2014 at 12:10 amMajor Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers–Dundee’s and Miller’s–are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory–and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, shorn of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
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