Posts Tagged ‘SPANISH-AMERICAN WAR’
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In Entertainment, History, Military, Politics, Social commentary on April 2, 2025 at 12:08 am
Future historians—if there are any—may well view the administration of President Donald Trump the same way that historian Richard J. Evans analyzes the Third Reich.
To place the infamy of the Trump administration in the same context as that of the Third Reich, consider the opening paragraph from his latest bestseller: Hitler’s People: The Faces of the Third Reich.
Substitute “Republicans” for “Nazis,” “Donald Trump” for “Adolf Hitler,” and “Americans” for “Germans.”
As in the following:
“Who were the Republicans? What motivated the leaders and functionaries of the Republican movement and those who put their project into action? What had happened to their moral compass?
“Were they in some sense deviant, or deranged, or degenerate? Were they gangsters acting with criminal intent? Or were they ‘ordinary men’ (and a few women), or perhaps, more precisely, ‘ordinary Americans’? Did they come from the margins of society, were they outsiders, or were they in some sense part of American society’s mainstream?
“And how do they explain Trump’s drive to achieve dictatorial power? Was he a kind of empty shell, devoid of personal qualities and without a personal life, into which Americans poured their deepest political ambitions and desires?
“What made otherwise normal people carry out, or approve, terrible and murderous atrocities against Republicans’ real and supposed enemies? Or were they perhaps not normal at all? Beyond this, why did so many leading Americans in responsible positions, in the key institutions of society, go along with the dictatorship….?
“And what did those of them who survived….think of about their conduct during the Trump administration? Did they gain a moral perspective on it, did they repent, did they come to an understanding of what they had done?”
Americans have always considered themselves separate from—and superior to—those in other nations. Germans and Russians might fall prey to evil dictators, but Americans? Never!
Evangelical Americans believe that the United States is divinely inspired—and protected.
Thus, American TV networks have filled the airwaves with movies and doc-u-dramas about Nazi Germany such as: “Hitler: The Rise of Evil,” “The Bunker,” “Nuremberg,” “Holocaust,” “Inside the Third Reich,” “Conspiracy,” “Hitler’s SS: Portrait of Evil,” “The Plot to Kill Hitler.”
Yet American networks have been unwilling to produce films about the evil of America’s own Right-wing leaders. It’s extremely unlikely that future network executives will OK a miniseries on “Trump: The Rise of Evil.”
To date, only one film—“Tail Gunner Joe”—has been made about the rise and fall of Senator Joseph McCarthy.
For four years (1950-1954) McCarthy terrorized Americans with false charges of a massive Communist conspiracy, leaving broken lives and national mistrust in his wake.
And “Tail Gunner Joe” was made in 1974.
The fall of President Richard Nixon in 1974 led networks to produce such movies as “Blind Ambition” (1979) and “The Final Days” (1989). But those appeared decades ago. And no new ones have appeared since.
In 1989, CBS found the courage to run “Guts and Glory: The Rise and Fall of Oliver North.” What made this unusual was that it appeared only three years after the story of the infamous “Iran-Contra” arms-for-hostages story broke.
But the role of former President Ronald Reagan in waging unjustified terror-war against Nicaragua was totally ignored. And no other movie has since been made on this disgraceful period in United States history.
Ronald Reagan
Americans have always been convinced of their own purity as a people—especially when compared to those supposedly corrupt, undemocratic European nations. And so, according to popular mythology, the United States is constantly losing its innocence.
Such as:
I861 – 1865: Civil War—When brother supporting slavery fought brother supporting freedom.
1898: Spanish-American War––The United States freed Cuba from the Spanish.
1917 – 1918: World War 1––When innocent American “doughboys” rushed to Europe to save immoral France and England from the Hunnish Germans.
1942 – 1945: World War II––Once again, Americans rushed to Europe to (again) save impure France and England from (again) the Hunnish Germans and end the Holocaust.
1954 – 1975: Vietnam War––The United States rushed to fight Communism on behalf of a people struggling to be free.
Lost in all these “innocent” scenarios are such unpleasant realities as:
- After the Civil War, millions of former slaves were left to fend for themselves. Although freed, blacks were left poor, despised and subject to violence at any time by the Ku Klux Klan.
- After the Spanish-American war, America seized the Philippines for itself—and relinquished them only in 1946.
- Before World War II, the United States turned away thousands of would-be Jewish immigrants, dooming them to the Holocaust. And it entered the war only after it was attacked at Pearl Harbor.
- During the Vietnam war, the United States defended an unpopular dictatorship in the South against a popular Communist one in the North.
During the 1950s, Baby Boom schoolers were spoon-fed a Disney version of American history. When they grew old enough to witness the struggles for black civil rights and against the Vietnam war, they felt they had been lied to—and reacted with anger and protest.
Generations that have been “protected” against the ugly realities of the past are ill-equipped to cope with those in their own lives.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG, BLUESKY, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOS, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11, X
In Entertainment, History, Military, Politics, Social commentary on March 14, 2025 at 12:06 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harrs), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in a young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Charlton Heston as Major Dundee
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into French-occupied Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being German-occupied France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers.
Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War:
- Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, shorn of the glory and (later) treasured memories of the Civil War.
- Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
- Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
- America would learn to project its formidable military power at great cost.
Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOS, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWITTER, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on March 25, 2024 at 12:10 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez (Mario Adorf);
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOS, DAILY KOZ, FACEBOOK, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on August 28, 2023 at 12:05 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOZ, FACEBOOK, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWITTER, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on March 16, 2022 at 12:50 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
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In Entertainment, History, Military, Politics, Social commentary on November 2, 2018 at 12:06 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
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In Entertainment, History, Military, Politics, Social commentary on April 11, 2014 at 12:10 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harrs), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in a young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers–Dundee’s and Miller’s–are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory–and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs–especially if they prove appalling?
- At what point–if any–does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, shorn of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
Bureaucracybuster's Blog 
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“AMERICAN HISTORY” ISN’T WHAT IT WAS
In Entertainment, History, Military, Politics, Social commentary on April 2, 2025 at 12:08 amFuture historians—if there are any—may well view the administration of President Donald Trump the same way that historian Richard J. Evans analyzes the Third Reich.
To place the infamy of the Trump administration in the same context as that of the Third Reich, consider the opening paragraph from his latest bestseller: Hitler’s People: The Faces of the Third Reich.
Substitute “Republicans” for “Nazis,” “Donald Trump” for “Adolf Hitler,” and “Americans” for “Germans.”
As in the following:
“Who were the Republicans? What motivated the leaders and functionaries of the Republican movement and those who put their project into action? What had happened to their moral compass?
“Were they in some sense deviant, or deranged, or degenerate? Were they gangsters acting with criminal intent? Or were they ‘ordinary men’ (and a few women), or perhaps, more precisely, ‘ordinary Americans’? Did they come from the margins of society, were they outsiders, or were they in some sense part of American society’s mainstream?
“And how do they explain Trump’s drive to achieve dictatorial power? Was he a kind of empty shell, devoid of personal qualities and without a personal life, into which Americans poured their deepest political ambitions and desires?
“What made otherwise normal people carry out, or approve, terrible and murderous atrocities against Republicans’ real and supposed enemies? Or were they perhaps not normal at all? Beyond this, why did so many leading Americans in responsible positions, in the key institutions of society, go along with the dictatorship….?
“And what did those of them who survived….think of about their conduct during the Trump administration? Did they gain a moral perspective on it, did they repent, did they come to an understanding of what they had done?”
Americans have always considered themselves separate from—and superior to—those in other nations. Germans and Russians might fall prey to evil dictators, but Americans? Never!
Evangelical Americans believe that the United States is divinely inspired—and protected.
Thus, American TV networks have filled the airwaves with movies and doc-u-dramas about Nazi Germany such as: “Hitler: The Rise of Evil,” “The Bunker,” “Nuremberg,” “Holocaust,” “Inside the Third Reich,” “Conspiracy,” “Hitler’s SS: Portrait of Evil,” “The Plot to Kill Hitler.”
Yet American networks have been unwilling to produce films about the evil of America’s own Right-wing leaders. It’s extremely unlikely that future network executives will OK a miniseries on “Trump: The Rise of Evil.”
To date, only one film—“Tail Gunner Joe”—has been made about the rise and fall of Senator Joseph McCarthy.
For four years (1950-1954) McCarthy terrorized Americans with false charges of a massive Communist conspiracy, leaving broken lives and national mistrust in his wake.
And “Tail Gunner Joe” was made in 1974.
The fall of President Richard Nixon in 1974 led networks to produce such movies as “Blind Ambition” (1979) and “The Final Days” (1989). But those appeared decades ago. And no new ones have appeared since.
In 1989, CBS found the courage to run “Guts and Glory: The Rise and Fall of Oliver North.” What made this unusual was that it appeared only three years after the story of the infamous “Iran-Contra” arms-for-hostages story broke.
But the role of former President Ronald Reagan in waging unjustified terror-war against Nicaragua was totally ignored. And no other movie has since been made on this disgraceful period in United States history.
Ronald Reagan
Americans have always been convinced of their own purity as a people—especially when compared to those supposedly corrupt, undemocratic European nations. And so, according to popular mythology, the United States is constantly losing its innocence.
Such as:
I861 – 1865: Civil War—When brother supporting slavery fought brother supporting freedom.
1898: Spanish-American War––The United States freed Cuba from the Spanish.
1917 – 1918: World War 1––When innocent American “doughboys” rushed to Europe to save immoral France and England from the Hunnish Germans.
1942 – 1945: World War II––Once again, Americans rushed to Europe to (again) save impure France and England from (again) the Hunnish Germans and end the Holocaust.
1954 – 1975: Vietnam War––The United States rushed to fight Communism on behalf of a people struggling to be free.
Lost in all these “innocent” scenarios are such unpleasant realities as:
During the 1950s, Baby Boom schoolers were spoon-fed a Disney version of American history. When they grew old enough to witness the struggles for black civil rights and against the Vietnam war, they felt they had been lied to—and reacted with anger and protest.
Generations that have been “protected” against the ugly realities of the past are ill-equipped to cope with those in their own lives.
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