Posts Tagged ‘INDIAN WARS’
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In Entertainment, History, Military, Politics, Social commentary on March 14, 2025 at 12:06 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harrs), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in a young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Charlton Heston as Major Dundee
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into French-occupied Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being German-occupied France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers.
Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War:
- Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, shorn of the glory and (later) treasured memories of the Civil War.
- Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
- Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
- America would learn to project its formidable military power at great cost.
Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
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In Bureaucracy, Business, History, Military, Politics, Social commentary on October 7, 2024 at 12:20 am
March 6, 2024, marked the 188th anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
It’s been the subject of novels, movies, biographies, histories and TV dramas (most notably Walt Disney’s 1955 “Davy Crockett: King of the Wild Frontier”).
Perhaps the most extraordinary scene in any Alamo movie or book occurs in the 1993 novel, Crockett of Tennessee, by Cameron Judd.
And it is no less affecting for its being—so far as we know—entirely fictional.
The Alamo
It’s March 5, 1836—the last night of life for the Alamo garrison. The next morning, 2,000 men of the Mexican Army will hurl themselves at the former mission and slaughter its 200 “Texian” defenders.
The fort’s commander, William Barrett Travis, has drawn his “line in the sand” and invited the garrison to choose: To surrender, to try to escape, or to stay and fight to the death.
And the garrison—except for one man—chooses to stay and fight.
For the garrison, immortality lies only hours away. Or does it?
An hour after deciding to stand and die in the Alamo, wrapped in the gloom of night, David Crockett is seized with paralyzing fear.
“We’re going to die here,” he chokes out to his longtime friend, Persius Tarr. “You understand that, Persius? We’re going to die!” 
“I know, Davy. But there ain’t no news in that,” says Tarr. “We’re born to die. Every one of us. Only difference between us and most everybody else is we know when and where it’s going to be.”
“But I can’t be afraid—not me. I’m Crockett. I’m Canebrake Davy. I’m half-horse, half-alligator.”
“I know you are, Davy,” says Tarr. “So do all these men here. That’s why you’re going to get past this.
“You’re going to put that fear behind you and walk back out there and fight like the man you are. The fear’s come and now it’s gone. This is our time, Davy.”
And then Tarr delivers a sentiment wholly alien to money-obsessed men like Donald Trump—who comprise the richest and most privileged 1% of today’s Americans.
“There’s men out there with their eyes on you. You’re the only thing keeping the fear away from them. You’re joking and grinning and fiddling—it gives them courage they wouldn’t have had without you.
“Maybe that’s why you’re here, Davy—to make the little men and the scared men into big and brave men. You’ve always cared about the little men, Davy. Remember who you are.
“You’re Crockett of Tennessee, and your glory-time has come. Don’t you miss a bit of it.”
The next morning, the Mexicans assault the Alamo. Crockett embraces his glory-time—and becomes a legend for all-time.
David Crockett (center) at the fall of the Alamo
David Crockett (1786-1836) lived—and died—a poor man. But this did not prevent him from trying to better the lives of his family and fellow citizens—and even his former enemies.
During the war of 1812, he served as a scout under Andrew Jackson. His foes were the Creek Indians, who had massacred 500 settlers at Fort Mims, Alabama—and threatened to do the same to Crockett’s family and neighbors in Tennessee.
But as a Congressman from Tennessee, he opposed then-President Jackson’s efforts to force the same defeated Indians to depart the lands guaranteed them by treaty.
To Crockett, a promise was sacred—whether given by a single man or the United States Government.
David Crockett
And his presence during the 13-day siege of the Alamo did cheer the spirits of the vastly outnumbered defenders.
Crockett, with his fiddle—and a Scotsman named MacGregor, with his bagpipes—often staged musical “duels” to see who could make the most noise.
Contrast this devotion of Crockett to the rights of “the little men,” with the attitude of Donald Trump, the alleged billionaire former President of the United States.
Donald Trump
Throughout the 2016 Presidential campaign, Trump made such statements as:
- “…I don’t need anybody’s money. It’s nice. I’m using my own money. I’m not using lobbyists, I’m not using donors. I don’t care. I’m really rich.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well over $10 billion.”
- My fingers are long and beautiful, as, it has been well documented, are various other parts of my body.”
- “My IQ is one of the highest—and you all know it.”
- “My Twitter has become so powerful that I can actually make my enemies tell the truth.”
- “I think the only difference between me and the other candidates is that I’m more honest and my women are more beautiful.”
Unlike Crockett, who defended the weak, Trump boasted of his power:
“You know I’m automatically attracted to beautiful—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star they let you do it. You can do anything.”
Those who give their lives for others are rightly loved and remembered as heroes. Those who dedicate their lives solely to their wallets and egos are rightly soon forgotten.
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In Entertainment, History, Military, Politics, Social commentary on March 25, 2024 at 12:10 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez (Mario Adorf);
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOS, DAILY KOZ, FACEBOOK, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on August 28, 2023 at 12:05 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALAMO, ALTERNET, AMERICABLOG, ANDREW JACKSON, AP, BABY BOOMER RESISTANCE, BUZZFEED, CAMERON JUDD, CBS NEWS, CNN, CROCKETT OF TENNESSEE (BOOK), CROOKS AND LIARS, DAILY KOZ, DAVID CROCKETT, DONALD TRUMP, FIVETHIRTYEIGHT, INDIAN WARS, JAMES BOWIE, MITT ROMNEY, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NBCNEWS, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, TALKING POINTS MEMO, TEXAS REVOLUTION, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE LOS ANGELES TIMES, THE NATION, THE NEW YORK TIMES, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUTHDIG, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WILLIAM BARRETT TRAVIS
In Bureaucracy, Business, History, Military, Politics, Social commentary on July 27, 2023 at 12:06 am
March 6, 2023, marked the 187th anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
It’s been the subject of novels, movies, biographies, histories and TV dramas (most notably John Wayne’s history-challenged 1960 epic).
Perhaps the most extraordinary scene in any Alamo movie or book occurs in the 1993 novel, Crockett of Tennessee, by Cameron Judd.
And it is no less affecting for its being—so far as we know—entirely fictional.
The Alamo
It’s March 5, 1836—the last night of life for the Alamo garrison. The next morning, 2,000 men of the Mexican Army will hurl themselves at the former mission and slaughter its 200 “Texian” defenders.
The fort’s commander, William Barrett Travis, has drawn his “line in the sand” and invited the garrison to choose: To surrender, to try to escape, or to stay and fight to the death.
And the garrison—except for one man—chooses to stay and fight.
For the garrison, immortality lies only hours away. Or does it?
An hour after deciding to stand and die in the Alamo, wrapped in the gloom of night, frontier icon David Crockett is seized with paralyzing fear.
“We’re going to die here,” he chokes out to his longtime friend, Persius Tarr. “You understand that, Persius? We’re going to die!”
“I know, Davy. But there ain’t no news in that,” says Tarr. “We’re born to die. Every one of us. Only difference between us and most everybody else is we know when and where it’s going to be.”
“But I can’t be afraid—not me. I’m Crockett. I’m Canebrake Davy. I’m half-horse, half-alligator.”
“I know you are, Davy,” says Tarr. “So do all these men here. That’s why you’re going to get past this.
“You’re going to put that fear behind you and walk back out there and fight like the man you are. The fear’s come and now it’s gone. This is our time, Davy.”
And then Tarr delivers a sentiment wholly alien to money-obsessed men like Donald Trump—who comprise the richest and most privileged 1% of today’s Americans.
“There’s men out there with their eyes on you. You’re the only thing keeping the fear away from them. You’re joking and grinning and fiddling—it gives them courage they wouldn’t have had without you.
“Maybe that’s why you’re here, Davy—to make the little men and the scared men into big and brave men. You’ve always cared about the little men, Davy. Remember who you are.
“You’re Crockett of Tennessee, and your glory-time has come. Don’t you miss a bit of it.”
The next morning, the Mexicans assault the Alamo. Crockett embraces his glory-time—and becomes a legend for all-time.
David Crockett (center) at the fall of the Alamo
David Crockett (1786-1836) lived—and died—a poor man. But this did not prevent him from trying to better the lives of his family and fellow citizens—and even his former enemies.
During the war of 1812, he served as a scout under Andrew Jackson. His foes were the Creek Indians, who had massacred 500 settlers at Fort Mims, Alabama—and threatened to do the same to Crockett’s family and neighbors in Tennessee.
But as a Congressman from Tennessee, he opposed then-President Jackson’s efforts to force the same defeated Indians to depart the lands guaranteed them by treaty.
To Crockett, a promise was sacred—whether given by a single man or the United States Government.
David Crockett
And his presence during the 13-day siege of the Alamo did cheer the spirits of the vastly outnumbered defenders.
Crockett, with his fiddle—and a Scotsman named MacGregor, with his bagpipes—often staged musical “duels” to see who could make the most noise.
Contrast this devotion of Crockett to the rights of “the little men,” with the attitude of Donald Trump, the alleged billionaire former President of the United States.
Donald Trump
Throughout the 2016 Presidential campaign, Trump made such statements as:
- “…I don’t need anybody’s money. It’s nice. I’m using my own money. I’m not using lobbyists, I’m not using donors. I don’t care. I’m really rich.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well over $10 billion.”
- My fingers are long and beautiful, as, it has been well documented, are various other parts of my body.”
- “My IQ is one of the highest—and you all know it.”
- “My Twitter has become so powerful that I can actually make my enemies tell the truth.”
- “I think the only difference between me and the other candidates is that I’m more honest and my women are more beautiful.”
Unlike Crockett, who defended the weak, Trump boasted of his power:
“You know I’m automatically attracted to beautiful—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star they let you do it. You can do anything.”
Those who give their lives for others are rightly loved and remembered as heroes. Those who dedicate their lives solely to their wallets and egos are rightly soon forgotten.
ABC NEWS, ALAMO, ALTERNET, AMERICABLOG, ANDREW JACKSON, AP, BABY BOOMER RESISTANCE, BUZZFEED, CAMERON JUDD, CBS NEWS, CNN, CROCKETT OF TENNESSEE, CROOKS AND LIARS, DAILY KOZ, DAVID CROCKETT, DAVY CROCKETT: KING OF THE WILD FRONTIER, DONALD TRUMP, FACEBOOK, FIVETHIRTYEIGHT, INDIAN WARS, JAMES BOWIE, MITT ROMNEY, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NBCNEWS, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, TALKING POINTS MEMO, TEXAS REVOLUTION, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE LOS ANGELES TIMES, THE NATION, THE NEW YORK TIMES, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUTHDIG, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WALT DISNEY, WILLIAM BARRETT TRAVIS
In Bureaucracy, Business, History, Military, Politics, Social commentary on October 25, 2022 at 12:13 am
March 6, 2022, marked the 186th anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
It’s been the subject of novels, movies, biographies, histories and TV dramas (most notably Walt Disney’s 1955 “Davy Crockett: King of the Wild Frontier”).
Perhaps the most extraordinary scene in any Alamo movie or book occurs in the 1993 novel, Crockett of Tennessee, by Cameron Judd.
And it is no less affecting for its being—so far as we know—entirely fictional.
The Alamo
It’s March 5, 1836—the last night of life for the Alamo garrison. The next morning, 2,000 men of the Mexican Army will hurl themselves at the former mission and slaughter its 200 “Texian” defenders.
The fort’s commander, William Barrett Travis, has drawn his “line in the sand” and invited the garrison to choose: To surrender, to try to escape, or to stay and fight to the death.
And the garrison—except for one man—chooses to stay and fight.
For the garrison, immortality lies only hours away. Or does it?
An hour after deciding to stand and die in the Alamo, wrapped in the gloom of night, David Crockett is seized with paralyzing fear.
“We’re going to die here,” he chokes out to his longtime friend, Persius Tarr. “You understand that, Persius? We’re going to die!”
“I know, Davy. But there ain’t no news in that,” says Tarr. “We’re born to die. Every one of us. Only difference between us and most everybody else is we know when and where it’s going to be.”
“But I can’t be afraid—not me. I’m Crockett. I’m Canebrake Davy. I’m half-horse, half-alligator.”
“I know you are, Davy,” says Tarr. “So do all these men here. That’s why you’re going to get past this.
“You’re going to put that fear behind you and walk back out there and fight like the man you are. The fear’s come and now it’s gone. This is our time, Davy.”
And then Tarr delivers a sentiment wholly alien to money-obsessed men like Donald Trump—who comprise the richest and most privileged 1% of today’s Americans.
“There’s men out there with their eyes on you. You’re the only thing keeping the fear away from them. You’re joking and grinning and fiddling—it gives them courage they wouldn’t have had without you.
“Maybe that’s why you’re here, Davy—to make the little men and the scared men into big and brave men. You’ve always cared about the little men, Davy. Remember who you are.
“You’re Crockett of Tennessee, and your glory-time has come. Don’t you miss a bit of it.”
The next morning, the Mexicans assault the Alamo. Crockett embraces his glory-time—and becomes a legend for all-time.
David Crockett (center) at the fall of the Alamo
David Crockett (1786-1836) lived—and died—a poor man. But this did not prevent him from trying to better the lives of his family and fellow citizens—and even his former enemies.
During the war of 1812, he served as a scout under Andrew Jackson. His foes were the Creek Indians, who had massacred 500 settlers at Fort Mims, Alabama—and threatened to do the same to Crockett’s family and neighbors in Tennessee.
But as a Congressman from Tennessee, he opposed then-President Jackson’s efforts to force the same defeated Indians to depart the lands guaranteed them by treaty.
To Crockett, a promise was sacred—whether given by a single man or the United States Government.
David Crockett
And his presence during the 13-day siege of the Alamo did cheer the spirits of the vastly outnumbered defenders.
Crockett, with his fiddle—and a Scotsman named MacGregor, with his bagpipes—often staged musical “duels” to see who could make the most noise.
Contrast this devotion of Crockett to the rights of “the little men,” with the attitude of Donald Trump, the alleged billionaire former President of the United States.
Donald Trump
Throughout the 2016 Presidential campaign, Trump made such statements as:
- “…I don’t need anybody’s money. It’s nice. I’m using my own money. I’m not using lobbyists, I’m not using donors. I don’t care. I’m really rich.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well over $10 billion.”
- My fingers are long and beautiful, as, it has been well documented, are various other parts of my body.”
- “My IQ is one of the highest—and you all know it.”
- “My Twitter has become so powerful that I can actually make my enemies tell the truth.”
- “I think the only difference between me and the other candidates is that I’m more honest and my women are more beautiful.”
Unlike Crockett, who defended the weak, Trump boasted of his power:
“You know I’m automatically attracted to beautiful—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star they let you do it. You can do anything.”
Those who give their lives for others are rightly loved and remembered as heroes. Those who dedicate their lives solely to their wallets and egos are rightly soon forgotten.
ABC NEWS, ALTERNET, AMERICABLOG, AP, APACHES, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOZ, FACEBOOK, FIVETHIRTYEIGHT, HARPER’S MAGAZINE, HUFFINGTON POST, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEDIA MATTERS, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, TALKING POINTS MEMO, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, THINKPROGRESS, TIME, TOM HANKS, TRUTHDIG, TRUTHOUT, TWITTER, TWO POLITICAL JUNKIES, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on March 16, 2022 at 12:50 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALAMO, ALTERNET, AMERICABLOG, ANDREW JACKSON, AP, BABY BOOMER RESISTANCE, BUZZFEED, CAMERON JUDD, CBS NEWS, CNN, CROCKETT OF TENNESSEE, CROOKS AND LIARS, DAILY KOZ, DAVID CROCKETT, DAVY CROCKETT: KING OF THE WILD FRONTIER, DONALD TRUMP, FACEBOOK, FIVETHIRTYEIGHT, INDIAN WARS, JAMES BOWIE, MITT ROMNEY, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NBCNEWS, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, TALKING POINTS MEMO, TEXAS REVOLUTION, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE LOS ANGELES TIMES, THE NATION, THE NEW YORK TIMES, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUTHDIG, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WALT DISNEY, WILLIAM BARRETT TRAVIS
In Bureaucracy, Business, History, Military, Politics, Social commentary on December 13, 2019 at 12:04 am
March 6, 2019, marked the 183rd anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
It’s one of those battles like Thermopylae that have passed from history into legend.
It’s been the subject of novels, movies, biographies, histories and TV dramas (most notably Walt Disney’s 1955 “Davy Crockett: King of the Wild Frontier”).
Perhaps the most extraordinary scene in any Alamo movie or book occurs in the 1993 novel, Crockett of Tennessee, by Cameron Judd.
And it is no less affecting for its being—so far as we know—entirely fictional.
The Alamo
It’s March 5, 1836—the last night of life for the Alamo garrison. The night before the 2,000 men of the Mexican Army hurl themselves at the former mission and slaughter its 200 “Texian” defenders.
The fort’s commander, William Barrett Travis, has drawn his “line in the sand” and invited the garrison to choose: To surrender, to try to escape, or to stay and fight to the death.
And the garrison—except for one man—chooses to stay and fight.
For the garrison, immortality lies only hours away. Or does it?
An hour after deciding to stand and die in the Alamo, wrapped in the gloom of night, Crockett is seized with paralyzing fear.
“We’re going to die here,” he chokes out to his longtime friend, Persius Tarr. “You understand that, Persius? We’re going to die!”
“I know, Davy. But there ain’t no news in that,” says Tarr. “We’re born to die. Every one of us. Only difference between us and most everybody else is we know when and where it’s going to be.”
“But I can’t be afraid—not me. I’m Crockett. I’m Canebrake Davy. I’m half-horse, half-alligator.”
“I know you are, Davy,” says Tarr. “So do all these men here. That’s why you’re going to get past this.
“You’re going to put that fear behind you and walk back out there and fight like the man you are. The fear’s come and now it’s gone. This is our time, Davy.”
“The glory-time,” says Crockett.
“That’s right, David. The glory-time.”
And then Tarr delivers a sentiment wholly alien to money-obsessed men like Mitt Romney and Donald Trump—who comprise the richest and most privileged 1% of today’s Americans.
“There’s men out there with their eyes on you. You’re the only thing keeping the fear away from them. You’re joking and grinning and fiddling—it gives them courage they wouldn’t have had without you.
“Maybe that’s why you’re here, Davy—to make the little men and the scared men into big and brave men. You’ve always cared about the little men, Davy. Remember who you are.
“You’re Crockett of Tennessee, and your glory-time has come. Don’t you miss a bit of it.”
The next morning, the Mexicans assault the Alamo. Crockett embraces his glory-time—and becomes a legend for all-time.
David Crockett (center) at the fall of the Alamo
David Crockett (1786-1836) lived—and died—a poor man. But this did not prevent him from trying to better the lives of his family and fellow citizens—and even his former enemies.
During the war of 1812, he served as a scout under Andrew Jackson. His foes were the Creek Indians, who had massacred 500 settlers at Fort Mims, Alabama—and threatened to do the same to Crockett’s family and neighbors in Tennessee.
As a Congressman from Tennessee, he championed the rights of poor whites. And he opposed then-President Jackson’s efforts to force the same defeated Indians to depart the lands guaranteed them by treaty.
To Crockett, a promise was sacred—whether given by a single man or the United States Government.
David Crockett
And his presence during the 13-day siege of the Alamo did cheer the spirits of the vastly outnumbered defenders. It’s a matter of historical record that he and a Scotsman named MacGregor often staged musical “duels” to see who could make the most noise.
It was MacGregor with his bagpipes against Crockett and his fiddle.
Contrast this devotion of Crockett to the rights of “the little men,” as Persius Tarr called them, with the attitude of Donald Trump, the alleged billionaire President of the United States.
Donald Trump
On June 16, 2015, while announcing his candidacy, Trump said:
- “…I don’t need anybody’s money. It’s nice. I don’t need anybody’s money. I’m using my own money. I’m not using lobbyists, I’m not using donors. I don’t care. I’m really rich.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well over $10 billion.”
- “But here, a total net worth of—net worth, not assets, not—a net worth, after all debt, after all expenses, the greatest assets—Trump Tower, 1290 Avenue of the Americas, Bank of America building in San Francisco, 40 Wall Street, sometimes referred to as the Trump building right opposite the New York—many other places all over the world. So the total is $8,737,540,000.”
Those who give their lives for others are rightly loved and remembered as heroes. Those who dedicate their lives solely to their wallets and egos are rightly soon forgotten.
ABC NEWS, ALTERNET, AP, APACHES, BROCK PETERS, BUZZFEED, CBS NEWS, CHARLTON HESTON, CIVIL WAR, CNN, CROOKS AND LIARS, DAILY KOZ, FACEBOOK, INDIAN WARS, INDIANS, JAMES COBURN, JIM HUTTON, MAJOR DUNDEE, MEXICO, MICHAEL ANDERSON JR., MOTHER JONES, MOVEON, MOVIES, MSNBC, NBC NEWS, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, RAW STORY, REUTERS, RICHARD HARRIS, SALON, SAM PECKINPAH, SAVING PRIVATE RYAN, SEATTLE TIMES, SLATE, SPANISH-AMERICAN WAR, STEVEN SPIELBERG, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE LOS ANGELES TIMES, THE NATION, THE NEW YORK TIMES, THE WASHIGNTON POST, THE WASHINGTON POST, THE WILD BUNCH, TIME, TOM HANKS, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WESTERNS, WORLD WAR 1, WORLD WAR 11
In Entertainment, History, Military, Politics, Social commentary on November 2, 2018 at 12:06 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
ABC NEWS, ALAMO, ALTERNET, ANDREW JACKSON, AP, BUZZFEED, CAMERON JUDD, CBS NEWS, CNN, CROCKETT OF TENNESSEE, CROOKS AND LIARS, DAILY KOZ, DAVID CROCKETT, DAVY CROCKETT: KING OF THE WILD FRONTIER, DONALD TRUMP, FACEBOOK, INDIAN WARS, JAMES BOWIE, MITT ROMNEY, MOTHER JONES, MOVEON, NBC NEWS, NBCNEWS, NEWSWEEK, NPR, POLITICO, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, TEXAS REVOLUTION, THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE LOS ANGELES TIMES, THE NATION, THE NEW YORK TIMES, THE WASHINGTON POST, TIME, TWITTER, U.S. NEWS & WORLD REPORT, UPI, USA TODAY, WALT DISNEY, WILLIAM BARRET
In Bureaucracy, History, Military, Politics, Social commentary on December 8, 2017 at 12:14 am
March 6, 2016, marked the 180th anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
It’s one of those battles like Thermopylae that have passed from history into legend.
It’s been the subject of novels, movies, biographies, histories and TV dramas (most notably Walt Disney’s 1955 “Davy Crockett: King of the Wild Frontier”).
The Alamo
Perhaps the most extraordinary scene in any Alamo movie or book occurs in the 1993 novel, Crockett of Tennessee, by Cameron Judd.
And it is no less affecting for its being—so far as we know—entirely fictional.
It’s March 5, 1836—the last night of life for the Alamo garrison. The night before the 2,000 men of the Mexican Army hurl themselves at the former mission and slaughter its 200 “Texian” defenders.
The fort’s commander, William Barret Travis, has drawn his “line in the sand” and invited the garrison to choose: To surrender, to try to escape, or to stay and fight to the death.
And the garrison—except for one man—chooses to stay and fight.
For the garrison, immortality lies only hours away. Or does it?
An hour after deciding to stand and die in the Alamo, wrapped in the gloom of night, Crockett is seized with paralyzing fear.
“We’re going to die here,” he chokes out to his longtime friend, Persius Tarr. “You understand that, Persius? We’re going to die!”
“I know, Davy. But there ain’t no news in that,” says Tarr. “We’re born to die. Every one of us. Only difference between us and most everybody else is we know when and where it’s going to be.”
“But I can’t be afraid—not me. I’m Crockett. I’m Canebrake Davy. I’m half-horse, half-alligator.”
“I know you are, Davy,” says Tarr. “So do all these men here. That’s why you’re going to get past this.
“You’re going to put that fear behind you and walk back out there and fight like the man you are. The fear’s come and now it’s gone. This is our time, Davy.”
“The glory-time,” says Crockett.
“That’s right, David. The glory-time.”
And then Tarr delivers a sentiment wholly alien to money-obsessed men like Mitt Romney and Donald Trump—who comprise the richest and most privileged 1% of today’s Americans.
“There’s men out there with their eyes on you. You’re the only thing keeping the fear away from them. You’re joking and grinning and fiddling—it gives them courage they wouldn’t have had without you.
“Maybe that’s why you’re here, Davy—to make the little men and the scared men into big and brave men. You’ve always cared about the little men, Davy. Remember who you are.
“You’re Crockett of Tennessee, and your glory-time has come. Don’t you miss a bit of it.”
The next morning, the Mexicans assault the Alamo. Crockett embraces his glory-time—and becomes a legend for all-time.
David Crockett (center) at the fall of the Alamo
David Crockett (1786-1836) lived—and died—a poor man. But this did not prevent him from trying to better the lives of his family and fellow citizens—and even his former enemies.
David Crockett
During the war of 1812, he served as a scout under Andrew Jackson. His foes were the Creek Indians, who had massacred 500 settlers at Fort Mims, Alabama—and threatened to do the same to Crockett’s family and neighbors in Tennessee.
As a Congressman from Tennessee, he championed the rights of poor whites. And he opposed then-President Jackson’s efforts to force the same defeated Indians to depart the lands guaranteed them by treaty.
To Crockett, a promise was sacred—whether given by a single man or the United States Government.
And his presence during the 13-day siege of the Alamo did cheer the spirits of the vastly outnumbered defenders. It’s a matter of historical record that he and a Scotsman named MacGregor often staged musical “duels” to see who could make the most noise.
It was MacGregor with his bagpipes against Crockett and his fiddle.
Contrast this devotion of Crockett to the rights of “the little men,” as Persius Tarr called them, with the attitude of Donald Trump, the 2016 Republican Presidential nominee.
Donald Trump
On June 16, 2015, while announcing his candidacy, Trump said:
- “…I don’t need anybody’s money. It’s nice. I don’t need anybody’s money. I’m using my own money. I’m not using lobbyists, I’m not using donors. I don’t care. I’m really rich.”
- “I did a lot of great deals and I did them early and young, and now I’m building all over the world….”
- “So I have a total net worth, and now with the increase, it’ll be well over $10 billion.”
- “But here, a total net worth of—net worth, not assets, not—a net worth, after all debt, after all expenses, the greatest assets—Trump Tower, 1290 Avenue of the Americas, Bank of America building in San Francisco, 40 Wall Street, sometimes referred to as the Trump building right opposite the New York—many other places all over the world. So the total is $8,737,540,000.”
Those who give their lives for others are rightly loved and remembered as heroes. Those who dedicate their lives solely to their wallets and egos are rightly soon forgotten.
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WHAT THE MAJOR HAS TO TELL US
In Entertainment, History, Military, Politics, Social commentary on March 14, 2025 at 12:06 amMajor Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Charlton Heston as Major Dundee
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into French-occupied Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being German-occupied France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers.
Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War:
Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
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