Posts Tagged ‘CHARLTON HESTON’
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In Bureaucracy, History, Law Enforcement, Politics, Social commentary on March 21, 2025 at 12:12 am
Two stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “El Cid”—“The Lord”—besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the well-fed emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus ,the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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In Entertainment, History, Military, Politics, Social commentary on March 14, 2025 at 12:06 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish the Austrian Archduke Maximillian 1 as emperor of Mexico.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his hands around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men you can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harrs), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in a young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Charlton Heston as Major Dundee
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into French-occupied Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being German-occupied France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers.
Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s record of playing heroes, it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero. If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War:
- Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, shorn of the glory and (later) treasured memories of the Civil War.
- Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
- Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
- America would learn to project its formidable military power at great cost.
Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one conflict to the next.
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In Bureaucracy, History, Military, Politics, Social commentary on January 28, 2025 at 12:06 am
January 26, 2025, marked the 140th anniversary of the fall of Khartoum, the Sudanese city that sits on the banks of the White and Blue Nile Rivers.
The siege and fall of Khartoum is one of the truly epic stories of military history.
From March 18, 1884, to January 26, 1885, the charisma and military genius of one man—British General Charles George Gordon—held at bay an army of thousands of fanatical Islamics intent on slaughtering everyone in the city. 
Khartoum in 1888—four years after the siege
At stake were the lives of Khartoum’s 30,000 residents.
By comparison: The defenders of the Alamo—a far better-known battle—numbered no more than 250. And the siege of the San Antonio mission lasted only 13 days (February 23 to March 6, 1836) against an army of about 2,000 Mexicans.
The Alamo
Gordon’s story may seem antiquated. But it resembles the efforts Republicans made to pressure the Obama administration to commit ground forces to “freeing” Syria of its longtime dictator, “President” Bashir al-Assad.
The neocons of the George W. Bush Administration plunged the United States into an unprovoked war against Iraq in 2003. After Baghdad quickly fell, Americans cheered, thinking the war was over and the troops would soon return home.
Suddenly, American soldiers found themselves waging a two-front war in the same country: Fighting an Iraqi insurgency to throw them out, while trying to suppress growing sectarian warfare between Sunni and Shia Muslims.
And then, with Syria, Americans were being urged to plunge headfirst into a conflict they knew nothing about—and in which they had absolutely no stake.
On one side was the Ba’ath regime of Bashir al-Assad, supported by Russia, Iran, Hizbollah and elements in the Iraqi government. Hizbollah is comprised of Shiite Muslims, who form a minority of Islamics.
A sworn enemy of Israel, it has kidnapped scores of Americans suicidal enough to visit Lebanon and truck-bombed the Marine barracks in Beirut in 1983, killing 299 Americans.
Flag of Hizbollah
Al-Qaeda, on the other hand, is made up of Sunni Muslims, who form the majority of that religion.
It is intolerant of non-Sunni Muslims and has instigated violence against them. It denounces them as “takfirs”–heretics—and thus worthy of extermination.
Flag of Al-Qaeda
In short, it’s a Muslim-vs.-Muslim “holy war.
It’s all very reminiscent of events in the 1966 epic film, Khartoum, starring Charlton Heston as British General Charles George Gordon.
In 1884, the British government sends Gordon, a real-life hero of the Victorian era, to evacuate the Sudanese city of Khartoum.
Mohammed Achmed, a previously anonymous Sudanese, has proclaimed himself “The Madhi” (“The Expected One”) and raised the cry of jihad.
The Madhi (played by Lawrence Olivier) intends to drive all foreigners (of which the English are the largest group) out of Sudan and exterminate all those Muslims who do not practice his “pure” version of Islam.
Charlton Heston as Gordon (left); Laurence Oliver as the Madhi (right)
Gordon arrives in Khartoum to find he’s not fighting a rag-tag army of peasants. Instead, the Madhi is a highly intelligent military strategist.
And Gordon, an evangelical Christian, also finds he has underestimated the Madhi’s religious fanaticism: “I seem to have suffered from the delusion that I had a monopoly on God.”
A surprised Gordon finds himself and 30,000 Sudanese trapped in Khartoum when the Madhi’s forces suddenly appear. He sends off messengers and telegrams to the British Government, begging for a military relief force.
But the British Government wants nothing to do with the Sudan. It has sent Gordon there as a sop to British public opinion that “something” had to be done to quell the Madhist uprising.
The siege continues and tightens.
In Britain, the public hails Gordon as a Christian hero and demands that the Government send a relief expedition to save him.
Prime Minister William Gladstone finally sends a token force—which arrives in Khartoum two days after the city has fallen to the Madhi’s forces.
Gordon, standing at the top of a staircase and coolly facing down his dervish enemies, is speared to death.
George W. Joy’s famous—and romanticized—painting of “The Death of Gordon”
(Actually, the best historical evidence indicates that Gordon fought to the last with pistol and sword before being overwhelmed by his Islamic enemies.)
When the news reaches England, Britons mourn—and then demand vengeance for the death of their hero.
The Government, which had sought to wash its hands of the poor, military unimportant Sudan, suddenly has to send an army to avenge Gordon.
As the narrator of Khartoum intones at the close of the film: “For 15 years the British paid the price with shame and war.”
There is a blunt lesson for Americans to learn from this episode—and from the 1966 movie Khartoum itself.
Americans have been fighting in the Middle East since 2001—first in Afghanistan to destroy Al-Qaeda, and then in Iraq, to pursue George W. Bush’s vendetta against Saddam Hussein. They continue to fight in Syria against ISIS.
The United States faces a crumbling infrastructure, millions living in poverty and trillions of dollars in debt.
It’s time for Americans to clean up their own house before worrying about the messes in other nations—especially those wholly alien to American values.
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In Bureaucracy, History, Law Enforcement, Politics, Social commentary on August 29, 2024 at 12:12 am
Two stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “El Cid”—“The Lord”—besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the well-fed emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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In Entertainment, History, Military, Politics, Social commentary on March 25, 2024 at 12:10 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez (Mario Adorf);
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
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In Entertainment, History, Military, Politics, Social commentary on August 28, 2023 at 12:05 am
Major Dundee is a 1965 Sam Peckinpah Western focusing on a Union cavalry officer (Charlton Heston) who leads a motley troop of soldiers into Mexico to rescue three children kidnapped by Apaches.
Along the way they liberate Mexican villagers and clash with French lancers trying to establish Mexico as a French colony under would-be emperor Archduke Maximilian 1.
The Wild Bunch is universally recognized as Peckinpah’s greatest achievement. It has certainly had a far greater impact on audiences and critics than Major Dundee. According to Heston, this was really the movie Peckinpah wanted to make while making Dundee, but he couldn’t quite get his mind around it.
As a result, Dundee’s virtues have been tragically overlooked. It has a larger cast of major characters than Bunch, and these are men an audience can truly like and identify with:
- The charm of Benjamin Tyreen (Richard Harris), a Confederate lieutenant forced into Union service;
- The steady courage of Sergeant Gomez;
- The quiet dignity of Aesop (Brock Peters), a black soldier;
- The quest for maturity in young, untried bugler Tim Ryan (Michael Anderson, Jr.);
- The on-the-job training experience of impetuous Lt. Graham (Jim Hutton); and
- The stoic endurance of Indian scout Sam Potts (James Coburn).
These men are charged with a dangerous and dirty mission, and do it as well as they can, but you wouldn’t fear inviting them to meet your family.
Major Dundee (Charlton Heston)
That was definitely not the case with The Wild Bunch, four hardened killers prepared to rip off anyone, anytime, and leave a trail of bodies in their wake. The only place where you would have felt safe seeing them, in real-life, was behind prison bars.
The Wild Bunch
Dundee is an odyssey movie, in the same vein as Saving Private Ryan. Both films start with a battle, followed by the disappearance of characters who need to be searched for and brought back to safety.
Just as Dundee assembles a small force to go into Mexico, so, too, does Captain John Miller (Tom Hanks) do the same, with his hunting ground being France.
Dundee’s men retrieve the kidnapped children and survive a near-fatal battle with Indians. Miller’s men twice clash with the Germans before finding their quarry, James Ryan.
Before Dundee can return to the United States, he must face and defeat a corps of French soldiers. Before Miller can haul Ryan back to safety, he must repulse a German assault.
Both groups of soldiers—Dundee’s and Miller’s—are transformed by their experiences in ways neither group could possibly articulate. (Miller, being a highly literate schoolteacher, would surely do a better job of this than the tight-jawed Dundee.)
Dundee’s soldiers return to a United States that’s just ended its Civil War with a Union victory—and the death of slavery. Miller’s soldiers return to a nation that is now a global superpower.
Of course, Ryan was fortunate in having Steven Spielberg as its director. With his clout, there was no question that Ryan would emerge as the film he wanted.
Peckinpah lacked such clout. And he fought with everyone, including the producer, Jerry Bressler, who ultimately held the power to destroy his film. This guaranteed that his movie would emerge far differently than he had envisioned.
Sam Peckinpah
In 2005, an extended version of Dundee was released, featuring 12 minutes of restored footage. (Much of the original footage was lost after severe cuts to the movie.)
In this new version, we fully see how unsympathetic a character the martinet Dundee really is. Owing to Heston’s career of playing heroes—such as Moses and El Cid—it’s easy to overlook Dundee’s arrogance and lethal fanaticism and automatically view him as a hero.
If he is indeed that, he is a hero with serious flaws.
And his self-imposed mission poses questions for us today:
- Where is the line between professional duty and personal fanaticism?
- How do we balance the success of a mission against its potential costs—especially if they prove appalling?
- At what point—if any—does personal conscience override professional obligations?
Whether intentionally or not, in Major Dundee, Peckinpah laid out a microcosm of the American history that would immediately follow the Civil War.
Former Confederates and Unionists would forego their regional animosities and fight against a recognized mutual enemy—the Indians. This would prove a dirty and drawn-out war, stripped of the glory and (later) treasured memories of the Civil War.
Just as Dundee’s final battle with French lancers ended with an American victory won at great cost, so, too, would America’s forays into the Spanish-American War and World Wars 1 and 11 prove the same.
Ben Tyreen’s commentary on the barbarism of French troops (“Never underestimate the value of a European education”) would be echoed by twentieth-century Americans uncovering the horrors of Dachau and Buchenwald.
And America would learn to project its formidable military power at great cost. Toward the end of the movie, Teresa Santiago (Senta Berger), the ex-patriot Austrian widow, would ask Dundee: “But who do you answer to?”
It is a question that still vividly expresses the view of the international community as this superpower colossus hurtles from one often-disastrous conflict to the next.
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In Bureaucracy, History, Law Enforcement, Politics, Social commentary on August 25, 2023 at 12:10 am
Two stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “The Lord,” besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the well-fed emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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In Bureaucracy, History, Military, Politics, Social commentary on June 23, 2023 at 12:11 am
January 26, 2020, marked the 138th anniversary of the fall of Khartoum, the Sudanese city that sits on the banks of the White and Blue Nile Rivers.
The siege and fall of Khartoum is one of the truly epic stories of military history.
From March 18, 1884, to January 26, 1885, the charisma and military genius of one man—British General Charles George Gordon—held at bay an army of thousands of fanatical Islamics intent on slaughtering everyone in the city.
Khartoum in 1888—four years after the siege
At stake were the lives of Khartoum’s 30,000 residents.
By comparison: The defenders of the Alamo—a far better-known battle, in 1836—numbered no more than 250. And the siege of the San Antonio mission lasted only 13 days against an army of about 2,000 Mexicans.
The Alamo
Gordon’s story may seem antiquated. But it resembles the efforts Republicans made to pressure the Obama administration to commit ground forces to “freeing” Syria of its longtime dictator, “President” Bashir al-Assad.
The neocons of the George W. Bush Administration plunged the United States into an unprovoked war against Iraq in 2003. After Baghdad quickly fell, Americans cheered, thinking the war was over and the troops would soon return home.
Suddenly, American soldiers found themselves waging a two-front war in the same country: Fighting an Iraqi insurgency to throw them out, while trying to suppress growing sectarian warfare between Sunni and Shia Muslims.
And then, with Syria, Americans were being urged to plunge headfirst into a conflict they knew nothing about—and in which they had absolutely no stake.
On one side was the Ba’ath regime of Bashir al-Assad, supported by Russia, Iran, Hizbollah and elements in the Iraqi government. Hizbollah is comprised of Shiite Muslims, who form a minority of Islamics.
A sworn enemy of Israel, it has kidnapped scores of Americans suicidal enough to visit Lebanon and truck-bombed the Marine barracks in Beirut in 1983, killing 299 Americans.
Flag of Hizbollah
Al-Qaeda, on the other hand, is made up of Sunni Muslims, who form the majority of that religion.
It is intolerant of non-Sunni Muslims and has instigated violence against them. It denounces them as “takfirs”–heretics—and thus worthy of extermination.
Flag of Al-Qaeda
In short, it’s a Muslim-vs.-Muslim “holy war.
It’s all very reminiscent of events in the 1966 epic film, Khartoum, starring Charlton Heston as British General Charles George Gordon.
In 1884, the British government sends Gordon, a real-life hero of the Victorian era, to evacuate the Sudanese city of Khartoum.
Mohammed Achmed, a previously anonymous Sudanese, has proclaimed himself “The Madhi” (“The Expected One”) and raised the cry of jihad.
The Madhi (played by Lawrence Olivier) intends to drive all foreigners (of which the English are the largest group) out of Sudan and exterminate all those Muslims who do not practice his “pure” version of Islam.
Charlton Heston as Gordon (left); Laurence Oliver as the Madhi (right)
Gordon arrives in Khartoum to find he’s not fighting a rag-tag army of peasants. Instead, the Madhi is a highly intelligent military strategist.
And Gordon, an evangelical Christian, also finds he has underestimated the Madhi’s religious fanaticism: “I seem to have suffered from the delusion that I had a monopoly on God.”
A surprised Gordon finds himself and 30,000 Sudanese trapped in Khartoum when the Madhi’s forces suddenly appear. He sends off messengers and telegrams to the British Government, begging for a military relief force.
But the British Government wants nothing to do with the Sudan. It has sent Gordon there as a sop to British public opinion that “something” had to be done to quell the Madhist uprising.
The siege continues and tightens.
In Britain, the public hails Gordon as a Christian hero and demands that the Government send a relief expedition to save him.
Prime Minister William Gladstone finally sends a token force—which arrives in Khartoum two days after the city has fallen to the Madhi’s forces.
Gordon, standing at the top of a staircase and coolly facing down his dervish enemies, is speared to death.
George W. Joy’s famous—and romanticized—painting of “The Death of Gordon”
(Actually, the best historical evidence indicates that Gordon fought to the last with pistol and sword before being overwhelmed by his Islamic enemies.)
When the news reaches England, Britons mourn—and then demand vengeance for the death of their hero.
The Government, which had sought to wash its hands of the poor, military unimportant Sudan, suddenly has to send an army to avenge Gordon.
As the narrator of Khartoum intones at the close of the film: “For 15 years the British paid the price with shame and war.”
There is a blunt lesson for Americans to learn from this episode—and from the 1966 movie Khartoum itself.
Americans have been fighting in the Middle East since 2001—first in Afghanistan to destroy Al-Qaeda, and then in Iraq, to pursue George W. Bush’s vendetta against Saddam Hussein. They continue to fight in Syria against ISIS.
The United States faces a crumbling infrastructure, millions living in poverty and trillions of dollars in debt.
It’s time for Americans to clean up their own house before worrying about the messes in other nations—especially those wholly alien to American values.
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In Bureaucracy, History, Law, Law Enforcement, Politics, Social commentary on August 26, 2022 at 1:26 am
Two stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “The Lord,” besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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In Bureaucracy, History, Law, Law Enforcement, Politics, Social commentary on March 17, 2022 at 12:17 am
Two stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “The Lord,” besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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HUMANITY CAN PREVAIL WHEN VIOLENCE FAILS
In Bureaucracy, History, Law Enforcement, Politics, Social commentary on March 21, 2025 at 12:12 amTwo stories—one fictitious, the other historical.
Story #1: In the 1961 historical epic, “El Cid,” Rodrigo Diaz de Vivar, known as “El Cid”—“The Lord”—besieges the Spanish city of Valencia, which has been captured by the Moors.
Months have passed. The city’s population is starving and without hope.
Then, one day, El Cid (Charlton Heston) calls out over the city’s walls: “Soldiers and citizens of Valencia! We are not your enemy! Ben Yusof [the powerful emir who plans to conquer Spain with an invading army] is your enemy!
“Join us! We bring you peace! We bring you freedom! We bring you bread!”
Suddenly El Cid’s Spanish catapults spring into action—loaded not with stones but loaves of bread. The loaves land in the city’s streets, where starving citizens and soldiers greedily devour them.
Then those citizens attack the bodyguards of the well-fed emir ruling Valencia—and throw the emir himself from a high wall.
The army of El Cid marches peacefully into the city.
Story #2: In Book Three, Chapter 22 of his classic masterwork, The Discourses, Niccolo Machiavelli offers the following: “An Act of Humanity Prevailed More With the Falacians Than All the Power of Rome.”
Marcus Furius Camillus, a Roman general, was besieging the city of the Faliscians, and had surrounded it. A teacher charged with the education of the children of some of the noblest families of that city decided to ingratiate himself with Camillus by leading those children into the Roman camp.
Presenting them to Camillus ,the teacher said to him, “By means of these children as hostages, you will be able to compel the city to surrender.”
Camillus not only declined the offer but went one step further. He ordered the teacher stripped and his hands tied behind his back. Then Camillus had a rod put into the hands of each of the children and directed them to whip the teacher all the way back to the city.
Upon learning this, the citizens of Faliscia were so much touched by the humanity and integrity of Camillus, that they surrendered the place to him without any further defense.
Summing up the meaning of this, Machiavelli writes: “This example shows that an act of humanity and benevolence will at all times have more influence over the minds of men than violence and ferocity. It also proves that provinces and cities which no armies…could conquer, have yielded to an act of humanity, benevolence, chastity or generosity.
“…History also shows us how much the people desire to find such virtues in great men, and how much they are extolled by historians and biographers of princes….Amongst these, Xenophon takes great pains to show how many victories, how much honor and fame, Cyrus gained by his humanity and affability, and by his not having exhibited a single instance of pride, cruelty or luxuriousness, nor of any of the other vices that are apt to stain the lives of men.”
Niccolo Machiavelli
These stories—the first the product of a movie screenwriter’s imagination, the second recorded by a master political scientist and historian—remain highly relevant today.
On May 25, 2020, George Floyd, a black unemployed restaurant security guard, was murdered by Derek Chauvin, a white Minneapolis police officer. While Floyd was handcuffed and lying face down on a city street during an arrest, Chauvin kept his knee on the right side of Floyd’s neck for eight minutes and 46 seconds.
Cities across the United States erupted in mass protests over Floyd’s death—and police killings of black victims generally. Most of these demonstrations proved peaceful.
But cities such as Los Angeles, San Francisco and New York City saw stores looted, vandalized and/or burned. In response, President Donald Trump called for harsh policing, telling governors in a nationwide conference call that they must “dominate” protesters or be seen as “weak.”
To drive home his point, Trump ordered police and National Guard troops to violently remove peaceful protesters from Lafayette Square, which borders St. John’s Church near the White House.
The purpose of the removal: To allow Trump to have a photo opportunity outside the church.
“I imposed a curfew at 7pm,” tweeted Washington, D.C. Mayor Muriel Bowser. “A full 25 minutes before the curfew & w/o provocation, federal police used munitions on peaceful protestors in front of the White House, an act that will make the job of @DCPoliceDept officers more difficult. Shameful!”
Contrast that with the example of Sheriff Christopher Swanson of Genesee County, Michigan.
Sheriff Christopher Swanson
Confronting a mass of aroused demonstrators in Flint Township on May 30, Swanson responded: “We want to be with you all for real.”
So Swanson took his helmet off. His deputies laid their batons down.
“I want to make this a parade, not a protest. So, you tell us what you need to do.”
“Walk with us!” the protesters shouted.
“Let’s walk, let’s walk,” said Swanson.
Cheering and applause resounded.
“Let’s go, let’s go,” Swanson said as he and the cheering crowd proceeded. “Where do you want to walk? We’ll walk all night.”
And Swanson and his fellow officers walked in sympathy with the protesters.
No rioting followed.
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