So you’ve spent the last half-hour or more on the phone, listening to one recorded message after another (and probably a symphony of bad music).
And you’re no closer to solving the problem that caused you to phone the company/agency in the first place.
What to do?
- Go on the Net and look up the company’s/agency’s website. Look for links to their Board of Directors. Often enough you’ll get not only their names but their bios, phone numbers and even email addresses.
- Start looking at the bottom of the website page. Many companies/agencies put this information there–and usually in small print.
- Look for the names of officials who can help you. That means the ones at the top of the company–or at least high enough so you can be sure that whoever responds to your call, letter and/or email has the necessary clout to address your problem.
- If you call, don’t ask to speak directly with Mr. Big–that’s not going to happen. Ask to speak with Mr. Big’s secretary, who is far more accessible.
- Keep your tone civil, and try to make your call as brief as possible. Don’t go into a lot of background about all the problems you’ve been having getting through to someone.
- Give the gist and ask for a referral to someone who can help resolve your problem.
- If the secretary needs more time to study the problem before referring you to someone else, be patient. Answer any questions asked–such as your name, address, phone number and/or email.
- State–specifically–what you want the company to do to resolve your problem. If you want a refund or repairs for your product, say so.
- Too many consumers don’t specify what they want the company to do–they’re so caught up in their rage and frustration that this completely escapes them.
- Be reasonable. If you want a refund, then don’t ask for more money than you paid for the product. If you want to return a product for an exchange, don’t expect the company to give you a new one with even more bells and whistles–unless you’re willing to pay the difference in price.
If you want an agency to investigate your complaint, don’t expect them to drop everything else and do so instantly. Give them time to assess your information and that supplied by others.
- It’s usually possible to get one agency to sit on another–if you can make a convincing case that it’s in that secondary agency’s best interests to do so.
- For example: If you’ve been roughed up by local police for no good reason, you can file a complaint with that department–-and the FBI and U.S. Attorney’s Office (federal prosecutor) to investigate.
- That doesn’t guarantee they will resolve your problem. But if you can show that the cops have violated several Federal civil rights laws, the odds are that someone will take a serious look at your complaint.
- If a company/agency official has acted so outrageously that the company/agency might now be held liable for his actions, don’t be afraid to say so.
- But don’t threaten to sue. Just point out that the employee has acted in such a way as to jeopardize the company’s/agency’s profits and/or reputation for integrity/efficiency. Make it clear that the organization is not well-served by such behavior.
- Don’t try to win sympathy for yourself. An agency/company doesn’t care about you. It cares only about its profits and/or reputation. So if you got a raw deal, but don’t have the means to threaten either, its top executives won’t lift a finger to help you.
- If you can make it clear that the profits and/or reputation of the agency/business have been compromised by the actions of its employee(s), your letter/email will instantly catch the attention of Mr. Big. Or one of Mr. Big’s assistants–who will likely take quick action to head off a lawsuit and/or bad publicity by trying to satisfy your request.
- Give the CEO’s secretary at least one to two days to get back to you. Remember: Resolving your problem isn’t the only task she needs to complete.
- If you’re writing the CEO, make sure you use his full name and title–and that you spell both correctly. People don’t get to be CEOs without a huge sense of ego. Nothing will turn him off faster than your failing to get his name and title exactly right.
- As in the case with his secretary, be brief–no more than a page and a half. Outline the problem you’re having and at least some (though not necessarily all) of the steps you’re taken to get it resolved.
- Then state what you want the company to do. Again, be fair and reasonable.
- If your main problem is simply getting through the phone system of the business, point out that most customers won’t put up with such rudeness and inefficiency. They will take their business elsewhere.


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HOLLYWOOD: ITS OWN WORST ENEMY
In Business, History, Social commentary on January 13, 2015 at 12:55 amThe cyberhacking of Sony Pictures last December led many Americans to wonder: “Is this the end of the movie industry as we know it?”
Yet Hollywood doesn’t need cyberattackers–whether from North Korea, as the FBI alleges, or fired ex-employees of Sony, as others believe–to seek its destruction.
It has long been its own worst enemy.
On July 22, 2014, a headline in the Hollywood Reporter offered this insight into moviedom’s current woes: “Average Movie Ticket Price Hits $8.33 in Second Quarter.”
Click here: Average Movie Ticket Price Hits $8.33 in Second Quarter
It’s hard to think of an industry that’s created a better recipe for self-destruction than the movie business.
Consider the following:
According to Rentrak, a company that keeps tabs on box office profits:
Among this summer’s films that disappointed movie studios:
Click here: Film Industry Has Worst Summer Since 1997
Analysts had predicted a drop-off in movie attendance owing to increased use of online streaming. They also expected major television events like the World’s Cup to keep moviegoers indoors.
But they didn’t expect the summer of 2014 to prove the worst in ticket sales since 1997.
Actually, the wonder is that the movie business hasn’t collapsed already.
It’s hard to think of an industry more geared toward its own destruction than the movie business.
First, there’s the before-mentioned average ticket price of $8.33. You don’t have to be an Einstein at math to multiply $8.33 by, say, a husband, wife, and two to four children.
So a couple with two children can expect to spend at least $33.32 just to get into the theater. A couple with four children will be gouged $49.98 for a single movie’s entertainment.
And that’s not including the marked-up prices charged for candy, soda and popcorn at the concession stand.
Second, it’s almost guaranteed that even the biggest potential movie “draw” will be released on DVD or streaming within three to six months after it hits theaters.
Putting out a film on DVD so soon after its theater-release only cheapens the thrill of seeing it in a movie theater.
So if you need to save enough money each month to meet the rent and other basic needs, you’re likely to wait it out for the DVD to hit stores. Wait even longer than six months, and you can probably buy a cheaper used DVD.
With that, you can watch your new favorite movie as many times as you want–-without being charged bigtime every time you do so.
This is especially tempting to those with big-screen TVs, whose prices have steadily fallen and are now affordable by almost everyone.
Third, there are the TV-like commercials that overwhelm audiences waiting for the movie to start.
There used to be an unspoken agreement between theaters and moviegoers: We’ll pay a fair price to see one movie. In return, we don’t expect to see commercials.
Naturally, that didn’t include previews of coming attractions. These have been a widely enjoyed part of the movie experience since the 1930s.
But starting in 2003, theaters began aiming commercials at their customers before even the previews came on. Some industry sources believe cinema advertising generates over $200 million a year in sales.
Even so, it turns movie-theaters into expensive TVs, and thus cheapens the special experience of seeing a movie in a theater.
Click here: Now showing at a theatre near you – Louisville – Business First
But for those who feel they’ve already suffered enough at the ticket booth, being forced to watch TV-style ads is simply too much.
Fourth, while some theaters provide lush seating and special help for their customers (such as closed-captioning for the deaf) many others do not.
At AMC theaters, an onscreen advisory tells you to seek help if you need it. But your chances of finding an available usher range from slim to none at most theaters.
To sum it up: What was once thought a special experience has become a jarring assault on the pocketbook and senses.
Just as airlines are now widely considered to be “flying buses,” so, too are movie theaters fast becoming expensive TV sets for moviegoers.
In the 1950s and 1960s, theaters lured customers from small-screen TVs with film spectacles like “Ben Hur” and “Spartacus.” Or with new “you-are-there” film experiments like Cinnemascope.
“Family-friendly” movies like “Mary Poppins” and “The Sound of Music” proved box-office champs with millions.
But now theaters have allowed their greed–for high ticket prices, quick-release DVDs and/or streaming and TV-style ads–to drive much of their audiences away.
Unless the owners of movie studios–-and movie theaters–quickly smarten up, the motion picture business may ultimately became a pale shadow of its former Technicolor self.
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