Yanira Maldonado has been released from a Mexican jail.
She and her husband, Gary, had traveled from Arizona to Mexico to attend a funeral.
They were returning to Arizona when their bus was stopped and searched. Mexican soldiers claimed they found 12 pounds of marijuana under her seat.
Gary Maldonado believes the soldiers were seeking a bribe in return for letting his wife go free.
But then the Mormon mother of seven got an unusually lucky break.
On May 30, security camera footage in court showed Maldonado and her husband boarding a bus in Mexico–and carrying a purse, two blankets and two bottles of water.
Her defense attorney, Francisco Benitez, argued that the images proved that nothing they were carrying could hold the amount of marijuana that Maldonado was accused of smuggling.
The Mexican soldiers who arrested Maldonado didn’t appear in court. They were scheduled to appear on May 29 but didn’t show.
Yanira Maldonado said she didn’t think that she was directly targeted: “Someone smuggled those in there, and I probably sat in the wrong seat.”
To anyone who has seen “Man on Fire,” the 2004 Denzel Washington movie, the possibility that Maldonado was framed in an extortion attempt does not seem far-fetched.
In fact, it’s an everyday occurrence in Mexico, where corruption permeates every aspect of that country’s “war on drugs.”
In “Man on Fire,” Washington plays Marcus Creasy, a former Special Forces soldier hired to bodyguard Pita Ramos, the precocious nine-year-old daughter of wealthy parents.
But in a shootout with kidnappers, Creasy is gravely wounded and Pita (Dakota Fanning) is snatched. Believing her murdered, Creasy sets out to avenge the child he has grown to love as his own.
He draws up a Who’s Who list of criminals engaged in serial kidnapping. And, in doing so, he learns that the biggest criminal gang of all is the Mexican police.
It’s called “La Hermandad” (The Brotherhood).
Creasy snatches a corrupt cop and tortures him (by cutting off several fingers) into giving up the names of some of his top associates. Then Creasy shoots him in the head and moves on to his next target.
Watching all this activity is the Mexican version of the FBI: The Agencia Federal de Investigacion (AFI). Its director, Miguel Manzano, plans to use Creasy to unravel the kidnappers’ network.
While Creasy coolly disposes of one kidnapper or corrupt cop after another, Manzano and his agents keep close tabs on the action. They will let Creasy do the dirty work and move in when the time is right.
After several grisly action sequences–including one where Creasy ambushes police with a Rocket Propelled Grenade (RPG) launcher–Creasy learns the unthinkable: Pita is actually alive.
He kidnaps the brother of the leader of “La Hermandad”–Daniel Sanchez–and offers him a trade: You give me Pita and I’ll give you your brother.
Just as he has brutally traded on the love of others for the lives of their snatched relatives, so, too, must Sanchez now accept such an arrangement.
The trade-off goes down, with Pita rushing into the arms of her overjoyed mother, and with Creasy surrendering himself to members of the Agencia Federal de Investigacion.
Daniel Sánchez is later killed by Miguel Manzano during an AFI raid.
“Man on Fire” is an unrelentingly brutal portrait of a thoroughly corrupt nation.
- Pita’s Mexican father sets up his own daughter for a bogus kidnapping to cheat the insurance company out of the money it’s prepared to pay for “kidnapping insurance.”
- His attorney cheats the kidnappers of the ransome money they had demanded, intending to keep this for himself.
- Two Mexican policemen make up the kidnapping gang that snatches Pita.
- A member of the Mexican Attorney General’s office–who’s assigned to its anti-kidnapping squad, no less–is in on the plot to seize Pita.
- Other members of the Mexican police routinely assist kidnapping gangs in return for a portion of the ransom money.
- Even the Agencia Federal de Investigacion, while portrayed as incorruptable, llows Creasy to eliminate cops and kidnappers as he leads the AFI closer to the head of the criminal network.
One of the few moments of levity–no doubt unintended–in an otherwise humorless movie comes at the start of its end-credits: “A SPECIAL THANKS TO MEXICO CITY, A VERY SPECIAL PLACE.”
“I love Mexico,” Maldonado told reporters after safely arriving in Nogales, Ariz. “My family is still there. So Mexico… it’s not Mexico’s fault. It’s a few people who you know did this to me,” she said.
Perhaps a more accurate analysis of the conditions prevailing in Mexico was given by William von Raab, the U.S. Commissioner of Customs from 1981 to 1989.
In 1986, testifying before a Senate committee on the extent of narcotics corruption in Mexico, Raab said: “There is an ingrained corruption in the Mexican law-enforcement establishment.
“Corruption is so pervasive, that one has to assume every Mexican official is corrupt unless proven otherwise.”
Raab’s assessment should be required reading for every American planning to vacation “down Mexico way.”
ALAMO, BILLY BOB THORNTON, DAVID CROCKETT, FACEBOOK, FESS PARKER, JAMES BOWIE, JOHN WAYNE, MEXICO, SAM HOUSTON, SLAVERY, STEPHEN F. AUSTIN, STERLING HAYDEN, TEXAS, TEXAS REVOLUTION, TWITTER, WILLIAM B. TRAVIS
REMEMBERING THE ALAMO: PART ONE (OF THREE)
In History, Social commentary on March 6, 2013 at 12:36 amJohn Wayne fought and died there–cinematically.
So did Richard Widmark, Laurence Harvey, Fess Parker, Sterling Hayden, Jason Patrick, Billy Bob Thornton and Patrick Wilson.
Today–March 6, 2013–marks the 177th anniversary of the fall of the Alamo, a crumbling former Spanish mission in the heart of San Antonio, Texas.
The combatants: 180 to 250 Texans (or “Texians,” as many of them preferred to be called) vs. 2,000 Mexican soldiers.
On the Texan side three names predominate: David Crockett, James Bowie and William Barret Travis. “The Holy Trinity,” as some historians ironically refer to them.
Crockett, at 49, was the most famous man in the Alamo. He had been a bear hunter, Indian fighter and Congressman. Rare among the men of his time, he sympathized with the Indian tribes he had helped subdue in the War of 1812.
He believed Congress should honor the treaties made with the former hostiles and opposed President Andrew Jackson’s effort to move the tribes further West.
Largely because of this, his constituents turned him out of office in November, 1835. He told them they could go to hell; he would go to Texas.
James Bowie, at 40, had been a slave trader with pirate Jean Lafitte and a land swindler. His greatest claim to fame lay in his fame as a knife-fighter.
This grew out of his participating in an 1827 duel on a sandbar in Natchez, Mississippi. Bowie was acting as a second to one of the duelists who had arranged the event.
After the two duelists exchanged pistol shots without injury, they called it a draw. But those who had come as their seconds had scores to settle among themselves–and decided to do so. A bloody melee erupted.
Bowie was shot in the hip and then impaled on a sword cane wielded by Major Norris Wright, a longtime enemy. Drawing a large butcher knife he wore at his belt, he gutted Wright, who died instantly.
The brawl became famous as the Sandbar Fight, and cemented Bowie’s reputation across the South as a deadly knife fighter.
William Barret Travis had been an attorney and militia member. Burdened by debts and pursued by creditors, he fled Alabama in 1831 to start over in Texas. Behind him he left a wife, son, and unborn daughter.
From the first, Travis burned to free Texas from Mexico and see it become a part of the United States.
In January, 1836, he was sent by the American provisional governor of Texas to San Antonio, to fortify the Alamo. He arrived there with a small party of regular soldiers and the title of lieutenant colonel in the state militia.
On the Mexican side, only one name matters: Antonio Lopez de Santa Anna, president (i.e., absolute dictator) of Mexico. After backing first one general and would-be “president” after another, Santa Anna maneuvered himself into the office in 1833.
Texas was then legally a part of Mexico. Stephen F. Austin, “the father of Texas,” had received a grant from Spain–which ruled Mexico until 1821–to bring in 300 American families to settle there. The Spaniards wanted to establish a buffer between themselves and warring Indian tribes like the Comanches.
These immigrations continued after Mexico threw off Spanish rule and obtained its independence.
But as Americans kept flooding into Texas, the character of its population changed, alarming its Mexican rulers.
The new arrivals did not see themselves as Mexican citizens but as transplanted Americans. They were largely Protestant, as opposed to the Catholic Mexicans. And many of them not only owned slaves but demanded the expansion of slavery–a practice illegal under Mexican law.
In October, 1835, fighting erupted between settlers and Mexican soldiers. In November, Mexican forces took shelter in the Alamo, which had been built in 1718 as a mission to convert Indians to Christianity. Since then it had been used as a fort–by Spanish and then Mexican troops.
Texans lay siege to the Alamo from October 16 to December 10, 1835. With his men exhausted, and facing certain defeat, General Perfecto de Cos, Santa Anna’s brother-in-law, surrendered. He gave his word to leave Texas and never take up arms again against its settlers.
Texans rejoiced. They believed they had won their “war” against Mexico.
But others knew better. One was Bowie. Another was Sam Houston, a former Indian fighter, Congressman and protégé of Andrew Jackson.
Still another was Santa Anna, who styled himself “The Napoleon of the West.” In January, 1836, he set out from Mexico City at the head of an army totaling about 7,000.
He planned the 18th century version of a blitzkrieg, intending to arrive in Texas and take its “rebellious foreigners” by surprise.
His forced march proved costly in lives, but met his objective. He arrived in San Aotonio with several hundred soldiers on February 23, 1836.
The siege of the Alamo–the most famous event in Texas history–was about to begin.
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