From 1965 until 1973, the United States lent its full military power to aiding the dictatorship of South Vietnam against the dictatorship of North Vietnam.
Despite this, veterans of combat with the North Vietnamese Army showed far more respect for their hard-core enemies than their supposedly staunch South Vietnamese allies.
Consider the following examples, taken from the screenplay of Stanley Kubrick’s classic 1987 film, Full Metal Jacket.
The movie is largely based on Dispatches, the Vietnam memoirs of Michael Herr, a war correspondent for Esquire magazine (1967-1969).
Example 1:
A group of Marines are resting on the plaza of a pagoda. One of them calls to a photographer for the Marine newspaper, The Sea Tiger: “Hey photographer! You want to take a good picture? Here, man, take this. This is my bro….”
He lifts a hat, which is covering the face of a dead man–and reveals the face, not of an American, but of a North Vietnamese soldier.
“This is my bro…”
“This is his party. He’s the guest of honor. Today is his birthday. I will never forget this day. The day I came to Hue City and fought one million N.V.A. [North Vietnamese Army] gooks.
“I love the little Commie bastards, man, I really do. These enemy grunts are as hard as slant-eyed drill instructors. These people we wasted here today are the finest human beings we will ever know.
“After we rotate back to the world [the United States] we’re gonna miss not having anyone around that’s worth shooting.”
Example 2:
A reporter for a TV news crew is interviewing Marines during a lull in the fighting for the city of Hue.
EIGHTBALL: “Personally, I think they don’t really want to be involved in this war. I mean, they sort of took away our freedom and gave it to the gookers, you know. But they don’t want it. They’d rather be alive than free, I guess. Poor dumb bastards.”
COWBOY: “Well, the ones I’m fighting at are some pretty bad boys. I’m not real keen on some of these fellows that are supposed to be on our side. I keep meeting ’em coming the other way.”
DONLON: “I mean, we’re getting killed for these people and they don’t even appreciate it. They think it’s a big joke.”
ANIMAL MOTHER: “Well, if you ask me, uh, we’re shooting the wrong gooks.”
Example 3:
Haggling with a South Vietnamese pimp over the cost of a prostitute’s wares, a Marine recites a joke popular among American forces: “Be glad to trade you some ARVN rifles. Never been fired and only dropped once” [by retreating South Vietnamese forces].
* * * * *
Now, fast-forward from Vietnam in 1968 to Iraq in 2015.
Once again, the United States seems poised to embrace another worthless “ally.”
On May 25, Secretary of Defense Ash Carter bluntly accused the army of Iraq of lacking the will to stand up to its enemies in the Islamic State of Iraq and Syria (ISIS).
Secretary of Defense Ash Carter
On May 17, the Iraqi city of Ramadi fell to ISIS after the Iraqi army deserted the citizens counting on its protection.
Appearing on CNN’s Sunday news show, State of the Union, Carter said:
“What apparently happened is that the Iraqi forces showed no will to fight. They were not outnumbered. In fact, they vastly outnumbered the opposing force.
“That says to me, and I think to most of us, that we have an issue with the will of the Iraqis to fight [ISIS] and defend themselves.”
On the May 22, edition of the PBS Newshour, political commentator Mark Shields–a former Marine–sized up the situation:
“And the chairman of the Joint Chiefs of Staff, General Martin Dempsey, said they were not driven, the Iraqi army was not driven out of Ramadi. They drove out of Ramadi.
“They aren’t a paper tiger. They’re a paper tabby cat….
“But I will say that there are 250,000 Iraqi troops. There are, by CIA estimates, up to 31,000 ISIS troops.
“And you have full flight. I mean, they won’t be engaged. They haven’t been engaged.”
In 2010, President Barack Obama announced the withdrawal of American combat troops from Iraq.
Since then, Obama’s strategy for turning Iraq into a bulwark against islamic extemism has rested on two goals:
- Rebuilding and retraining the Iraqi army; and
- Prodding the Shiite-dominated government in Baghdad to reconcile with the nation’s Sunnis.
The second goal is especially important. The Sunnis, a religious minority in Iraq, ruled the country for centuries until the United States drove Saddam Hussein from power in 2003.
Now the Shiites are in control of Iraq, and they have been unwilling to grant political concessions to the alienated Sunnis. Baghdad has continued to work closely with Shiite militias backed by Iran.
In turn, the Sunnis have become a source of manpower and money for ISIS.
America’s relationship with Iraq has become eerily similar to the one it had with South Vietnam from 1955 to 1973.
And that relationship led the United States into the most divisive war in its history since the Civil War (1861-1865).


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CENSORSHIP: THE AMERICAN WAY
In Bureaucracy, History, Military, Politics, Social commentary on May 14, 2015 at 3:29 pmMidway through Stanley Kubrick’s 1987 Vietnam epic, Full Metal Jacket, there’s an editorial meeting of The Sea Tiger, the official Marine newspaper.
The correspondents are discussing how best to portray America’s faltering efforts to win a war that most of the “grunts” have come to see as unwinnable.
Lieutenant Lockhart, who’s presiding, wants his reporters to make some changes in the way they report the war.
LOCKHART: Chili, if we move Vietnamese, they are “evacuees.” If they come to us to be evacuated, they are “refugees.”
CHILI: I’ll make a note of it, sir.
LOCKHART (reading): “A young North Vietnamese Army regular, who realized his side could not win the war, deserted from his unit after reading Open Arms program pamphlets.”
That’s good, Dave. But why say “North Vietnamese Army regular”? Is there an irregular? How about “North Vietnamese Army soldier”?
DAVE: I’ll fix it up, sir.
LOCKHART: “Search and destroy.” Uh, we have a new directive on this. In the future, in place of “search and destroy,” substitute the phrase “sweep and clear.” Got it?
Lt. Lockhart (right) briefs his Marine reporters
JOKER: Got it. Very catchy.
LOCKHART: And, Joker–where’s the weenie?
JOKER: Sir?
LOCKHART The Kill, Joker. The kill. I mean, all that fire, the grunts must’ve hit something.
JOKER: Didn’t see ’em.
LOCKHART Joker, I’ve told you, we run two basic stories here. Grunts who give half their pay to buy gooks toothbrushes and deodorants–Winning of Hearts and Minds–okay?
And combat action that results in a kill–Winning the War. Now you must have seen blood trails … drag marks?
JOKER: It was raining, sir.
LOCKHART: Well, that’s why God passed the law of probability. Now rewrite it and give it a happy ending–say, uh, one kill. Make it a sapper or an officer. Which?
JOKER: Whichever you say.
LOCKHART Grunts like reading about dead officers.
JOKER Okay, an officer. How about a general?
LOCKHART Joker, maybe you’d like our guys to read the paper and feel bad. I mean, in case you didn’t know it, this is not a particularly popular war. Now, it is our job to report the news that these why-are-we-here civilian newsmen ignore.
* * * * *
Kubrick’s film is set in the South Vietnam of 1968.
This was a war where military newspapers like Stars and Stripes offered a gung-ho, all-systems-go version of constant American progress against a tough enemy.
And where civilian reporters like David Halberstam and Walter Cronkite saw the war for what it was and labeled it a brutal, wasteful and ultimately doomed effort.
Now, 47 years after the events depicted in Full Metal Jacket, the Obama administration wants to censor the American news media as the military censored its own.
The President wants the media to stop using footage from the Islamic State of Iraq and the Levant (ISIL) during newscasts.
“We are urging broadcasters to avoid using the familiar B-roll that we’ve all seen before, file footage of ISIL convoys operating in broad daylight, moving in large formations with guns out, looking to wreak havoc,” Emily Horne, a spokeswoman for the State Department, told Politico.
Stop using ISIL footage, Obama administration asks networks – Michael Crowley and Hadas Gold – POLITICO
The “B-roll” is stock footage that appears onscreen while reporters/commentators talk. It’s the stuff that keeps an audience watching the newscast, even if they ignore what’s being said.
“It’s inaccurate–that’s no longer how ISIL moves,” she added.
Since August, 2014, the United States and its allies have dropped thousands of bombs on ISIL–especially on its convoys–in Iraq and Syria.
As a result, claim U.S. officials, ISIL can no longer mass its forces in daylight–or move in large convoys. Such large concentrations can be easily spotted–and attacked–from the air.
ISIL convoy
So how would the Pentagon like ISIL to be portrayed in file footage?
“One Toyota speeding down the road by itself at night with its headlights off,” said Pentagon spokesman Colonel Steve Warren.
Warren added that some of the B-roll the networks are using comes from propaganda videos made by ISIL.
Senior State Department and Pentagon officials have begun contacting television network reporters to suggest news sources switch to using more U.S.-friendly videos, such as Iraqi army soldiers being trained, or footage from coalition airstrikes.
When contacted by Politico for comment, ABC, CNN, Fox and NBC refused to comment.
Covering how Americans behave in war has proven a challenge for American news media since the Vietnam conflict.
In 1966, New York Times reporter Harrison E. Salisbury was allowed to enter North Vietnam to cover the war from their perspective.
His reports of heavy American bombing raids and their resulting civilian casualties and infrastructure damage provoked national controversy.
Officials of the Johnson administration charged Salisbury with “aiding and abetting the enemy” by reporting North Vietnamese claims of loss.
Salisbury–and the Times–replied that of course they were reporting what North Vietnamese officials were saying. That was why he was there–to get the other side’s point-of-view.
So long as freedom of the press exists in reality as well as theory, there will always be tension between those who want to report the news–and those who want to censor it.
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