Saving Private Ryan, Steven Spielberg’s 1998 World War II epic, opens with a scene of an American flag snapping in the wind.
Except that the brilliant colors of Old Glory have been washed out, leaving only black-and-white stripes and black stars.
And then the movie opens—not during World war II but the present day.
Did Spielberg know something that his audience could only sense? Such as that the United States, for all its military power, has become a pale shadow of its former glory?
May 30, 1945, marked the first Memorial Day after World War II ended in Europe. On that day, the Sicily-Rome American Cemetery, near the town of Nettuno, held about 20,000 graves.
Most were soldiers who died in Sicily, at Salerno, or at Anzio. One of the speakers at the ceremony was Lieutenant General Lucian K. Truscott, Jr., the U.S. Fifth Army Commander.
Lieutenant General Lucian K. Truscott, Jr.
Unlike many other generals, Truscott had shared in the dangers of combat, pouring over maps on the hood of his jeep with company commanders as bullets or shells whizzed about him.
When it came his turn to speak, Truscott moved to the podium. Then he turned his back on the assembled visitors—which included several Congressmen.
The audience he now faced were the graves of his fellow soldiers.
Among those who heard Truscott’s speech was Bill Mauldin, the famous cartoonist for the Army newspaper, Stars and Stripes. Mauldin had created Willie and Joe, the unshaved, slovenly-looking “dogfaces” who came to symbolize the GI.
Bill Mauldin and “Willie and Joe,” the characters he made famous
It’s from Mauldin that we have the fullest account of Truscott’s speech that day.
“He apologized to the dead men for their presence there. He said that everybody tells leaders that it is not their fault that men get killed in war, but that every leader knows in his heart that this is not altogether true.
“He said he hoped anybody here through any mistake of his would forgive him, but he realized that he was asking a hell of a lot under the circumstances….
“Truscott said he would not speak of the ‘glorious’ dead because he didn’t see much glory in getting killed in your teens or early twenties.
“He promised that if in the future he ran into anybody, especially old men, who thought death in battle was glorious, he would straighten them out. He said he thought it was the least he could do.”
Then Truscott walked away, without acknowledging his audience of celebrities.
Fast forward 73 years later—to November 10, 2018.
President Donald J.Trump flies to Paris to commemorate the 100th anniversary of the end of WWI—November 11, 1918.
Upon arriving, he tweets: “I am in Paris getting ready to celebrate the end of World War One. Is there anything better to celebrate than the end of a war, in particular that one, which was one of the bloodiest and worst of all time?”
A scheduled event of his trip is a visit to the Aisne-Marne American Cemetery and Memorial, 50 miles outside Paris.
Nearly 2,300 war dead are buried there. And many of them perished in the same area during the summer of 1918.
Trump is scheduled to take his Marine 1 helicopter to the memorial site.
But, suddenly, he refuses to go.
The White House claims it’s “due to scheduling and logistical difficulties caused by the weather.”
The real reason: The appearance of gray skies and drizzle.
Canadian Prime Minister Justin Trudeau, German Chancellor Angela Merkel and French President Emmanuel Macron don’t allow rain to intimidate them.
Trump’s critics are quick to respond.
“They died with their face to the foe and that pathetic inadequate Donald Trump couldn’t even defy the weather to pay his respects to The Fallen,” says Nicholas Soames, Winston Churchill’s grandson and a member of the British Parliament.
And David Frun, a former speechwriter for President George W. Bush, tweets:
“It’s incredible that a president would travel to France for this significant anniversary – and then remain in his hotel room watching TV rather than pay in person his respects to the Americans who gave their lives in France for the victory gained 100 years ago tomorrow.”
Despite the rain, an American delegation led by Chief of Staff General John Kelly and Chairman of the Joint Chiefs of Staff General Joe Dunford still attend the event.
This marks only the latest in a series of embarrassing outrages committed by President Donald J. Trump, who has:
- Claimed that “bone spurs” made it impossible for him to serve his country during the Vietnam war.
- Equated his reckless sex life during the 1970s with the risks American soldiers faced in Vietnam.
- Relentlessly defended Russian dictator Vladimir Putin against all criticism, even as he’s slandered literally hundreds of his fellow citizens on Twitter.
- Rejected the findings by the FBI and CIA that Russia intervened in the 2016 election to help him win the White House.
- “Joked” that it would be “great” if the United States had a “President-for-Life”—like China.
Small wonder then, that, for many people, Old Glory has taken on a darker, washed-out appearance—in real-life as in film.
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A FAST-FADING GLORY
In Bureaucracy, History, Military, Politics, Social commentary on May 27, 2024 at 12:10 amSaving Private Ryan, Steven Spielberg’s 1998 World War II epic, is a tribute to the virtues of courage and self-sacrifice in defense of loyalty and freedom.
Virtues that are increasingly lost on millions of Right-wing Americans who have turned their backs on democracy and fervently embraced rule by strongman.
The movie opens with a scene of an American flag snapping in the wind. Except that the brilliant colors of Old Glory have been washed out, leaving only black-and-white stripes and black stars.
And then the movie opens—not during World war II but the present day.
Did Spielberg know something that his audience could only sense? Such as that the United States, for all its military power, has become a pale shadow of its former glory?
May 30, 1945, marked the first Memorial Day after World War II ended in Europe. On that day, the Sicily-Rome American Cemetery, near the town of Nettuno, held about 20,000 graves.
Most were soldiers who had died in Sicily, at Salerno, or at Anzio. One of the speakers at the ceremony was Lieutenant General Lucian K. Truscott, Jr., the U.S. Fifth Army Commander.
Lieutenant General Lucian K. Truscott, Jr.
Unlike many other generals, Truscott had shared in the dangers of combat, pouring over maps on the hood of his jeep with company commanders as bullets or shells whizzed about him.
When it came his turn to speak, Truscott moved to the podium. Then he turned his back on the assembled visitors—which included several Congressmen.
The audience he now faced were the graves of his fellow soldiers.
Among those who heard Truscott’s speech was Bill Mauldin, the famous cartoonist for the Army newspaper, Stars and Stripes. Mauldin had created Willie and Joe, the unshaven, slovenly-looking “dogfaces” who came to symbolize the GI.
Bill Mauldin and “Willie and Joe,” the characters he made famous
It’s from Mauldin that we have the fullest account of Truscott’s speech that day.
“He apologized to the dead men for their presence there. He said that everybody tells leaders that it is not their fault that men get killed in war, but that every leader knows in his heart that this is not altogether true.
“He said he hoped anybody here through any mistake of his would forgive him, but he realized that he was asking a hell of a lot under the circumstances….
“Truscott said he would not speak of the ‘glorious’ dead because he didn’t see much glory in getting killed in your teens or early twenties.
“He promised that if in the future he ran into anybody, especially old men, who thought death in battle was glorious, he would straighten them out. He said he thought it was the least he could do.
“It was the most moving gesture I ever saw,” wrote Mauldin.
Then Truscott walked away, without acknowledging his audience of celebrities.
Fast forward 61 years later—to March 24, 2004.
At a White House Correspondents dinner in Washington, D.C., President George W. Bush joked publicly about the absence of Weapons of Mass Destruction (WMDs) in Iraq.
One year earlier, he had ordered the invasion of Iraq, claiming that its dictator, Saddam Hussein, possessed WMDs he intended to use against the United States.
To Bush, the non-existent WMDs were simply the butt of a joke that night. While an overhead projector displayed photos of a puzzled-looking Bush searching around the Oval Office, Bush recited a comedy routine.
“Those Weapons of Mass Destruction have gotta be here somewhere,” Bush laughed, while a photo showed him poking around the corners of the Oval Office.
“Nope—no weapons over there! Maybe they’re under here,” he said, as a photo showed him looking under a desk.
George W. Bush jokes about “missing” WMDs
It was a scene that could have occurred under the Roman emperor Nero: An assembly of wealthy, pampered men and women–the elite of America’s media and political classes–laughed heartily during Bush’s performance.
Only later did outrage come—from Democrats and Iraqi war veterans. Especially those veterans who had lost comrades or suffered horrific wounds to protect America from a threat that had never existed.
Then fast forward another 11 years—to February 27, 2015.
The Republican party’s leading Presidential contenders for 2016 gathered at the Conservative Political Action Conference (CPAC) in National Harbor, Maryland.
Among them:
Although each candidate tried to stake his own claim to the Oval Office, all of them agreed on two points:
First, President Barack Obama had been dangerously timid in his conduct of foreign policy; and
Second, they would pursue aggressive military action in the Middle East.
Neither Bush nor Walker had seen fit to enter the ranks of the military he wished to plunge into further combat. And Trump was a five-time draft dodger while the Vietnam war raged.
Bush, Walker and Trump are typical of those who make up the United States Congress:
Of those members elected to the House and Senate in November, 2016, only 102—less than 19%—served in the U.S. military.
Small wonder then, that, for many people, Old Glory has taken on a darker, washed-out appearance, in real-life as in film.
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