"EXCALIBUR", ABC NEWS, AFGHANISTAN, ALEXANDER THE GREAT, ALTERNET, AMERICABLOG, AP, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BUZZFEED, CBS NEWS, CNN, CROOKS AND LIARS, DAILY KOS, FIVETHIRTYEIGHT, GEORGE W. BUSH, HARPER’S MAGAZINE, HUFFINGTON POST, IRAQ, JOHN BOORMAN, KING ARTHUR, MEDIA MATTERS, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, STEVEN PRESSFIELD, TALKING POINTS MEMO, THE AFGHAN CAMPAIGN (BOOK), THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE VIRTUES OF WAR, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUTHDIG, TRUTHOUT, TWITTER, U.S. MARINE CORPS, U.S. NEWS & WORLD REPORT, UPI, USA TODAY
SOLDIERING IN AFGHANISTAN FOR GREEKS AND AMERICANS
In History, Military, Politics, Social commentary on April 21, 2023 at 12:10 am
In “Excalibur,” director John Boorman’s brilliant 1981 telling of the King Arthur legends, Merlin warns Arthur’s knights–and us: “For it is the doom of men that they forget.”
Not so Steven Pressfield, who repeatedly holds up the past as a mirror to our present. Case in point: His 2006 novel, The Afghan Campaign.
By 2006, Americans had been fighting in Afghanistan for five years. And after 20 years into the same war, Americans reached the same conclusion: The best outcome was to get out.
Pressfield’s novel, although set 2,000 years into the past, has much to teach us about what our soldiers faced in that same alien, unforgiving land.
Matthias, a young Greek seeking glory and opportunity, joins the army of Alexander the Great. But the Persian Empire has fallen, and the days of conventional, set-piece battles—where you can easily tell friend from foe—are over.
Alexander next plans to conquer India, but to get there he must first enter Afghanistan. It’s here that the Macedonians meet a new—and deadly—kind of enemy.
“Here the foe does not meet us in pitched battle,” warns Alexander. “Even when we defeat him, he will no accept our dominion. He comes back again and again. He hates us with a passion whose depth is exceeded only by his patience and his capacity for suffering.”
Alexander the Great
Matthias learns this early. In his first raid on an Afghan village, he’s ordered to execute a helpless prisoner. When he hesitates, he’s brutalized by his superior until he strikes out with his sword—and botches the job.
But, soon, exposed to an unending series of atrocities—committed by himself and his comrades on Afghans, and by Afghans on his own fellow soldiers—he finds himself transformed.
And he hates it. He agonizes over the gap between the ideals he embraced when he became a soldier—and the brutalities that have drained him of everything but a grim determination to survive at any cost:
“When we were boys, we rode from dark to dark, training for the charge and the chase. We dreamed of standing before our king as knights and heroes. I still do. There must be some way to be a good soldier in a rotten war.”
It’s a sentiment no doubt expressed by countless Americans in Afghanistan—and Vietnam.
Pressfield, a former Marine himself, repeatedly contrasts how civilians see war as a kind of “glorious” child’s-play with how soldiers actually experience it.
He creates an extraordinary exchange between Costas, an ancient-world version of a CNN war correspondent, and Lucas, a soldier whose morality is outraged at how Costas and his ilk routinely prettify the indescribable.
Costas wants to give his audience a beautifully antiseptic view of the conflict. Lucas will have none of it.
And we know the truth of this exchange immediately. For we know there are doubtless brutalities inflicted by our troops on the enemy—and atrocities inflicted by the enemy upon them—that never make the headlines, let alone the TV cameras.
We also know that, decades from now, thousands of our former soldiers will carry horrific memories to their graves. These memories will remain sealed from public view, allowing their fellow but un-blooded Americans to sleep peacefully, unaware of and unaffected by the terrible price that others have paid on their behalf.
Afghanistan
Like the Macedonians (who call themselves “Macks”), our own soldiers found themselves serving in an all-but-forgotten land among a populace whose values could not be more alien from our own if they came from Mars.
Instinctively, they turned to one another—not only for physical security but to preserve their last vestiges of humanity. As the war-weary veteran, Lucas, advises:
“Never tell anyone except your mates. Only you don’t need to tell them. They know. They know you. Better than a man knows his wife, better than he knows himself. They’re bound to you and you to them, like wolves in a pack. It’s not you and them. You are them. The unit is indivisible. One dies, we all die.”
Put conversely: One lives, we all live.
Pressfield has reached into the past to reveal fundamental truths about the present that most of us could probably not accept if contained in a modern-day memoir.
These truths take on an immediate poignancy owing to our 20-year war in Afghanistan. But they will remain just as relevant decades from now, when our now-young soldiers are old and retired.
This book has been described as a sequel to Pressfield’s The Virtues of War: A Novel of Alexander the Great, which appeared in 2004. But it isn’t.
Virtues showcased the brilliant and luminous (if increasingly dark and explosive) personality of Alexander the Great, whose good-vs.-evil rhetoric—like that of President George W. Bush—inspired men to hurl themselves into countless battles on his behalf.
But Afghan thrusts us directly into the flesh-and-blood realities created by that rhetoric: The horrors of men traumatized by an often unseen but always menacing enemy, and the horrors they must inflict in return if they are to survive in a hostile and alien world.
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"EXCALIBUR", ABC NEWS, AFGHANISTAN, ALEXANDER THE GREAT, ALTERNET, AMERICABLOG, AP, BABY BOOMER RESISTANCE, BBC, BLOOMBERG NEWS, BUZZFEED, CBS NEWS, CNN, CROOKS AND LIARS, DAILY KOS, FIVETHIRTYEIGHT, GEORGE W. BUSH, HARPER’S MAGAZINE, HUFFINGTON POST, IRAQ, JOHN BOORMAN, KING ARTHUR, MEDIA MATTERS, MOTHER JONES, MOVEON, MSNBC, NBC NEWS, NEW REPUBLIC, NEWSDAY, NEWSWEEK, NPR, PBS NEWSHOUR, POLITICO, POLITICUSUSA, RAW STORY, REUTERS, SALON, SEATTLE TIMES, SLATE, STEVEN PRESSFIELD, TALKING POINTS MEMO, THE AFGHAN CAMPAIGN (BOOK), THE ATLANTIC, THE CHICAGO SUN-TIMES, THE CHICAGO TRIBUNE, THE DAILY BEAST, THE DAILY BLOG, THE GUARDIAN, THE HILL, THE HUFFINGTON POST, THE INTERCEPT, THE LOS ANGELES TIMES, THE NATION, THE NEW REPUBLIC, THE NEW YORK TIMES, THE NEW YORKER, THE VILLAGE VOICE, THE VIRTUES OF WAR, THE WASHINGTON POST, THINKPROGRESS, TIME, TRUTHDIG, TRUTHOUT, TWITTER, U.S. MARINE CORPS, U.S. NEWS & WORLD REPORT, UPI, USA TODAY
SOLDIERING IN AFGHANISTAN FOR GREEKS AND AMERICANS
In History, Military, Politics, Social commentary on April 21, 2023 at 12:10 amIn “Excalibur,” director John Boorman’s brilliant 1981 telling of the King Arthur legends, Merlin warns Arthur’s knights–and us: “For it is the doom of men that they forget.”
Not so Steven Pressfield, who repeatedly holds up the past as a mirror to our present. Case in point: His 2006 novel, The Afghan Campaign.
By 2006, Americans had been fighting in Afghanistan for five years. And after 20 years into the same war, Americans reached the same conclusion: The best outcome was to get out.
Pressfield’s novel, although set 2,000 years into the past, has much to teach us about what our soldiers faced in that same alien, unforgiving land.
Matthias, a young Greek seeking glory and opportunity, joins the army of Alexander the Great. But the Persian Empire has fallen, and the days of conventional, set-piece battles—where you can easily tell friend from foe—are over.
Alexander next plans to conquer India, but to get there he must first enter Afghanistan. It’s here that the Macedonians meet a new—and deadly—kind of enemy.
“Here the foe does not meet us in pitched battle,” warns Alexander. “Even when we defeat him, he will no accept our dominion. He comes back again and again. He hates us with a passion whose depth is exceeded only by his patience and his capacity for suffering.”
Alexander the Great
Matthias learns this early. In his first raid on an Afghan village, he’s ordered to execute a helpless prisoner. When he hesitates, he’s brutalized by his superior until he strikes out with his sword—and botches the job.
But, soon, exposed to an unending series of atrocities—committed by himself and his comrades on Afghans, and by Afghans on his own fellow soldiers—he finds himself transformed.
And he hates it. He agonizes over the gap between the ideals he embraced when he became a soldier—and the brutalities that have drained him of everything but a grim determination to survive at any cost:
“When we were boys, we rode from dark to dark, training for the charge and the chase. We dreamed of standing before our king as knights and heroes. I still do. There must be some way to be a good soldier in a rotten war.”
It’s a sentiment no doubt expressed by countless Americans in Afghanistan—and Vietnam.
Pressfield, a former Marine himself, repeatedly contrasts how civilians see war as a kind of “glorious” child’s-play with how soldiers actually experience it.
Steven Pressfield
He creates an extraordinary exchange between Costas, an ancient-world version of a CNN war correspondent, and Lucas, a soldier whose morality is outraged at how Costas and his ilk routinely prettify the indescribable.
Costas wants to give his audience a beautifully antiseptic view of the conflict. Lucas will have none of it.
And we know the truth of this exchange immediately. For we know there are doubtless brutalities inflicted by our troops on the enemy—and atrocities inflicted by the enemy upon them—that never make the headlines, let alone the TV cameras.
We also know that, decades from now, thousands of our former soldiers will carry horrific memories to their graves. These memories will remain sealed from public view, allowing their fellow but un-blooded Americans to sleep peacefully, unaware of and unaffected by the terrible price that others have paid on their behalf.
Afghanistan
Like the Macedonians (who call themselves “Macks”), our own soldiers found themselves serving in an all-but-forgotten land among a populace whose values could not be more alien from our own if they came from Mars.
Instinctively, they turned to one another—not only for physical security but to preserve their last vestiges of humanity. As the war-weary veteran, Lucas, advises:
“Never tell anyone except your mates. Only you don’t need to tell them. They know. They know you. Better than a man knows his wife, better than he knows himself. They’re bound to you and you to them, like wolves in a pack. It’s not you and them. You are them. The unit is indivisible. One dies, we all die.”
Put conversely: One lives, we all live.
Pressfield has reached into the past to reveal fundamental truths about the present that most of us could probably not accept if contained in a modern-day memoir.
These truths take on an immediate poignancy owing to our 20-year war in Afghanistan. But they will remain just as relevant decades from now, when our now-young soldiers are old and retired.
This book has been described as a sequel to Pressfield’s The Virtues of War: A Novel of Alexander the Great, which appeared in 2004. But it isn’t.
Virtues showcased the brilliant and luminous (if increasingly dark and explosive) personality of Alexander the Great, whose good-vs.-evil rhetoric—like that of President George W. Bush—inspired men to hurl themselves into countless battles on his behalf.
But Afghan thrusts us directly into the flesh-and-blood realities created by that rhetoric: The horrors of men traumatized by an often unseen but always menacing enemy, and the horrors they must inflict in return if they are to survive in a hostile and alien world.
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